User manual ART 442

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Manual abstract: user guide ART 442

Detailed instructions for use are in the User's Guide.

[. . . ] XLR and 1/4" TRS are actively balanced with pin 2 or the tip being Hi (Hot), Pin 3 or the ring being Lo, and Pin 1 or sleeve being ground. Unbalanced operation requires using the RCA phono connector or use Pin 2 of the XLR or tip 1/4" TRS as ground. 2 Balanced output requires using Pin 2 of the XLR or the tip of the 1/4" TRS as output Hi (+) and using pin 3 of the XLR or the ring of the 1/4" TRS as Lo (-). It does not require pin 1 or signal ground. The signal exists differentially between the two balanced leads. [. . . ] If you do not have enough gain for your needs, switch the range switch to the 12dB setting. If the Clip LED lights continuously, turn down the level control until the LED is off most of the time. FRONT PANEL CONTROLS 1. POWER SWITCH To turn the equalizer ON or OFF, press the upper or lower portion of this button. CAUTION: Always turn on your equalizer BEFORE your power amplifiers are turned on, and always turn off your equalizer AFTER your power amplifiers have been turned off. 4 2. FILTER LEVEL CONTROLS Each of these sliders controls the output level of each of the 31 (or 15) bandpass filters. The center detent position is grounded to assure flat response. FILTER RANGE SWITCH & INDICATORS The gain range of the filter sliders is switchable (as a group) from +/- 6dB to + /-12dB for maximum boost/cut capability. At 6dB the green LED will illuminate and at 12dB the yellow LED will illuminate. BYPASS SWITCH & INDICATOR When the red LED is illuminated, this indicates that the unit or channel is in the bypass mode. Signal is routed directly from the input to the output without passing through any circuit (often referred to as "hard-wire bypass"). Use this switch to compare equalized and unequalized material, or to bypass the EQ section in the event of power loss or unit failure. OVERLOAD INDICATOR This red LED illuminates if any section of the equalizer is within 5dB of clipping. Occasional flickering of this LED is acceptable, but if it remains on more than intermittently you should turn down either the equalizer's level controls or reduce the output level of the preceding component to avoid audible distortion. HI PASS FILTER (LOW-CUT FREQUENCY CONTROL) To cut down on unwanted low frequency signals, this control determines the roll-off frequency of the High-Pass Filter (HPF). The roll-off frequency can be adjusted from 10Hz to 250Hz by turning this knob. Because of its high roll-off slope, the HPF can be efficiently used to cut down the "HUM" noise from preceding instruments, or to reduce low frequency resonances, when speakers are installed in an enclosed acoustic environment. LOW PASS FILTER (HIGH-CUT FREQUENCY CONTROL) To cut down on unwanted high frequency signals, this control determines the roll-off frequency of the Low-Pass Filter (LPF). The roll-off frequency can be adjusted from 3kHz to 40kHz by turning the knob. Because of its high roll-off slope, the LPF can be effectively used to cut down the high frequency noise from preceding instruments, or roll-off excessive high frequency sounds to obtain a more natural sound in acoustic situations. 5 8. LEVEL CONTROL This controls the level of signal coming into the equalizer. Turn this control down if the Clip LED illuminates steadily (meaning too strong an input signal). Unity gain can be set by turning this knob to its center detent position. [. . . ] A R T shall not be liable for any consequential damages, including without limitation damages resulting from loss of use. Some states do not allow limitations of incidental or consequential damages, so the above limitation or exclusion may not apply to you. This warranty gives you specific rights and you may have other rights, which vary from state to state. For units purchased outside the United States, an authorized distributor of Applied Research and Technology will provide service. 9 SERVICE The following information is provided in the unlikely event that your unit requires service. [. . . ]

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