User manual CANON EOS 5D SERIES LEAFLET BROCHURE

[. . . ] THE CANON EOS 5D SERIES WHATEVER YOU SHOOT, THERE’S AN EOS 5D FOR YOU. © Quentin Caffier © Brent Stirton © David Noton Quentin Caffier | Canon Explorer The people person “The EOS 5DS captures an incredible level of detail and delivers the large files my clients want. The results are incredible – I’m seeing things I’ve not seen before. ” The way the EOS 5DS handles skin is remarkable. [. . . ] You see images from EOS 5D Mark III used at huge sizes in exhibitions, and the image quality really holds together – even when it’s shot at such high ISO sensitivities. I visit over 20 countries every year, and the EOS 5D Mark III always comes with me. Its construction and weather sealing make it so reliable, and a long battery life is a bonus too. It’s not heavy, it’s affordable and it always does the job. It ticks all the boxes for me. David Noton | Canon Explorer The landscaper “ he sheer amount of detail in files from T the EOS 5DS R is staggering – it has to be seen to be believed. For the right subjects, this is a game changer. ” I’ve used EOS 5D cameras for years. It’s comforting when you pick up the EOS 5DS R that the controls are all where you’d want them to be and the camera handles exactly as you’d expect. It’s when you get home and look at the files that you see the difference: the level of detail is absolutely incredible. In Iceland recently I was shooting right through the EF lens range. Here we have an incredibly high-resolution camera that can use focal lengths from 8mm to 800mm. And the low-pass cancellation filter is a bonus for me too – it gives me that extra little bit of detail which I love. The risk of moiré patterns is not really there when shooting landscapes, since the regular repeating patterns that cause this are usually man made. [. . . ] This boosts the resolution of fine details, but some moiré patterns may be seen in parts of the picture featuring man-made repeating textures. For this reason the EOS 5DS R is best suited to landscape work or photography in the studio, where conditions can be carefully controlled to avoid such artifacts. © Eberhard Schuy [. . . ]