User manual AUDIO TECHNICA AT895

[. . . ] · Increase the separation between the equipment and the receiver. · Connect the equipment into an outlet on a circuit different from that to which the receiver is connected. · Consult the dealer or an experienced radio TV technician for help. AT895 vs. Typical Shotgun Performance Compare acceptance angles (at 3 dB down): Microphone 200 Hz 400 Hz Shotgun 60° 60° AT895 20° 20° Compare polar patterns at 200 Hz: Microphone 200 Hz Rejection at 90°/270° Shotgun 15 dB AT895 70 dB 1 kHz 60° 20° 2 kHz 50° 20° 4 kHz 30° 60° 8 kHz 20° 50° Compare maximum off-axis rejection: Microphone Maximum Off-axis Rejection Shotgun 30 dB AT895 80 dB Compared to typical performance of a professional-quality 15. 5" line + gradient microphone (measurement conditions: 1Pa at 0. 5 m). [. . . ] MODE (PICKUP PATTERN) SWITCH: 3-position switch offers Full-field Adaptive ( ) , Planar-adaptive ( ) and Line + Gradient ( ) settings. (See page 5 for a full explanation of the Mode settings. ) 5. LCD BATTERY CONDITION INDICATOR: Markers disappear as power remaining decreases. Functions only during 9V battery operation using the AT895BH. POWER LED INDICATOR: Lights red when power is on. POWER SWITCH: On/off switch controls DC power from all sources. 4 Mode (Pickup Pattern) Settings Model No. "AT895" at "Top" 1 4 3 2 MicroLine® Fig. D AT895 Microphone Elements The microphone array in the AT895 consists of one Audio -Technica MicroLine ® element and four A -T cardioid elements mounted in a co-planar diamond configuration. A switch on the AT895CP Control Pack selects from three Mode (pickup pattern) options: two "adaptive" modes and one "non-adaptive" mode. In the adaptive modes, signals from the MicroLine® element and either one pair (labeled 1 & 2 in Fig. D) or both pairs (1 & 2, 3 & 4) of the "corrective" cardioid elements are utilized. These signals are processed in the Control Pack by both analog and digital means to provide continuouslyadapting rejection of off-axis sounds. This means that as the off-axis soundscape changes (either in intensity or directionality) the microphone system compensates for those changes. Even off-axis wind is interpreted as unwanted noise, and is suppressed. Full-field adaptive Mode ( ) The Full-field adaptive mode provides the maximum directionality and off-axis rejection. Signals from the MicroLine® element and both pairs of cardioid elements are utilized. Planar-adaptive Mode ( ) In the Planar-adaptive mode, signals from the MicroLine® element and only the "vertical" pair of cardioid elements (1 & 2) are utilized. The resultant "elliptical" pickup pattern provides optimum rejection in one plane (tighter vertically, wider horizontally). Understanding the correct orientation of the microphone is crucial for effective application of the Planar-adaptive mode. When the microphone is positioned with the Audio -Technica logos along the sides of the mic handle and the "AT895" on the name ring is "up" (as shown above and in Fig. A on page 3), maximum off-axis rejection occurs in the vertical plane of the pickup pattern only, while the horizontal pickup is nonadaptive. This produces a "horizontal ellipse" pickup pattern. (Of course, if the microphone is rotated 90 degrees, so the logos are at the "top" and "bottom" of the handle and the AT895 name ring marking is "sideways, " the resulting pattern would be "tall" and adaptively "narrow. ") Line + Gradient Mode ( ) The Line + Gradient mode is non-adaptive, with only the signal from the MicroLine® element being utilized. [. . . ] are warranted for one year from date of purchase by Audio-Technica U. S. , Inc. . U. S. ) to be T free of defects in materials and workmanship. In event of such defect, product will be repaired promptly without charge or, at our option, replaced with a new product of equal or superior value if delivered to A. or an Authorized Service Center, prepaid, together with the sales slip or other T proof of purchase date. [. . . ]