User manual CABASSE FURIO THOR II

[. . . ] With a crossover point below or around 150 Hz, the installation position of subwoofers is not limited as human ears and brains are not able to identify the emitting point of such low frequencies. To get the best result, it is recommended to try different positions and choose the one giving the best response in the low frequencies, taking into account the room acoustics. [. . . ] If the input signal is already mono, only one input L (left) or R (right) should be used. 1 Interconnections with the CINCH RCA connectors - Connections to the LINE IN (7) connectors If your preamplifier or your integrated amplifier is fitted with a stereo low-level output, then connect its L (left) and R (right) outputs to the L (left) and R (right) LINE IN (7) inputs of the subwoofer. If your amplifier offers a one mono output, connect it to either the L (left) or the R (right) subwoofer LINE IN (7) inputs. - Connections from the LINE OUT (6) connectors The signal from the L (left) and R (right) LINE OUT (6) plugs is the one being brought in by the L (left) and R (right) LINE IN connectors filtered at 80 Hz. These outputs can thus be used to bring the signal to the amplifier powering the main loudspeaker. 2 Interconnections with the speaker terminals - Connections to the HI LEVEL INPUT (5) plugs If the preamp section of your Hi-Fi or audio-video system is not fitted with a lowlevel output, you should then connect the subwoofer by using its loudspeaker terminals. When connecting the L (left) and R (right) speaker outputs of your amplifier to the HI LEVEL INPUT (5) plugs of the subwoofer, be careful not to cross (-) and (+) cord of either L (left) or R (right) channel. Such a phase inversion might damage your main amplifier. - Connections from the HI LEVEL OUTPUT (4) plugs These outputs can be used to bring the signal to the main loudspeaker systems or to a second subwoofer in a parallel mono configuration. In the last lay-out, the L (left) and R (right) HI LEVEL OUTPUT (4) terminals must be connected to the L (left) and R (right) HI LEVEL INPUT (5) ones of the second subwoofer. The input signal must then arrive into the first subwoofer by its L (left) and R (right) HI LEVEL INPUT (5) terminals. The signal from the L (left) and R (right) HI LEVEL OUTPUT (4) plugs, filtered at 200 Hz is the one being brought in by the HI LEVEL INPUT (5) connectors. [. . . ] Band pass active subwoofer Drive unit: a 21 cm ø - type 21M18LB4C Frequency bandwidth: 35-200 Hz in semi-reverberating chamber Pulsed sound pressure: 114 dB Maximum output power: 250 W Peak power: 750 W Lowpass cut-off frequency: 40 to 180 Hz Phase switch: 0° normal - 180° reverse Input: 2 low level - 2 high level Voltage: 115 / 230 V AC - 50 / 60 Hz Maximum power consumption: 165 W Dimensions (h x w x d): 43 x 40 x 43 cm - 17 x 16 x 17 in Weight: 23 kg - 50 lb Active subwoofer Drive unit: a 21 cm ø - type 21M18LB4C Frequency bandwidth: 30-2000 Hz in semi-reverberating chamber Pulsed sound pressure: 114 dB Maximum output power: 250 W Peak power: 750 W Lowpass cut-off frequency: 40 to 180 Hz Phase switch: 0° normal - 180° reverse Input: 2 low level - 2 high level Voltage: 115 / 230 V AC - 50 / 60 Hz Maximum power consumption: 165 W Dimensions (h x w x d): 49 x 32 x 43 cm - 20 x 13 x 17 in Weight: 18 kg - 40 lb Active subwoofer Drive unit: 30 cm ø - type 30M22 Frequency bandwidth: 22-200 Hz in semi-reverberating chamber Pulsed sound pressure: 117 dB Maximum output power: 250 W Peak power: 750 W Lowpass cut-off frequency: 40 to 180 Hz Phase switch: 0° normal - 180° reverse Inputs: 2 low level - 2 high level Voltage: AC 115 / 230 V AC - 50 / 60 Hz Maximum power consumption: 165 W Dimensions (h x w x d): 55 x 34 x 58 cm - 22 x 14 x 23 in Weight: 24 kg - 53 lb Because of technical improvements already under way in our constant search for optimum quality, Cabasse reserves the right to modify all the models presented in specification sheets, advertising materials and manuals without prior notice. Com will give you the specific adjustments we recommend for the use of our active subwoofers. [. . . ]