User manual BEHRINGER EX100

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Manual abstract: user guide BEHRINGER EX100

Detailed instructions for use are in the User's Guide.

[. . . ] Installation 1. 1 Installation in the vehicle With the two brackets located in the package, any kind of suspension-type installation can be realized, but of course the ULTRAFEX CAR can also be mounted horizontally, and even vertically to a wall in which case, however, its operation is less convenient. To find the most suitable method of installation, please slacken the screws on the one side of the ULTRAFEX CAR´s case, adjust the bracket as required and fasten the screws, before you mount the other bracket on the opposite side of the case. + Slackening all four screws holding the brackets makes it possible to remove the cover of the unit, which will immediately void any warranty rights!So please take care not to fasten both brackets at the same time! Having adjusted the brackets as required, you can mount the unit in your vehicle using some kind of tapping screws. A good location can certainly be found below the dashboard or in the glove box. [. . . ] Use the HI TUNE control to determine the starting frequency for treble range processing. The optimum setting depends on the speakers used. With settings that process the signal down to the midrange, however, the sound can become clanked if the speakers tend to emphasize this range anyway (which is often the case with car speakers). So, youd better try the Hi setting first. With the HI LEVEL control you can determine how much enhancer effect is applied to the treble range. At first, extreme high-frequency processing may sound impressive, but soon your ears will show signs of listening fatigue. So, we recommend that you process the treble range only moderately. The SURROUND switch, too, can be used for A/B comparisons between original and processed signals (surround effect). Use the EFFECT control to set the intensity of the surround effect. In position Wide, the effect may sound unnatural depending on the music signal. Adjust the surround effect so that spatial perception is improved while instruments can still be located clearly. The setting of this control largely depends on the position of the speakers inside the vehicle, the music material - and your taste. The Surround Processor improves the spatial perception of stereo signals. It cannot produce a stereo effect from a mono signal (e. g. mono radio stations), but does not deteriorate the signal either. Since the Surround Processor adds signals from the left channel to the right, and vice versa, the right power amp channel will also reproduce signals when the balance control on the car radio has been turned completely to the left. 2 3 + 4 5 6 7 + 8 9 10 11 Fig. 3: Rear panel control elements 8 9 Use the RCA-type INPUTS to connect the cable coming from the car radio or preamp output. The ATTENUATOR switch determines the input sensitivity of the ULTRAFEX CAR. When your car radio provides a line-level signal (e. g. for connection to a power amp), the sensitivity should be set to LINE LEVEL. When you wish to connect the speaker outputs of your car radio to the inputs of the ULTRAFEX CAR, set this switch to FROM AMPLIFIER, so as to avoid damage to the input stage of the ULTRAFEX CAR. The RCA-type OUTPUTS on the ULTRAFEX CAR are connected to the inputs of your power amp. [. . . ] § 6 CLAIM FOR DAMAGES Failure of BEHRINGER INTERNATIONALH to provide proper warranty service shall not entitle the buyer to claim (consequential) damages. In no event shall the liability of BEHRINGER INTERNATIONAL exceed the invoiced value of the product. § 7 OTHER WARRANTY RIGHTS This warranty does not exclude or limit the buyers statutory rights provided by national law, in particular, any such rights against the seller that arise from a legally effective purchase contract. 5. Warranty § 1 WARRANTY CARD To be protected by this warranty, the buyer must complete and return the enclosed warranty card (signed/stamped by retail dealer) within 14 days of the date of purchase to BEHRINGER INTERNATIONAL (address see § 3). [. . . ]

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