User manual CANON BROADCAST TELEVISION LENSES 2015 BROCHURE

[. . . ] Broadcast Television Lenses 2015/2016 •2 • Pioneering excellence in broadcast lenses Canon is a pioneer in the design of broadcast lenses. It was more than 50 years ago that we introduced the first BCTV lens – the “Field Zoom IF-1” with a 6. 7x zoom range, which was the highest in the industry at the time. Since then we have energetically advanced the art of high-end optical design on many fronts – working in close collaboration with international broadcasters and producers to develop innovative products and enhance customer satisfaction. Today we offer an exciting range of innovative high-end imaging products that stimulate creativity and deliver superb quality results, as we continue our pioneering pursuit of excellence into the 21st century. Emmy Award The National Academy of Television Arts and Sciences awarded Canon an EMMY® in 2005 in recognition of our engineering creativity in Lens Technology Developments for Solid State Imager Cameras in High Definition Formats. [. . . ] To make the lenses compatible with Portable Studio/Field Companion cameras, the correct lens Support System must be chosen from the following. Standard HD Mount (BTA) Sony, Panasonic, Ikegami, Hitachi Thomson Grass Valley Standard HD Mount Studio Camera Systems from Various Manufacturers 2/3" Portable Companion Cameras with Standard HD Mount System SUP-NP2S Sony 2/3" Studio Camera LDK 2/3" Studio Camera Lens with Sony Original Sony System Companion Lens with LDK Original LDK System Companion Portable Camera • 21 • Broadcast ENG/EFP Lenses ENG/EFP lens for HDTV / SDTV System Canon offers a variety of Broadcast ENG/EFP lenses, including both HDTV and SDTV versions. Please refer to page 10 regarding the difference between HDTV and SDTV lenses. See page 24 Please note that the HDTV lenses perform excellently when they are used on SDTV cameras. Please refer to page 7, 9 regarding HDxs and HDgc series lenses. All Broadcast ENG/EFP lenses are equipped with Canon’s “xs” technology as well as our enhanced “Digital Drive” which is explained on page 34 & 35. The DIGISUPER 22 xs is a box type lens developed to be used with a portable camera. The lens provides higher optical performance compared with the HD portable lenses and higher versatility as opposed to the large box type lenses. Please refer to page 17 for the details. © Brutus Östling. Canon Ambassador • 22 Horizontal Field of View (16:9) (4:3) Focal Length (mm) HJ14ex4. 3B HJ15ex8. 5B HJ17ex6. 2B HJ18ex7. 6B 96. 3 93. 7 91. 3 88. 7 4. 3 4. 5 6. 2 65. 2 64. 6 58. 9 51. 3 47. 1 37. 8 35. 5 19. 6 60. 8 60. 1 54. 7 47. 5 43. 6 34. 9 32. 7 18 7. 5 7. 6 8. 5 10 11 14 15 28 11 10. 1 50 9. 1 8. 4 60 106 4. 3 128 4. 0 3. 7 137 3. 5 3. 2 158 3. 3 3 168 3. 1 2. 8 180 1. 43 1. 31 1. 4 1. 3 1. 1 1 1. 05 1 0. 96 0. 9 385 400 500 525 560 Widest Angle HDTV Lens to date in the TV Industry The First HDTV ENG Lens in the industry with Advanced Image Stabilizer Wider and Closer Premium Standard Lens Standard HDTV ENG Lens in Compact Size HDTV EFP Lens of Advanced Optical Performance Multi-purpose HDTV ENG Lens of Broad Range of Focal Length Ultra Telephoto HDTV EFP Lens in Portable Size Telephoto HDTV EFP Lens with Advanced Image Stabilizer Ultra Telephoto HDTV EFP Lens with Advanced Image Stabilizer HJ Series (HDTV) HJ21ex7. 5B HJ24ex7. 5B HJ18ex28B HJ40ex10B HJ40ex14B • 23 • 2/3” ENG/EFP Lenses: HDTV HJ40x14B IASD-V Zoom Ratio Image Size Built-in Extender Range of Focal Length (with Extender) 40x 2/3" 2. 0x 14~560mm 28~1120mm(2. 0x) 1:2. 8 at 14~307mm 1:5. 1 at 560mm 1:5. 6 at 28~614mm 1:10. 2 at 1120mm 34. 9° x 26. 5° at 14mm 0. 9° x 0. 7° at 560mm 17. 9° x 13. 4° at 28mm 0. 5° x 0. 3° at 1120mm 37. 8° x 21. 8° at 14mm 1. 0° x 0. 6° at 560mm 19. 4° x 11. 0° at 28mm 0. 5° x 0. 3° at 1120mm 2. 8m (10mm with Macro) 3. 20m 162. 3 x 121. 7cm at 14mm 4. 1 x 3. 1cm at 560mm 81. 2 x 60. 9cm at 28mm 2. 1 x 1. 6cm at 1120mm 177. 1 x 99. 5cm at 14mm 4. 5 x 2. 5cm at 560mm 88. 6 x 49. 8cm at 28mm 2. 3 x 1. 3cm at 1120mm 174. 1 x 133 x 355. 5mm 5. 45kg (12. 02lbs) — /127mm P0. 75  — HJ40x10B IASD-V 40x 2/3" 2. 0x 10~400mm 20~800mm(2. 0x) 1:2. 0 at 10~220mm 1:3. 65 at 400mm 1:4. 0 at 20~440mm 1:7. 3 at 800mm 47. 5° x 36. 5° at 10mm 1. 3° x 0. 9° at 400mm 24. 8° x 18. 7° at 20mm 0. 6° x 0. 5° at 800mm 51. 3° x 30. 2° at 10mm 1. 4° x 0. 8° at 400mm 27. 0° x 15. 4° at 20mm 0. 7° x 0. 4° at 800mm 2. 8m (10mm with Macro) 3. 18m 227. 7 x 170. 8cm at 10mm 5. 7 x 4. 3cm at 400mm 113. 9 x 85. 4cm at 20mm 2. 9 x 2. 2cm at 800mm 248. 4 x 139. 7cm at 10mm 6. 2 x 3. 5cm at 400mm 124. 2 x 69. 9cm at 20mm 3. 1 x 1. 8cm at 800mm 174. 1 x 133 x 335. 4mm 5. 40kg (11. 90lbs) — /127mm P0. 75  — HJ18ex28B IASE S 18x 2/3" 2. 0x 28~500mm 56~1000mm(2. 0x) 1:2. 8 at 28~286mm 1:4. 9 at 500mm 1:5. 6 at 56~572mm 1:9. 8 at 1000mm 18. 0° x 13. 5° at 28mm 1. 0° x 0. 8° at 500mm 9. 0° x 6. 8° at 56mm 0. 5° x 0. 4° at 1000mm 19. 6° x 11. 1° at 28mm 1. 1° x 0. 6° at 500mm 9. 9° x 5. 6° at 56mm 0. 6° x 0. 3° at 1000mm 2. 2m (10mm with Macro) 2. 52m 65. 4 x 49. 1cm at 28mm 3. 8 x 2. 9cm at 500mm 32. 7 x 24. 6cm at 56mm 1. 9 x 1. 5cm at 1000mm 71. 1 x 40. 0cm at 28mm 4. 1 x 2. 3cm at 500mm 35. 6 x 20. 0cm at 56mm 2. 1 x 1. 2cm at 1000mm 176. 2 x 123. 6 x 268. 3mm 2. 56kg (5. 65lbs) 127mm P0. 75/ — —  Maximum Relative Aperture (with Extender) (2. 0x) (2. 0x) (2. 0x) 4:3 Aspect Ratio (8. 8 x 6. 6mm) Angular Field of View (with Extender) 16:9 Aspect Ratio (9. 6 x 5. 4mm) (2. 0x) (2. 0x) (2. 0x) (2. 0x) (2. 0x) (2. 0x) M. O. D. from Image Plane Object Dimensions at M. O. D. (with Extender) 4:3 Aspect Ratio (8. 8 x 6. 6mm) (2. 0x) (2. 0x) (2. 0x) 16:9 Aspect Ratio (9. 6 x 5. 4mm) (2. 0x) (2. 0x) (2. 0x) Approx. Mass (IRSE/IASE) Filter Thread Size (Hood/Lens Barrel) Built-in Optical Image Stabilizer Information Display Reference: The following is the lens angle (without Shrinker) in the 4:3 mode of switchable cameras. Angular Field of View (with Extender) 4:3 mode of Most Switchable Cameras (7. 2 x 5. 4mm) 28. 8° x 21. 8° at 14mm 0. 7° x 0. 6°at 560mm 14. 7° x 11. 0° at 28mm 0. 4° x 0. 3° at 1120mm 39. 6° x 30. 2° at 10mm 1. 0° x 0. 8°at 400mm 20. 4° x 15. 4° at 20mm 0. 5° x 0. 4° at 800mm 14. 7° x 11. 1° at 28mm 0. 8° x 0. 6°at 500mm 7. 4° x 5. 6° at 56mm 0. 4° x 0. 3° at 1000mm (2. 0x) (2. 0x) (2. 0x) Standard Not Applicable • Please refer to page 10, regarding the difference between HDTV and SDTV lenses. Please note that HDTV lenses also perform excellently when they are adopted to SDTV cameras. = Minimum Object Distance • Black colour cover lenses are also available as an alternative to the white colour lenses. • 24 HJ24ex7. 5B IRSE S/IASE S 24x 2/3” 2. 0x 7. 5~180mm 15. 0~360mm(2. 0x) 1:1. 8 at 7. 5~120mm 1:2. 7 at 180mm 1:3. 6 at 15. 0-240mm 1:5. 4 at 360mm 60. 8° x 47. 5° at 7. 5mm 2. 8° x 2. 1° at 180mm 32. 7° x 24. 8° at 7. 5mm 1. 4° x 1. 1° at 180mm 65. 2° x 39. 6° at 7. 5mm 3. 1° x 1. 7° at 180mm 35. 5° x 20. 4° at 7. 5mm 1. 5° x 0. 9° at 180mm 0. 85mm (10mm with macro) HJ21ex7. 5B IASE S 21x 2/3" 2. 0x 7. 5~158mm 15~316mm(2. 0x) 1:1. 9 at 7. 5~116mm 1:2. 6 at 158mm 1:3. 8 at 15~232mm 1:5. 2 at 316mm 60. 8° x 47. 5° at 7. 5mm 3. 2° x 2. 4° at 158mm 32. 7° x 24. 8° at 15mm 1. 6° x 1. 2° at 316mm 65. 2° x 39. 6° at 7. 5mm 3. 5° x 2. 0° at 158mm 35. 5° x 20. 4° at 15mm 1. 7° x 1. 0° at 316mm 0. 85m (10mm with Macro) 1. 16m HJ18ex7. 6B IRSE S/IASE S 18x 2/3" 2. 0x 7. 6~137mm 15. 2~274mm(2. 0x) 1:1. 8 at 7. 6~103mm 1:2. 4 at 137mm 1:3. 6 at 15. 2~206mm 1:4. 8 at 274mm 60. 1° x 46. 9° at 7. 6mm 3. 7° x 2. 8° at 137mm 35. 1° x 20. 1° at 15. 2mm 1. 8° x 1. 4° at 274mm 64. 6° x 39. 1° at 7. 6mm 4. 0° x 2. 3° at 137mm 35. 1° x 20. 1° at 15. 2mm 2. 0° x 1. 1° at 274mm 0. 56m (10mm with Macro) 0. 81m 55. 9 x 44. 9cm at 7. 6mm 3. 3 x 2. 5cm at 137mm 30. 0 x 22. 5cm at 15. 2mm 1. 7 x 1. 3cm at 274mm 65. 5 x 36. 8cm at 7. 6mm 3. 8 x 2. 1cm at 137mm 32. 8 x 18. 4cm at 15. 2mm 1. 9 x 1. 1cm at 274mm 165 x 105 x 206. 2mm 1. 58kg (3. 48lbs)/1. 66kg (3. 65lbs) — /82mm P0. 75 —  HJ17ex6. 2B IRSE S/IASE S 17x 2/3" 2. 0x 6. 2~106mm 12. 4~212mm(2. 0x) 1:1. 8 at 6. 2~65. 8mm 1:2. 9 at 106mm 1:3. 6 at 12. 4~131. 6mm 1:5. 8 at 212mm 70. 7° x 56. 0° at 6. 2mm 4. 8° x 3. 6° at 106mm 39. 1° x 29. 8° at 12. 4mm 2. 4° x 1. 8° at 212mm 75. 5° x 47. 1° at 6. 2mm 5. 2° x 2. 9° at 106mm 42. 3° x 24. 6° at 12. 4mm 2. 6° x 1. 5° at 212mm 0. 4m (10mm with Macro) 0. 69m 66. 9 x 50. 2cm at 6. 2mm 3. 8 x 2. 9cm at 106mm 33. 5 x 25. 1cm at 12. 4mm 1. 9 x 1. 5cm at 212mm 73. 3 x 41. 2cm at 6. 2mm 4. 1 x 2. 3cm at 106m 36. 7 x 20. 6cm at 12. 4mm 2. 1 x 1. 2cm at 212mm 165. 0 x 112. 3 x 240. 5mm 1. 97kg (4. 34lbs)/2. 05kg (4. 52lbs) 105mm P1/ — —  (2. 0x) (2. 0x) (2. 0x) (2. 0x) (2. 0x) (2. 0x) (2. 0x) (2. 0x) (2. 0x) (2. 0x) (2. 0x) (2. 0x) 88. 3 × 66. 2cm at 7. 5mm 3. 8 × 2. 9cm at 180mm 44. 2 × 33. 1cm at 15. 0mm 1. 9 × 1. 4cm at 360mm 96. 0 × 54. 0cm at 7. 5mm 4. 1 × 2. 3cm at 180mm 48. 0 × 27. 0cm at 15. 0mm 2. 1 × 1. 2cm at 360mm 164. 6 × 109. 1 × 221. 4mm (2. 0x) 110. 1 x 82. 6cm at 7. 5mm 5. 1 x 3. 8cm at 158mm 55. 1 x 41. 3cm at 15mm 2. 6 x 1. 9cm at 316mm 120. 4 x 67. 7cm at 7. 5mm 5. 6 x 3. 2cm at 158mm 60. 2 x 33. 9cm at 15mm 2. 8 x 1. 6cm at 316mm 175. 2 x 122. 5 x 260. 1mm — /2. 69kg (5. 94lbs) 127mm P0. 75/ — —  (2. 0x) (2. 0x) (2. 0x) (2. 0x) (2. 0x) (2. 0x) (2. 0x) 1. 78kg (3. 92lbs) / 1. 86kg (4. 10lbs ) 105mm P1/94mm P1 —  Reference: The following is the lens angle (without Shrinker) in the 4:3 mode of switchable cameras. 51. 3° x 39. 6° at 7. 5mm 2. 6° x 2. 0° at 158mm 27. 0° x 20. 4° at 15mm 1. 3° x 1. 0° at 316mm 50. 7° x 39. 1° at 7. 6mm 3. 0° x 2. 3° at 137mm 26. 6° x 20. 1° at 15. 2mm 1. 5° x 1. 1° at 274mm 60. 3° x 47. 1° at 6. 2mm 3. 9° x 2. 9° at 106mm 32. 4° x 24. 6° at 12. 4mm 1. 9° x 1. 5° at 212mm (2. 0x) (2. 0x) (2. 0x) • 25 2/3” ENG/EFP Lenses: HDTV HJ14ex4. 3B IRSE S/IASE S Zoom Ratio Image Size Built-in Extender Range of Focal Length (with Extender) 14x 2/3" 2. 0x 4. 3~60mm 8. 6~120mm(2. 0x) 1:1. 8 at 4. 3~40mm 1:2. 7 at 60mm 1:3. 6 at 8. 6~80mm 1:5. 4 at 120mm 91. 3° x 75. 0° at 4. 3mm 8. 4° x 6. 3° at 60mm 54. 2° x 42. 0° at 8. 6mm 4. 2° x 3. 2° at 120mm 96. 3° x 64. 2° at 4. 3mm 9. 1° x 5. 2° at 60mm 58. 3° x 34. 9° at 8. 6mm 4. 6° x 2. 6° at 120mm 0. 3m (10mm with Macro) 0. 59m 69. 9 x 52. 4cm at 4. 3mm 4. 8 x 3. 6cm at 60mm 35. 0 x 26. 2cm at 8. 6mm 2. 4 x 1. 8cm at 120mm 76. 4 x 43cm at 4. 3mm 5. 2 x 2. 9cm at 60mm 38. 2 x 21. 5cm at 8. 6mm 2. 6 x 1. 5cm at 120mm 163. 5 x 110. 8 x 247. 8mm 1. 99kg (4. 39lbs)/2. 07kg (4. 56lbs) 127mm P0. 75/ — —  HJ15ex8. 5B KRSE-V 15x 2/3" — 8. 5~128mm Maximum Relative Aperture (with Extender) 1:2. 5 at 8. 5~68mm 1:4. 7 at 128mm (2. 0x) 4:3 Aspect Ratio (8. 8 x 6. 6mm) Angular Field of View (with Extender) 16:9 Aspect Ratio (9. 6 x 5. 4mm) 54. 7° x 42. 4° at 8. 5mm 3. 9° x 3. 0° at 128mm (2. 0x) 58. 9° x 35. 2° at 8. 5mm 4. 3° x 2. 4° at 128mm (2. 0x) 0. 8m (10mm with Macro) — 87. 4 x 65. 6cm at 8. 5mm 5. 8 x 4. 4cm at 128mm (2. 0x) M. O. D. from Image Plane Object Dimensions at M. O. D. (with Extender) 4:3 Aspect Ratio (8. 8 x 6. 6mm) 16:9 Aspect Ratio (9. 6 x 5. 4mm) 95. 8 x 53. 9cm at 8. 5mm 6. 4 x 3. 6cm at 128m (2. 0x) 170. 2 x 119. 1 x 239. 1mm 1. 99kg (4. 37lbs) — /82mm P0. 75   Approx. Mass (IRSE/IASE) Filter Thread Size (Hood/Lens Barrel) Built-in Optical Image Stabilizer Information Display Reference: The following is the lens angle (without Shrinker) in the 4:3 mode of switchable cameras. Angular Field of View (with Extender) 4:3 mode of Most Switchable Cameras (7. 2 x 5. 4mm) 79. 9° x 64. 2° at 4. 3mm 6. 9° x 5. 2° at 60mm 45. 4° x 34. 9° at 8. 6mm 3. 4° x 2. 6° at 120mm (2. 0x) Standard Not Applicable •Please refer to page 10, regarding the difference between HDTV and SDTV lenses. Please note that HDTV lenses also perform excellently when they are adopted to SDTV cameras. = Minimum Object Distance •Black colour cover lenses are also available as an alternative to the white colour lenses. • 26 World’s First HDTV Portable Lens with Built-in Image Stabilizer The HJ15ex8. 5B KRSE-V is the world’s first portable HD lens with built-in Optical Image Stabilization. Compact and lightweight the lens offers a high zoom ratio and wide angle of view and incorporates Canon’s patented VAP-IS technology to ensure stable HD imagery in shooting environments that cause vibration and physical disturbances to the lens-camera system. [. . . ] 1. 4x – Lens Cable (12 pin) Lens Cable (12 pin) – – – EX3 Hot Shoe (14 pin) EX3 Hot Shoe (14 pin) Electronic Conversion *3 The converters are to be used with lenses weighing less that 2. 0kg (4. 4lbs) *4 SONY’s Hot Shoes mount camera, excluding PMW-EX3 *5 1/2” Camera of standard type mount (Panasonic, JVC, Grass Valley) *6 Only applicable to KH10ex/KH16ex/KH21ex. The other 1/2” mount lenses are not available. LCV-41E LCV-20E • 51 2. Filters UV/CLEAR/SKY LIGHT FILTER CROSS/SNOW CROSS/ SUNNY CROSS FILTER •  cross Filter creates a cross or star of light A by scattering rays from a strong light source in the subject in a radial pattern. The brighter and more point like the subject is, the better the effect is. [. . . ]