User manual KENWOOD VR-9070

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Manual abstract: user guide KENWOOD VR-9070

Detailed instructions for use are in the User's Guide.

[. . . ] AUDIO VIDEO SURROUND RECEIVER VR-9070 INSTRUCTION MANUAL KENWOOD CORPORATION About the supplied remote control Compared to standard remote controls, the remote control supplied with this receiver has several operation modes. These modes enable the remote control to control other audio/video components. In order to effectively use the remote control, it is important to read the operating instructions and obtain a proper understanding of the remote control and how to switch its operation modes (etc. ). Using the remote control without completely understanding its design and how to switch the operation modes may result in incorrect operations. For the U. S. A. Register Online Register your Kenwood Home Audio product at www. kenwoodusa. com Plus opt in to receive e-mail updates and other offers when you register at our web site. B60-5553-00 00 CS (K, P) 0412 Before applying the power Units are designed for operation as follows. [. . . ] · Press the key once to select the maximum (+10) low frequency emphasis setting. · This key does not function when the receiver is in the sound quality or ambience effects adjustment mode. · This function is available only for speakers connected to FRONT A terminals. Listening with headphones 1 Connect headphones to the PHONES jack. PHONES Switching back to the previous setting Press the BASS BOOST key again. · The sounds from all speakers are cut off. Muting the sound The MUTE key lets you mute the sound of the speakers. Blinks SP L C LFE R AB MUTE CLIP 2 Use the VOLUME CONTROL knob or VOLUME %/fi keys to adjust the volume. SL S SB SR To cancel Press the MUTE key again so that the "MUTE" indicator goes off. · MUTE ON can also be deactivated by turning the VOLUME CONTROL knob or pressing VOLUME %/fi keys. 25 EN Recording Recording audio (analog sources) Recording audio (digital sources) Switch on the REC MODE to record a digital input source. Usually use the REC MODE AUTO to record audio input sources. When the digital mode changes during recording in the REC MODE AUTO, the audio input source may be interrupted momentarily. Recording music in REC MODE AUTO or MANUAL INPUT SELECTOR Input Selector keys DIMMER INPUT SELECTOR Input Selector keys Recording a music source 1 Use the INPUT SELECTOR key or Input Selector keys to select the source (other than "MD/TAPE") you want to record. 2 Set the MD or TAPE recorder to record. 1 Use the INPUT SELECTOR key or Input Selector keys to select the source (CD/DVD, DVD/6CH, VIDEO 2, VIDEO 3) you want to record. 2 Set the MD or TAPE recorder to record. 3 Press and hold the DIMMER key for more than 2 seconds to select the REC MODE AUTO or MANUAL. : The digital input record mode is switched off. 2 REC MODE AUTO : The digital input signals (DTS, Dolby Digital, or PCM) are identified automatically and converted into stereo signals that are ready for recording. 3 REC MODE MANUAL : The input signal type at the moment this mode is selected is held throughout this mode. 1 REC MODE off Recording video 1 Use the INPUT SELECTOR key or Input selector keys to select the video source (other than "VIDEO 1") you want to record. 2 Set the video recorder connected to VIDEO 1 to record. · Select the REC mode to record a digital input source. · Recording may not be normal for some video software. This is due to the copy guard condition. p · When the REC MODE MANUAL is selected, the digital input signal is converted to stereo signals (down-mix). But once the digital signal is changed to other signal, no signal is output. [. . . ] 0. 5% (65 dBf input) STEREO (1 kHz, 67. 5 + 67. 5 kHz dev) . . . . . . . . . 0. 7% (65 dBf input) Signal to noise ratio MONO (1 kHz, 75 kHz dev) . . . . . . . . . . . . . . . . . . . . . . . . 75 dB (65 dBf input) STEREO (1 kHz, 67. 5 + 67. 5 kHz dev) . . . . . . . 68 dB (65 dBf input) Stereo separation (1 kHz) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . [. . . ]

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