User manual KENWOOD KRF-V6080D

[. . . ] AUDIO VIDEO SURROUND RECEIVER ENGLISH KRF-V6080D INSTRUCTION MANUAL KENWOOD CORPORATION About the supplied remote control Compared to standard remote controls, the remote control supplied with this model has several operation modes. These modes enable the remote control to control other audio/video components. In order to effectively use the remote control it is important to read the operating instructions and obtain a proper understanding of the remote control and how to switch its operation modes (etc. ). Using the remote control without completely understanding its design and how to switch the operation modes may result in incorrect operations. FRANÇAIS DEUTSCH NEDERLANDS ITALIANO ESPAÑOL B60-5440-00 00 MA (E) 0311 *5440/01-06/1EN 1 04. 1. 27, 8:20 PM Before applying the power Units are designed for operation as follows. [. . . ] • TONE will automatically be turned ON. • This key does not function when this model is in the sound quality or ambience effects adjustment mode. ¢~ª • If you turn off all of the speakers when in surround mode, the surround mode will be canceled as well, resulting in stereo playback. 2 Connect headphones to the PHONES jack. PHONES 3 Use the VOLUME CONTROL knob or VOL +/– keys to adjust the volume. Switching back to the previous setting Press the Bass Boost key again. 19 EN *5440/15-23/1EN 19 04. 1. 27, 8:22 PM Recording Recording audio (analog sources) 3 Press and hold the DIMMER key for more than 2 seconds to select the A-REC or M-REC mode during digital input. 1 Rec mode off : The digital input record mode is switched off. 2 A-REC mode : The digital input signals (DTS, Dolby Digital, or PCM) are identified automatically and converted into stereo signals that are ready for recording. 3 M-REC mode : The input signal type at the moment this mode is selected is held throughout this mode. ENGLISH INPUT SELECTOR Recording a music source 1 Use the INPUT SELECTOR knob to select the source (other than “MD/TAPE”) you want to record. 2 Set the MD or TAPE recorder to record. 3 Start playback, then start recording. • When the M-REC mode is selected, the digital input signal is converted to stereo signals (down-mix). But once the digital signal is chaned to other signal, no signal is output. When the A-REC mode is selected, the digital input signal is converted to stereo signals even if the digital signal is changed. For A-REC mode: Recording video 1 Use the INPUT SELECTOR knob to select the video source (other than “VIDEO1”) you want to record. 2 Set the video deck connected to VIDEO 1 to record. • Select the REC MODE to record a digital input source. • Recording may not be normal for some video software. This is due to the copy guard condition. ° For M-REC mode: Recording audio (digital sources) Switch on the REC mode to record a digital input source. Usually use the A-REC (Auto-Record) mode to record audio input sources. When the digital mode changes during recording in the A-REC mode, the audio input source may be interrupted momentarily. • If the audio reproduction stops in the middle due to change in the input signals, etc. , press the DIMMER key. Recording music in A-REC or M-REC mode DIMMER INPUT SELECTOR 1 Use the INPUT SELECTOR knob to select the source (CD/DVD, DVD/6CH or VIDEO2) you want to record. 2 Set the MD or TAPE recorder to record. 20 EN *5440/15-23/1EN 20 04. 1. 27, 8:22 PM Listening to radio broadcasts This model can store up to 40 stations in the memory and recall them by one-touch operation. Radio stations can be classified into RDS (Radio Data System) stations and other stations. [. . . ] 87. 5 MHz ~ 108. 0 MHz Usable sensitivity (DIN at 75 Ω) MONO . . . . . . . . . . . . . . . . . . . . . 1. 3 µV / 13. 2 dBf (40 kHz DEV. , S/N 26 dB) STEREO . . . . . . . . . . . . . . . . . . . 45 µV / 42. 1 dBf (46 kHz DEV. , S/N 46 dB) Total harmonic distortion (DIN at 1 kHz) MONO . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 0. 2% (71. 2 dBf input) STEREO . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . [. . . ]