User manual CREATIVE T12 WIRELESS QUICK START GUIDE

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Manual abstract: user guide CREATIVE T12 WIRELESSQUICK START GUIDE

Detailed instructions for use are in the User's Guide.

[. . . ] 11 E-MU 1616m System . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11 Sync Daughter Card . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11 PatchMIx DSP . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12 Notes, Tips and Warnings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . [. . . ] This allows your valuable CPU cycles to be used for other applications or software plug-ins. The effects are only available at the 44. 1 and 48kHz sample rates. There is a finite limit to how many effects you can use at the same time. As you use up the PatchMix DSP resources, certain effects will appear "grayed out" and cannot be added to the mixer. Complex effects such as reverb use more DSP resources than say a 1-Band EQ. If you continue to add effects, all of the DSP resources will eventually be used up. For more detailed information, see "DSP Resource Usage" on page 62. Saving a session "defragments" the effect/ DSP resources. If you have used all your effects and need another, try saving the session. The Effects Palette Click the FX button on the toolbar to bring up the Effects Palette. The Effects Palette contains two types of folders. The "Core Effects" folder contains the effect algorithms themselves. The other folders contain "Effects Chains", consisting of two or more effects grouped together. Select a folder where your new preset will be placed, then type in a new preset name and click OK. Your preset is now saved. 56 Creative Professional 5 - Effects The Effects Palette The Order of Effects PatchMix DSP allows you to record your tracks without effects (dry) and monitor with effects enabled (wet). It works like this: If the effect is inserted BEFORE the ASIO send in the signal path, it will get recorded; if the effect is inserted AFTER the ASIO send, it will not be recorded. Recording dry allows you to hear your performance with effect (to get the proper feel), but gives you the flexibility to add or modify effects later during mixdown. This way if you don't like the way the effect sounds, you can change or modify the effect without having to perform the part again. Input 1L/1R If you want Effects to be recorded, insert them Above the ASIO Send. To ASIO To monitor Effects, but not record them, insert them Below the ASIO Send or in a Sidechain. Send Amount Return Amount ASIO Send Panning Fader Aux 1 Bus Reverb Output Main Output Bus To Monitor Speakers Creating, Renaming & Deleting Categories or Presets There are several utilities to help you organize your effects presets. To Create a New Preset Category You can create your own category folders to help organize your effects presets. 1. Left-click on the New Folder icon at the top of the Effects Palette. A pop-up dialog box appears asking you to "Enter the Name of the New Category. " · Alternatively, you can Right-click over an Effects Folder, which calls a pop-up dialog box with the option to "Create New Category. " 2. Click OK to create a new folder or Cancel to cancel the operation. To Delete an Effect Category or Preset 1. Right-click on the category folder you wish to delete. [. . . ] A few useful sites are listed here, but there are plenty more. Software Updates, Tips & Tutorials. . . . . . . . . . . . . . . http://www. emu. com Setting up a PC for Digital Audio. . . . . . . . . . . . . . . . . . http://www. musicxp. net MIDI Basics . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . [. . . ]

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