User manual DIGITECH VOCALISTVR

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Manual abstract: user guide DIGITECH VOCALISTVR

Detailed instructions for use are in the User's Guide.

[. . . ] Vocalist VR WARNING FOR YOUR PROTECTION, PLEASE READ THE FOLLOWING: Water and Moisture: Appliance should not be used near water (e. g. near a bathtub, washbowl, kitchen sink, laundry tub, in a wet basement, or near a swimming pool, etc). Care should be taken so that objects do not fall and liquids are not spilled into the enclosure through openings. POWER SOURCES: The appliance should be connected to a power supply only of the type described in the operating instructions or as marked on the appliance. [. . . ] You play the exact harmony notes or chords you want to hear on a MIDI keyboard or sequencer. Notes mode is the most flexible harmony control mode because you control the harmony notes directly. This allows you to create counter-melodies and interesting chords in live performance or recorded and edited using a MIDI sequencer. The pitch bender and modulation controls on your keyboard are active in Notes mode and can be used to add realism such as scooping and varying vibrato intensity. Double Double programs do not produce harmony and do not require any user input for key/scale, chords or notes. Doubling just produces thick and fat vocal sounds. The effect is produced by making exact copies of your voice which are slightly detuned from the original. On Double programs you can add up to four copies of your voice, making for thick and full doubled vocal sounds. A single voice assigned to doubling can also be selected in Chord and Scale programs. This is done by turning on the Double voicing button when making a voicing selection. This helps to thicken the overall harmony sound. 11 The Aux Input to Reverb This input jack allows you to share the reverb processor in Vocalist with the other instruments in input jack allows processor in Access with the other instruments in your band or with other tracks in your recordings. Here are a couple of points to help you get the or with other tracks in your recordings. Here are a couple of points to help you get the most out of this handy little feature. First of all, the amount of signal level you send to the Aux Input to Reverb is controlled by your of level you send to all, Aux Input mixer. The Input level knob on Access is used used only to setinputinput level of your microphone or on the Vocalist is only to set the the level of your microphone or Input level line input to the harmony processor. The Clip LED on Access is used to monitor when the cominput to the harmony processor. The Clip LED on Access is used to monitor when the combination of the Aux Send to Reverb and the mic/line mic/line signals is near clipping. bination of the Aux Send to Reverb and the signals is near clipping. Second, any instruments you send to the Aux Input to Reverb will come out of Access' stereostereo (or to the Aux Input to Reverb will come out of the Vocalists' (or mono) output 100% wet. You'll need to mix the dry sound from your instruoutput 100% wet. You'll need to mix the dry sound from your instruments through your mixer mixer to achieve wet/dry balance. ments through your to achieve a nice a nice wet/dry balance. Third, you'll probably want to set Vocalists' Global Mix and Global Reverb parametersto On. [. . . ] Most songs could benefit from either or both approaches. Depending on the chord changes in the accompaniment, the tight and always moving Scale harmonies might be better for a catchy chorus where the more stationary and open Chord harmonies would leave "breathing space" to highlight a lead vocal. It is helpful to experiment with both Harmony Control Modes in all styles of music you enjoy. 23 Bright Room: Simulates a smaller room which accentuates the higher frequencies. Not only can this preset give your vocals some added depth, but it can increase the clarity in live spaces where the upper frequencies are not reproduced well. [. . . ]

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