User manual JVC GR-DVX

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Manual abstract: user guide JVC GR-DVX

Detailed instructions for use are in the User's Guide.

[. . . ] DIGITAL VIDEO CAMERA GR-DVX ENGLISH Please visit our CyberCam Homepage on the World Wide Web and answer our Consumer Survey (in English only): http://www. jvc-victor. co. jp/index-e. html For Customer Use: Enter below the Model No. which is located on the bottom of cabinet. Retain this information for future reference. Model No. INSTRUCTIONS Serial No. LYT0002-0V8A EN 2 EN Dear Customer, Thank you for purchasing this Digital Video Camera. [. . . ] Cycle through the available settings of the selected functions by rotating the Select Dial, and stop when the one you want is displayed. NOTE: White balance cannot be used when P. AE/Effects Sepia or Monotone are activated. AUTO­The white balance is adjusted automatically. " "­ When using a video light or other similar type of lighting. " "­ When shooting outdoors on a cloudy day. " "­ When shooting outdoors on a sunny day. " "­ When shooting with the white balance already having been set on the subject ( pg. 50). 4 SET FUNCTION PARAMETERS PLAY 5S M A Lock button F Power Dial 50 EN RECORDING Advanced Features (Cont. ) Manual White Balance Operation If the camera is operating in manual mode, perform a Manual White Balance when shooting under various types of lighting Display White paper FOCUS EXPOSURE 4 W. RETURN AUTO AUTO AUTO OFF OFF 0 Lock button Power Dial 5S M A OF Manual Mode Item Menu MANUAL PAUSE Select Dial Manual White Balance Adjustment 1 SELECT OPERATION MODE 3 ENTER SETTING Press the Select Dial until the blinking. To Change The Tint For Recording . In step 2, substitute colored paper for white. The white balance is adjusted based on the color, changing the tint. Red paper -- deeper green; blue paper -- orange; yellow paper -- deeper purple. Follow steps 1 through 4 of the white balance adjustment ( pg. Hold a sheet of plain white paper in front of the subject. Adjust zoom or position yourself so that the white paper fills the screen. begins stops 2 SET MANUAL WHITE BALANCE NOTES: · When the setting is completed, the blinking. 4 EXIT MANUAL WHITE BALANCE ADJUSTMENT Press the Select Dial. The indication "W. BAL. " changes to "MANUAL" and only the Manual White Balance indicator is displayed. A subject can be shot under various types of lighting conditions indoors (natural, flourescent, candlelight, etc. ). Because the color temperature is different depending on the light source, the tint of the subject will differ depending on the white balance settings. Use this function for a more natural result. Once you adjust white balance during Manual White Balance operation, the setting is retained even if the power is turned off or the battery removed. PLAY F PLAYBACK Basic Playback You can watch what you've recorded in the LCD monitor. LCD monitor EN 51 Tape running indiator 4 Power lamp 5S M A O FF Power Dial Lock button PLAY Volume switch MENU Speaker 1 SELECT OPERATION MODE 2 OPEN LCD MONITOR Open the LCD monitor. Playback Sound You can hear sound from the speaker or using headphones connected to the headphones connector during playback. To adjust the sound volume, press the VOL. The sound volume indication is displayed. switch towards "+" to turn up the volume, or towards "­" to turn it down. Turn the Power Dial to "PLAY" while pressing down the lock button located on the dial. The Power lamp comes on. ·When the viewfinder is pulled out, the LCD monitor cannot be used. Still Playback To temporarily stop playback, press 6/4. If still playback continues for more than about 3 minutes, the camcorder's Stop mode is automatically engaged. [. . . ] Sound Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Squeeze . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Still Playback . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Strobe . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . [. . . ]

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