User manual CHANDLER LIMITED TGCHANNEL

[. . . ] Included are item descriptions and hints to get you on your way. Please feel free to call our shop anytime for help or questions. Warranty- All Chandler Limited products have a two-year warranty. [. . . ] Warranty- All Chandler Limited products have a two-year warranty. Each warranty repair must include $12 for return shipping and are generally finished within 2-3 days of receipt. To make solving your problem easier please include the following information. 2) Your name, address, phone, and email, if possible. Send to the above address labeled Attention Repairs. Connections- All connections on the LTD-1 are transformer balanced and pin 2 hot. Power supply- The LTD-1 is designed to be used with the Chandler Limited PSU-1 mk2. A low shelf type equalizer adjusts the selected frequency and all others below it. These are the same points found on classic 1073s. Filter- This is a high pass characteristic with 3db loss at 300hz, 160hz, 80hz, and 50hz and 18db cut per octave. These are the same settings as vintage modules. Settings Extra MId Points- With the added flexibility of the LTD-1 you may now use the mid and high eq to greater effect. For example on a kick drum or bass guitar you may now take out the mush (390-560hz) while still adding upper end eq even into the mids (3k3 or 4k7). Filter trick-The low eq and filter can be used in conjunction to turn the low shelving control into a "low peaking control. " For example at 110hz you select the filter setting just below that (80hz) which will make 110hz into a peaking type characteristic. This technique lets you have much more versatility with your low end eqing. . . . . . . . . General filter use- The filter is very useful for taking out "booming" low end. On vocals and acoustic guitar it will take out this boom without removing the thickness and strength of the track. 50 and 80hz are usually most useful for this. [. . . ] On vocals and acoustic guitar it will take out this boom without removing the thickness and strength of the track. 50 and 80hz are usually most useful for this. Telephone and thinning effects- The 300hz and 160hz selections of the filter are excellent creating "effect" sounds. Distortion sounds- You can easily create intense distortion sounds by cranking up the input and turning down the output fader. [. . . ]