User manual ART FXR ELITE II

[. . . ] 3 Power . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3 Inputs. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3 Outputs. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3 1/4" Outputs. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3 XLR Outputs. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . [. . . ] Attack sets how fast the filter responds to playing. Adjust your frequency sweep window with the Tune parameter. NOTES: 1) The actual input level after the Drive control is used to trigger the envelope filter. 23 2) Using a Distortion with the Envelope Filter adds some harmonic interaction to the sound. 4) If you use the X-15 Ultrafoot, you must assign a Performance MIDI controller to the Threshold parameter. NOISE GATE [NOISE GATE], [NGT] Parameter: RANGE = OFF to 100% in 3% increments [50%] The Noise Gate is located last in the analog effects chain. Its one parameter, Range, sets the threshold point of when the gate kicks in, shutting off the signal. As the Range parameter value increases, the SGX 2000 is allowed to gate off higher signal levels. NOTE: The Noise Gate uses the input signal level to determine if it is opened or closed. SIGNAL FREQUENCY SHAPING ALGORITHMS EQUALIZER (SEVEN BAND EQUALIZER) [EQUALIZER], [EQL] Parameters: 40Hz (+/-) 2, 4, 6, 9, 12, 15 dB [0] 100Hz (+/-) 2, 4, 6, 9, 12, 15 dB [0] 250Hz (+/-) 2, 4, 6, 9, 12, 15 dB [0] 640Hz (+/-) 2, 4, 6, 9, 12, 15 dB [0] 1. 6KHz (+/-) 2, 4, 6, 9, 12, 15 dB [0] 4KHz (+/-) 2, 4, 6, 9, 12, 15 dB [0] 10KHz (+/-) 2, 4, 6, 9, 12, 15 dB [0] The Seven band Equalizer is located directly after the Digital Processor Input slide control. Each band may be adjusted plus or minus 15dB in twelve steps. Use the Equalizer to change the curve of the signal before it is sent to the digital effects. REGENeration is useful when you stack the Pitch Transposer with the MONO DDL algorithm. Each time a repeat is done it is shifted up or down by the pitch selected. The Base Key parameter should be used when triggering the Pitch Transposer from a MIDI keyboard. The amount of pitch shift may be set by MIDI Note On messages. The values selected in the Base Key parameter correspond to the MIDI Key Number. Example: BASE KEY = 60, (= middle C) if a D above middle C is played, the shift amount will be set to (2). If base key is set to OFF, Note On messages will not affect pitch. SWEPT OR MODULATED EFFECT ALGORITHMS FLANGER [FLANGER], [FLA] Parameters: :TYPE= FLANGER OFF, POST; REVERB, INV L, INV R, INV L+R, PRE; REVERB, INV L, INV R, INV L+R [POST REVERB] :WIDTH= 0 to 100 percent in % increments [71%] :SPEED= . 04Hz to 27. 3Hz [0. 84Hz] :REGENeration= 0 to 100 percent in % increments [76%] :LEVEL= 0 to 100 percent in % increments [100%] A wide range of flanging effects may be created with the SGX 2000. Normal and inverted flanging is available to you. An inverted flanger type reverses (inverts) one output from the other. The inverted types are listed as INV L and R, where L and R are Left and Right. 26 The base delay of the Flanger is set and the sweep WIDTH and SPEED is user controlled. [. . . ] Auto enables the SGX 2000 EXPRESS to know which string you are trying to tune and automatically switch the Reference parameter to the correct string/frequency. The Auto range has a frequency window of 2. 5 half steps. Detune will let you change the reference frequency A 440 plus or minus 2 half steps. As a rule of thumb 4 cents, displayed as [0. 04] equals 1Hz. [. . . ]