User manual GAMES PC NORMALITY

[. . . ] Clicking a mouse button will select an option, or you can use the cursor keys on the keypad. When you have installed the game and chosen your Sound Effects and Music cards select Exit from the menu and select to save the configuration from the menu. Your choices will be saved and used every time you play the game. 1. 3. Even though you execute the game from your hard drive the game is played from CD-ROM and you must keep the CD-ROM in the drive at all times whilst playing NORMALITY. [. . . ] Use the le f t ha n d t o us e an i t em . 3 . U se t h e do l l' s c he st t o op en t hi ng s li k e t he f r i dg e an d do or s . That mighty fine floating spinning sack in the top right hand corner is Kent's inventory. Everything you pick up will be saved in this sack and you can keep as much stuff in it as you want. To view the contents of the mighty sack click on it with the mouse pointer using any mouse button. The more items you have in the sack the more pages there will be in the inventory, to view what's on the other pages (if any) click on the edge of the page behind the front page. To use one item with another, click on the object to pick it up and move it to the object you want to use it with and click on the left mouse button. Not all objects will work with each other but you've got to check your options, not everything in Neutropolis is normal. You can also lift an object off the inventory by clicking on it and move it into the game environment to make it interact with an object that may be too heavy to carry in your sack. Anything that is printed on paper generally can't be used with other objects because it's for reading, double click to read and click again to clear once you've read it. At any point in the game press O on the keyboard to bring up the Options menu screen. This menu screen allows you to change your game environment. To select a item click on the menu text of the item you want to change, you'll notice the red light at the end of the menu bar changes from red to green to indicate that the item is selected. To toggle through the available options place the mouse pointer over the knob on the slider on the right of the screen and press the left mouse button. Keep the left button held down and move the knob up and down the slider to adjust the selected item. To find out what each option does click on Help, this will display a description of what each selected item does. Once you've made your changes click on Play to return to the game. Click on Quit to DOS to. . . erm quit to DOS. Please note that the cut scenes volume is controlled by the SFX volume control. When you first start playing Normality, the Map screen is like a form of torture, you can see the different places on the map light up as you move the mouse pointer around. But, before you can travel anywhere you've gotta get out of the flat. Once you're out use the map to get around Neutropolis. Press M on the keyboard to view the map. When you've highlighted a place on the map using the mouse pointer, click on the left mouse button to travel to that place. You can't travel everywhere at first, you've got puzzles to solve , like who you really are? [. . . ] In no event shall Gremlin Interactive Limited be liable for any special, indirect or consequential loss or damages or any loss or damage caused by or suffered by reason of any loss or corruption of data arising in the use or inability to use the software. Gremlin Interactive Limited warrants to the original purchaser of this computer software product that the recording media on which the software programs are recorded will be free of defects in materials and workmanship for 90 days from the date of purchase. During such period defective media will be replaced if the original product is returned to Gremlin Interactive Limited at the address on the back of this document, together with dated proof of purchase, a statement describing the defects, the faulty media and your return address. This warranty is in addition to, and does not affect your statutory rights. [. . . ]