User manual ELECTRO-VOICE ND468

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ELECTRO-VOICE ND468 : Download the complete user guide (194 Ko)

Manual abstract: user guide ELECTRO-VOICE ND468

Detailed instructions for use are in the User's Guide.

[. . . ] W I R E D MICROPHONE N/D468 User Manual Designed specifically for horns, drums, acoustical and electric guitars, the N/D468 provides a smooth, natural sound, capturing the excitement of the instrument. [. . . ] Known as proximity effect, maximum bass response is produced in close-up use with the microphone ¼ inch from the sound source. Normal bass response is experienced with working distances greater than 24 inches. Close up positioning of the microphone will also reduce the potential for feedback from the sound reinforcement system. When close-miced, the bass-boost provides an increase in overall microphone output level. The mixer gain may be proportionately reduced, resulting in a reduction of the systems sensitivity to feedback caused by soundenteringthe microphonefrom the loudspeakers. drum rings, tape deadening material to the head or use damping rings. For more snare sound place a 2nd mic underneath aimed up at the bottom of head. Cymbals Place microphone one to two feet above the top of cymbals. High-Hat Place 5 inches above outside edge at a 45° down angle. Brass 6-24 away, and on axis with the bell of the instrument. Acoustic Guitar Place mic 6-12 from where finger board joins the body. Standard Placement & Use Guidelines 1. 2. Always point the microphone at the desired source of sound, and away from any unwanted sources. The microphone should be located close to the sound source to minimize interference from other potential sound sources. N/D468 Specifications Element: . Dynamic, N/DYM â magnet structure Frequency Response: Close Response: . Place each microphone three times farther from other microphones as from the desired sound source. [. . . ] ParqueChapultepec#66-201, ElParque, Naucalpan, Mexico, DF 53390, Phone:011(52) 5358-5434, FAX:011(52)5358-5588 N/D468 response Part Number 535835 [. . . ]

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