User manual KORG KRONOS X

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Manual abstract: user guide KORG KRONOS X

Detailed instructions for use are in the User's Guide.

[. . . ] Operation Guide E 5 1 Thank you for purchasing the Korg KRONOS/KRONOS X.  To help you get the most out of your new instrument,   please read this manual carefully. About this manual The owner’s manuals and how to use them References to the KRONOS and KRONOS X These manuals apply to both the KRONOS and the  KRONOS X,  collectively referred to as “the KRONOS. ”  The front panel and rear panel illustrations show the  KRONOS X 61‐key model,  but they apply identically to  the other models. For information on the current LCD page,  press and  release the HELP button. For more details on using the Help system,  see “HELP  button” on page 3. *English‐language only. Supplementary guides Voice Name List The Voice Name List lists all of the sounds and setups  that are in the KRONOS when it is shipped from the  factory,  including Programs,  Combinations,   Multisamples,  Drum Samples,  Drum Kits,  KARMA GEs,   Wave Sequences,  Drum Track Patterns,  Template Songs,   and Effect Presets. Three manuals The KRONOS includes three owner’s manuals: • Quick Start Guide • Operation Guide • Parameter Guide All of these manuals are available as PDFs on Accessory  Disc 2,  and are included in the on‐board Help system.  A  printed version of the Quick Start Guide is also included. Updating and restoring the KRONOS This document contains information on updating and  restoring the KRONOS software.  It’s provided separately  as a convenience; all of its information may also be found  in the Parameter Guide.   Quick Start Guide Please read this first.  It introduces all of the basic features  of the KRONOS,  and is designed to get you up and  running quickly. New features in KRONOS software version 1. 5 This document provides an overview of the new features  in KRONOS software version 1. 5.  It’s provided  separately as a convenience; all of its information may  also be found in the Operation Guide.   Operation Guide Put simply,  the Operation Guide is designed to answer  the question,  “How do I do this?” It explains the names and functions of each part of the  KRONOS,  basic operation,  an overview of each mode,   how to edit sounds,  record on the sequencer,  sample,  and  so on.  This guide also explains the basics of effects,   KARMA,  Drum Track,  Wave Sequences,  and Drum Kits. [. . . ] If you want to hide the grid display,  uncheck the  “Grid” option. In the dialog boxes of some page menu items,  there  is a Save to No.  setting that lets you specify the  sample number to which the edited sample will be  saved.  At this time,  a vacant sample number will be  selected automatically,  so you will change the  setting only if you want to specify the save  destination number.   If you check Overwrite in the dialog box of the  command,  the data prior to editing will be deleted  and overwritten by the edited data.  Normally,  you  will execute the Write operation without checking  this,  so that the unedited data is preserved.  When  you are completely finished with your editing,  you  can use the page menu command Delete Sample to  delete unneeded samples. Using Time Slice Time Slice is a function that detects the attack of the  kick or snare etc.  in a rhythm loop sample (a sample  consisting of a looped pattern of drums etc. ),  and  automatically divides it into separate instrumental  sounds.  Each of the divided instrumental sounds is  made into a sample of its own,  and then automatically  expanded into a multisample and program.  Pattern  playback data for the Sequencer mode using the  divided samples is also created automatically. The time‐slices sample can be used in the following  ways by the song of Sequencer mode. • Multiple rhythm loop samples of differing tempo  can be matched to the same tempo without  changing their pitch. • You can change the tempo in realtime without  affecting the pitch. As an example,  we will describe how a rhythm loop  sample can be time‐sliced in Sampling mode,  and then  how the rhythm loop sample can be played in  Sequencer mode. You will need to provide rhythm loop samples of  drums etc.  You can either record these on the  KRONOS,  or load them in Disk mode.  Initially,  you  should try this using a one‐measure pattern in 4/4 time  with a fairly simple beat,  and record the pattern as a  mono rhythm loop sample. Use “Sample Select” to select the sample data that  you want to time‐slice. Play back the sample,  and verify that the beats that  you want to loop are played cleanly. If they are not played cleanly,  make the appropriate  settings for the start address Start and end address  End,  and execute the page menu command  Truncate (See “Loop settings” on page 140). 141 Sampling (Open Sampling System) 2. Go to the P2: Loop Edit page.  Select the page menu  command “Time Slice. ” The Set Sample Tempo dialog box will appear. • If you want to create the performance data in a  track: Turn Program and Seq. Event On (checked) Program: as desired (for instance,  U‐G000) Track: On Song: 000,  Track: 01,  Meter: 4/4 Start Measure: 001,  Time: 008 3. Specify the number of quarter‐note beats in the  sample,  and its tempo. If you know the tempo in BPM,  set the Source BPM  accordingly. If you do not know the BPM,  use Beat to enter the  total number of beats,  and the BPM will be  calculated automatically. The sample will automatically be sliced,  and a  dialog box will appear. Press the Save button to save the data. You will return to the dialog box of step 4. • If you want to create the performance data in a  pattern: In order to audition the performance data as it  would be if created as a pattern,  press the Save  button once again to go to the Save Samples & MS  dialog box. Turn Program and Seq. Event On (checked) When you play the keyboard,  C2 will play the  original sample (Source),  and D2 and subsequent  keys will play the divided samples.   While listening to each divided sample,  adjust  Sensitivity so that each drum strike or other rhythm  instrument sound is divided into its own sample.  In  some cases,  it may not be possible to slice the  sample cleanly even if you adjust Sensitivity.  If the  attack of the next sound is included in the end of the  preceding sample,  or if one sample contains two  notes,  you will need to edit the samples. If you want to edit,  hold down the ENTER switch  and select the Index that is assigned to the note that  you want to edit.  (This portion of the waveform  display will be highlighted. ) Then you can make  adjustments by adjusting Start or End,  and by using  Divide to separate or Link to combine.   For more information,  see “Time Slice” on page 740  of the Parameter Guide. The Save Samples & MS dialog box will appear. Here you can save the time‐sliced samples and the  multisample. At this time,  set the items in the Save With area to  specify the conversion destination for the program  that will use the samples and multisample,  and for  the performance data (track or pattern) that will be  used in Sequencer mode to “recreate” the rhythm  loop sample. [. . . ] Tine EP I, Tine EP II, Tone EP V, Tine EP DMP, Reed EP200, Reed EP200A Harmonic Sound Level, Attack Noise Level, Release Noise Level, Attack Brightness, Hammer Width Tine Type Reed Type Preamp Volume, Tone (Treble, Bass), Vibrate (On/Off, Intensity, Speed), Amp/Cabinet (On/Off, Drive) Preamp Volume, Tone (Treble, Bass), Vibrate (Intensity, Speed), Amp/Cabinet (On/Off, Drive) Effect Types: 9 Combination Number of Timbres Master Keyboard Functionality Advanced Vector Synthesis Drum kit Small Phase, Orange Phase, Clack Phase, Vintage Chorus, Black Chorus, EP Chorus, Vintage Flanger, Red Comp, VOX Wah 16 Maximum Keyboard and velocity splits, layers, and crossfades of up to 16 Programs and/or external MIDI devices. Control oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope. 2, 560 (1, 536 or more preloaded [768 or more HD-1+768 or more EXi]) 1, 792 (480 or more preloaded) 264 (78 or more preloaded) 128 set lists, 128 slots per set list Assignable stereo/mono samples with 8 velocity zones per oscillator (with crossfade functions). Number of User memory programs Programs/Combi User memory combinations nations/Drum kits User memory drum kits Set lists Number of set lists/slots 256 GM Level2 preset programs+ 9 GM Level 2 drum preset programs Each set list provides a 9-band graphic EQ, and a Tone Adjust function that allows program settings to be adjusted. Hold Time setting of Smooth Sound Transition (SST) supported for each slot. [. . . ]

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