User manual DOD FX57

[. . . ] Care should be taken so that objects do not fall on and liquids are not spilled into the enclosure through openings. POWER SOURCES: The appliance should be connected to a power supply only of the type described in the operating instructions or as marked on the appliance. GROUNDING OR POLARIZATION: Precautions should be taken so that the grounding or polarization means of an appliance is not defeated. POWER CORD PROTECTION: Power supply cords should be routed so that they are not likely to be walked on or pinched by items placed upon or against them, paying particular attention to cords at plugs, convenience receptacles, and the point where they exit from the appliance. [. . . ] If the Status LED is lit continuously, an effect in the indicated group is active. If the LED is not lit, no effects in the group are active. If the LED is flashing, edit mode is active, and effects in the group can be selected using the Data wheel. Directly below each vertical group are the Effect Selector buttons. These buttons allow you to select and/or bypass effects in the FX57. The following things happen when you use the Effect Selector buttons: · When you select a bypassed effect, its group LED begins flashing and the display shows two dashes (0 on EQs), indicating that the effect is selected but bypassed. (Pressing the Select button again activates the effect. ) · When you select an active effect, its group LED begins flashing and the display shows the number of the currently selected effect. (Pressing the button again bypasses the effect. ) DATA User LED Indicator The User LED below the display indicates that the current Program is a User Program in the User bank when lit. When the LED is not lit, the current Program is a permanent Factory Program in the Factory bank. Using The Footswitches The FX57's pedalboard consists of four footswitches. The far right footswitch is the Bank selector, and the remaining three are Program selectors. There are 10 User Banks in the FX57, each with 3 Programs for a total of 30 User Programs. Changing the pedal's assignment is accomplished the same as editing any other effect group in your program. Simply select the Expression Assign Group button and choose one of the numbers that corresponds to the parameter you want the pedal to control. In order for the Expression Pedal to function with a parameter you have selected, a corresponding effect must be active within the program. To turn on the Wah or Auto Wah, just select either one in the Expression Assign Group. Expression 1 2 3 4 5 6 7 8 Volume 9 Delay Level Wah 10 Reverb Level Auto Wah Mod Speed Mod Depth Mod Level Detune Pitch/Detune Level The following list shows which effects are controlled by each Expression Assignment. Assignment 1- Volume: 2- Wah: Pedal controls: Master Volume. Wah Wah. 7 Signal Processing Signal Processing Assignment 3- Auto Wah: 4- Mod Speed: Mod Depth: Mod Level: Detune Pitch/Detune Level 9- Delay Level: 10- Reverb Level: 5678Pedal controls: Auto Wah sensitivity. Chorus, Flange, Tremolo, Phaser, or Ring Modulator speed. Chorus, Flange, Tremolo, or Phaser depth. Chorus, Flange, Phaser, or Pixellator level. Reverb level. When programs where Volume, Wah, or Auto Wah are selected in Expression Assign, the sound will reflect where the current pedal position is, . otherwise the pedal must be moved in order for the effect to be changed. Storing Programs After you have made modifications to a program, you may want to store the changes. The FX57 lets you store up to 30 Programs in the User memory locations. [. . . ] These selections consist of 3 different feedbacks (number of repeats) and 3 different levels. For example, a Mono 200ms number 15 would have a 200ms delay time, a feedback of 30%, and a level of 30. Selection 1-3 4-6 7-9 fb/lev fb/lev 0%/15 0%/30 30%/15 30%/30 50%/15 50%/30 fb/lev 0%/50 30%/50 50%/50 Mono Delay 1-9 11-19 21-29 31-39 41-49 51-59 61-69 100ms 200ms 250ms 300ms 350ms 400ms 500ms MULTI DELAYS The Pong and Tap Delays have 2 delay times. The Pong Delays bounce from left to right at a regular interval while the Tap Delays bounce left to right in more of a rhythmic way. [. . . ]