User manual CANON CLC 4000 BROCHURE

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CANON CLC 4000 BROCHURE: Download the complete user guide (172 Ko)

Manual abstract: user guide CANON CLC 4000BROCHURE

Detailed instructions for use are in the User's Guide.

[. . . ] 39 Once you have mastered the basics, use the camera's many features to shoot more challenging photos. Details on using each function are described in this section, including how to connect the camera to a television to view images. The PDF Manuals are included in the supplied CD-ROM. Adobe Reader is required to view the PDF Manuals. http://www. adobe. com 2 Table of Contents Table of Contents Items marked with a or procedures. 65 Commonly Used Shooting Functions 67 Using the Optical Zoom . [. . . ] +5: Also takes colors close to the one that you want to swap. Various Shooting Methods 4 5 Aim the camera so that the desired color appears at the center of the LCD monitor (or the viewfinder) and press the button. · Only one color can be specified. Press the DISP. button to complete the setting, then shoot. · When you press the Movie button, you can shoot movies in Color Swap mode. The colors and color range specified in the Color Swap mode are retained even if the camera's power is turned off. 148 Saving Original Images Not only can you save images with altered colors when shooting still images with the Color Accent or Color Swap modes, but you can also choose to save the original images (before the color change). 1 Select [Save Original]. 1. In the menu, use the or button to select [Save Original]. 2 Make settings. 1. Press the MENU button. You cannot save the originals of still images taken while shooting a movie in Color Accent or Color Swap mode. If [Save Original] is set to [On] - The transformed image is reviewed in the LCD monitor (or the viewfinder) after shooting in the Color Accent or Color Swap mode. If you erase the image at this point, the original image is erased along with the transformed image. - Since two images are recorded with each shot, the number of shots remaining is approximately half the number displayed in the LCD monitor (or the viewfinder) when this function is set to [Off]. The original images are assigned the lower number and the transformed color accent or color swap images the next number. 149 Categorizing Images Automatically (Auto Category) Available Shooting Modes p. 284 If you set Auto Category to [On], images are automatically sorted into preset categories as they are recorded. People Scenery Events For images shot in or mode, or images with faces detected when in face select mode or [AF Frame] is set to [Face Detect]. or mode. Various Shooting Methods 1 Select [Auto Category]. 1. Turning it counterclockwise selects the previous image while turning it clockwise selects the next image. 19). Viewing Magnified Images 1 Playback/Erasing Press the zoom lever toward . · A magnified portion of the image will display. · Images can be magnified up to a factor of approximately 10x. Approximate location of the displayed area 2 Use the , the image. , or button to move around · If you use the control dial while in the magnified display mode, the camera will switch to the previous or next image at the same level of magnification. (You can also cancel it immediately by pressing the MENU button. ) and index playback images cannot be magnified. 156 Viewing Images in Sets of Nine (Index Playback) 1 Press the zoom lever toward . · Up to nine images can be viewed at once in index playback. · Use the , , or button or control dial to change the image selection. Selected Image Movie To Return to Single Image Playback: Press the zoom lever toward . Switching between Sets of Nine Images The jump bar will display if you press the button while in index playback and you can switch the display between sets of nine images. · Use the or button or control dial to move to the previous or next set of 9 images. · Hold the FUNC. /SET button down and press the or button to jump to the Jump Bar first or last set. To Return to Single Image Playback: Press the button. 157 Checking the Focus and People's Expressions (Focus Check Display) Focus Check display allows you to check the focus of images taken. Moreover, as you can change the display size and switch images, you can easily check facial expressions and whether a subject's eyes are closed. Displaying the Focus Check 1 Press the DISP. button several times until the Focus Check displays. Playback/Erasing · Frames are displayed on the image as follows. Frame color Orange White Gray Description Displays an area of the image at bottom right. Displays frames in positions where faces were detected during playback. · The orange frames allow you to change the display magnification, move the display position, and switch between display frames (p. [. . . ] 153 G Grid Lines . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65 H Histogram Function . . . . . . . . . . . . . . . . . . . 52 I i-Contrast . . . . . . . . . . . . . . . . . . . . . . . . 135, 183 Image Stabilizer . . . . . . . . . . . . . . . . . . . . . . . . 82 Index Playback . . . . . . . . . . . . . . . . . . . . . . . . 156 Indicator . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42, 45 Indoor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96 ISO 3200 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97 ISO Speed . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 84 J Jump . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 159 L Landscape . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95 N Neck Strap . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 64 Index 279 Night Scene . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96 Night Snapshot . . . . . . . . . . . . . . . . . . . . . . . . . 96 S Safety FE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34 O Overexposure Warning . . . . . . . . . . . . . 52 P P . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 99 Playback Button . . . . . . . . . . . . . . . . . . . . . . . . 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