User manual CARVIN C1600

[. . . ] This symbol is intended to alert the user to the presence of uninsulated "dangerous voltage" within the product's enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons. CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN This symbol is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the appliance. LIMITED WARRANTY Your Carvin product is guaranteed against failure for 1 YEAR unless otherwise stated. Carvin will service and supply all parts at no charge to the customer providing the unit is under warranty. Shipping costs are the responsibility of the customer. CARVIN DOES NOT PAY FOR PARTS OR SERVICING OTHER THAN OUR OWN. [. . . ] If distortion is present, decrease the amount of GAIN until the distortion is eliminated. LOW CUT SWITCH 75 Hz low cut filter helps eliminate unwanted low frequencies from any particular channel. Great for reducing "boom" noise from mic stands or from acoustic/electric guitars. This filter can also help punch up the bass by turning up the LOW tone control while using the LOW CUT switch. center zero position. Determine which position your MID SHIFT sounds best at, then cut or boost your HI, MID and LOW frequencies for each as needed. If you are trying to mic instruments such as acoustic guitar or drums, try various mics and mic placement before adjusting your tone controls (condenser mics work well for these applications). Cutting and boosting frequencies improperly can cause an "un-natural" sound to your vocals or instruments. Your goal is to achieve a natural sound for your entire performance or recording. MONITOR 1 AND 2 CONTROLS Separate MONITOR level controls for each channel allows you to create two independent monitor mixes. The MONITOR signals are routed to the master MON 1 & 2 faders respectively before going to the MONITOR output connectors. The mix you create with the MON 1 & 2 controls can also be heard through your headphones. EFFECTS 1 & 2 This control adjusts the level a signal being sent from each channel, one to the internal digital effects processor (EFFECTS 1), and one to the EFFECTS 2 output jack via the EFFECTS 2 master send control to drive an outboard processor. The internal EFFECTS 1 are ready to use and do not require additional cable connections to achieve their full stereo imaging. EFFECTS 3 A third send routes a signal from each channel's EFFECTS 3 control to the EFFECTS 3 master send control. STEREO PANNING Each channel's PAN control allows sweeping stereo effects when panning from L to R for recordings or live sound. Superior channel separation is available over other mixers 42 33 38 won't lose the settings on your faders. CHANNEL PFL SWITCH This switch allows the operator to monitor a channel in the headphone mix to set tone and gain levels. AUDIO TAPER FADERS Slide all faders down when connecting your inputs. Increase each channels fader to achieve the overall mix. Calibrated 60mm faders with audio taper are featured for smooth fade-outs. onboard EQ (HT760M) or use the EQ 1 & 2 switch (see 29. ) 20. EFFECTS SEND 2 & 3 Two more sends for outboard effects processors. Each send feeds their respective effects output jack (EFF 2 AND EFF 3). [. . . ] The channel signal coming from the microphone preamplifier will be forced to go through the external equipment before it can continue back through the channel re-entering before the channel tone controls. Most external equipment is not set up for the TRS plug directly so an adapter cable is required. The adapter cable will have on one end the TRS plug and two mono plugs either male or female, on the other end. The two plugs each have the ground connected to the sleeve, one has the return on its tip and the other has the send on its tip. [. . . ]