User manual IMAGE LINE SOFTWARE TOXICBIOHAZARD OVERVIEW

[. . . ] Image-Line Toxic Biohazard Overview Toxic Biohazard features a hybrid synthesis engine, combining the best of FM and Subtractive synthesis. With the addition of a warm, analog-modelled filter and set of built-in effects, the Toxic concept remains one of convenience, simplicity, and superb sound quality. Features Powerful hybrid FM-Subtractive synthesis engine. Low CPU usage with no loss of sound quality. [. . . ] VEL: The 'Velocity' slider determines how sensitive the specific oscillator will be to velocity cc's. To increase its value, "click-and-drag" your mouse pointer upwards while hovering over the slider. The opposite action is taken to decrease its value. INIT: The 'Initial' slider determines the initial value the Attack stage of the envelope generator starts from. Values can be increased in range from 0 to 100%. To increase its value, "click-anddrag" your mouse pointer upwards while hovering over the slider. The opposite action is taken to decrease its value. ADSR envelope: Each oscillator has 4 controls that affect the amplitude of the chosen oscillator. ATK: Attack (this determines how quickly the oscillator fades in), DEC: Decay (determines how long the oscillator to take to reach the sustain point), SUS: Sustain (determines the level the oscillator will hold at once it reaches full decay, it will hold at this level until the note is released), and REL: Release (the rate at which the note fades after the key release). Image-Line Toxic Biohazard - Filter Filter Section Toxic Biohazard has a powerful filter section. It operates in both LowPass and HighPass modes and has it's own ADSR envelope generator as well as accepting modulation from various sources. Controls Mode: Toggles the filter between - Bypassed (---), Low-Pass (LP), Band-Pass (BP), and HighPass (HP). Cutoff: Determines the cutoff frequency of the filter. Reso: Determines the Resonance (Or Bandwidth) of the filter. KEYTRK: This knob controls how closely the filter cutoff frequency will be tied to the MIDI key number pressed by the user. Lower keys will result in lower cutoffs, while higher keys will have the opposite affect. VELTRK: Determines how much velocity will effect the filter cutoff frequency. EG AMT: Determines how strongly the envelope will effect the filter. This controller has a range of -100 (envelope completely inverted) to 00 (envelope does not affect filter) to +100 (envelope heavily tied to filter). LFO1 AMT: Determines how much LFO 1 will effect the filters signal. Filter Envelope Controls: Attack: The amount of time it takes for the envelope to effect the filter cutoff. Decay: The amount of time it will take the envelope to reach the desired sustain level. Sustain: The level at which the signal will rest after it has fully decayed. [. . . ] FDBK: Feedback, increases the amount of signal fed back into the flanger. RATE: LFO relative detune speed between voices. DEPTH: Amount of relative detune between echoes. MIX: Invert mix, inverts the polarity of the wet signal. [. . . ]