User manual HITACHI POWER TOOLS VTP10 ELECTRIC TOOL PARTS LIST

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Detailed instructions for use are in the User's Guide.

[. . . ] – (“Memory Stick Using the camcorder • Do not hold the camcorder by the following parts. • See page 15 for the recordable time of “Memory Stick PRO Duo” media. “Memory Stick PRO Duo”/“Memory Stick PRO-HG Duo” (This size can be used with your camcorder. ) Camera Cable “Memory Stick” (You cannot use it in your camcorder. ) Jack cover • “Memory Stick PRO Duo” media and “Memory Stick PRO-HG Duo” media are both referred to as “Memory Stick PRO Duo” media in this manual. • You cannot use any type of memory card other than those mentioned above. • The camera of the camcorder is splashproof but the main body is not, therefore never wet the main body of the camcorder. See “About handling of your camcorder” (p. 79). 2 • Do not do any of the following when the (Movie)/ (Still) mode lamps (p. [. . . ] The TV switches to full mode automatically. Refer also to the instruction manuals supplied with your TV. DISP OUTPUT Touch 1, then 2. If the item is not on the screen, touch to change the page. / B LCD PANEL Shows displays such as the time code on the LCD screen. How to set (HOME MENU) t page 46 (OPTION MENU) t page 58 The default settings are marked with B. V-OUT/PANEL Shows displays such as the time code on the TV screen and the LCD screen. Customizing Your Camcorder b Notes • The setting of [DISP OUTPUT] may be changed according to the setting of [CTRL FOR HDMI] (p. 57). TV TYPE You need to convert the signal depending on the TV connected when playing back the image. The recorded images are played back as following illustrations. B 16:9 Select this to view your images on a 16:9 (wide) TV. 16:9 (wide) images 4:3 images COMPONENT Select [COMPONENT] when connecting your camcorder to a TV with the component input jack. 480i Select when connecting your camcorder to a TV with the component input jack. B 1080i/480i Select when connecting your camcorder to a TV that has the component input jack and is capable of displaying the 1080i signal. 4:3 Select this to view your images on a 4:3 standard TV. 16:9 (wide) images 4:3 images b Notes • Horizontal to vertical ratio of the image recorded with HD (high definition) image quality is 16:9. 55 CLOCK/ LANG (Items to set clock and language) GENERAL SET (Other setup items) Touch 1, then 2. If the item is not on the screen, touch to change the page. / Touch 1, then 2. 60) when it is hard to focus automatically. 60 EXPOSURE You can fix the brightness of a picture manually. Adjust the brightness when the subject is too bright or too dark. b Notes • If you set [SPOT METER], [EXPOSURE] is automatically set to [MANUAL]. SCENE SELECTION You can record images effectively in various situations. B AUTO Select to automatically record images effectively without the [SCENE SELECTION] function. 1 Touch [MANUAL]. 3 Touch . TWILIGHT* ( / ) Customizing Your Camcorder Select to maintain the darkening atmosphere of the distant surroundings in twilight scenes. To return the setting to automatic exposure, touch [AUTO] t in step 1. z Tips • You can also adjust the setting manually using the CAM CTRL dial (p. 22). CANDLE ( ) Select to maintain the dim atmosphere of a candlelit scene. SPOT METER (Flexible spot meter) You can adjust and fix the exposure to the subject, so that it is recorded in suitable brightness even when there is strong contrast between the subject and the background, such as subjects in the spotlight on stage. SUNRISE&SUNSET* ( ) Select to reproduce the atmosphere of scenes such as sunsets or sunrises. FIREWORKS* ( ) Select to take spectacular shots of fireworks. 1 Touch the point where you want to fix and adjust the exposure on the screen. 2 Touch [END]. To return the setting to automatic exposure, touch [AUTO] t [END] in step 1. 61 LANDSCAPE*( ) Select to shoot distant subjects clearly. This setting also prevents your camcorder from focusing on glass or metal mesh in windows that comes in between the camcorder and the subject. WHITE BAL. (White balance) You can adjust the color balance to the recording environment. B AUTO The white balance is adjusted automatically. PORTRAIT (Soft portrait) ( ) OUTDOOR ( ) Select to bring out the subject such as people or flowers while creating a soft background. The white balance is adjusted to be appropriate for the following recording conditions: – Outdoors – Night views, neon signs and fireworks – Sunrise or sunset – Under daylight fluorescent lamps SPOTLIGHT**( ) Select to prevent people’s faces from appearing excessively white when subjects are lit by strong light. INDOOR (n) The white balance is adjusted to be appropriate for the following recording conditions: – Indoors – At party scenes or studios where the lighting conditions change quickly – Under video lamps in a studio, or under sodium lamps or incandescent-like color lamps BEACH** ( ) Select to take the vivid blue of the ocean or a lake. ONE PUSH ( ) The white balance will be adjusted according to the ambient light. SNOW** ( ) Select to take bright pictures of a white landscape. * Adjusted to focus on subjects farther away only. ** Adjusted not to focus on subjects a short distance away. 1 Touch [ONE PUSH]. [. . . ] 62 “InfoLITHIUM” battery pack . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 78 Install . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65 B Backup. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32 Battery pack. . . . . . . . . . . . . . . . . . . . . . . . . . . . 9 BEACH . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 62 BEEP . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54 BLACK FADER . . . . . . . . . . . . . . . . . . 63 BLT-IN ZOOM MIC (Built-in zoom microphone). . . . . . . . . . . . . . . . 64 B&W (Black and white). . . . . . . 63 E EDIT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36 Editing. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33 ERASE. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . [. . . ]

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