User manual APEX APEX181

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Manual abstract: user guide APEX APEX181

Detailed instructions for use are in the User's Guide.

[. . . ] (Included) The Apex181 features a 20mm internal shock mounted diaphragm with a highly versatile cardioid pick up pattern. By design, the Apex181 works perfectly on any OS-X or WindowsXP based PC or laptop running any DAW software. It provides an ideal audio capture solution for highly mobile laptop users, which may have no direct input method for high quality audio devices without carrying additional hardware interfaces. [. . . ] The MAC will recognize the USB audio device and automatically install a universal driver. To select the APEX181 as the computers audio input, open the System Preferences from the dock or the main Apple Menu. Next open the Sound Preference and click in the Input tab and select APEX181. Setting up the APEX181 in Windows XP (with Service Pack 2 - other versions may vary slightly. ) Plug in microphone. The LED will light to indicate it is receiving USB power. WindowsXP will recognize the USB audio device and automatically install the universal drivers. The APEX181 is now recognized as a Windows audio device under the name APEX181. To set it as the default device and change computer-controlled gain, access control panel. Access Sounds and Audio Devices through Control Panel. Select APEX181 as Sound Recording Device in the Audio Tab window. You may also have to select the microphone in most pro audio programs where multiple devices must be set within the program. To set the microphone Gain, click the Volume button. The Wave In window sets the computer controlled gain, pan and microphone mute. Powering the APEX181 The APEX181 is a condenser microphone, and like all condenser microphones, it has internal electronics that require an active power supply. [. . . ] *Vocalists can use the proximity effect to their advantage, adding fullness and more 'bottom end' to the voice as they move closer to the microphone. Experienced vocalists can easily incorporate it as part of their overall microphone technique. Experimentation with mic placement during the recording process is the key. [. . . ]

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