User manual KORG M1R

[. . . ] However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures: · Reorient or relocate the receiving antenna. · Increase the separation between the equipment and receiver. · Connect the equipment into an outlet on a circuit different from that to which the receiver is connected. [. . . ] () Knob [3] OSC2Semi (Oscillator 2 Semitone) [­24. . . 24] Specifies the detuning (pitch difference) relative to oscillator 1, in semitone steps over a range of plus or minus two octaves. If you want to use the sound of oscillator 2 as a component in the oscillator 1 overtone structure, try setting it one octave or a fifth higher than oscillator 1. If you want to use oscillator 2 in harmony, you can try intervals such as a third, fourth, or fifth. Knob [2] () For example, select sawtooth wave for oscillator 1 and raise the "OSC 2 Lvl" (p. 31 "7. Then, edit "OSC Semi" and "OSC 2 Tune" to change the pitch, and notice the result. The effect will be more noticeable if the oscillator 2 pitch is raised above the oscillator 1 pitch. You can also produce interesting effects by using Virtual Patch to modulate "OSC2Tune" from LFO or EG. Rng+Sync: This simultaneously applies both Ring and Sync modulation (Figure 6-3). () Knob [4] OSC2Tune (Oscillator 2 Tuning) [­63. . . 63] Specifies the amount of detune for OSC2 relative to OSC1. A setting of ±63 produces a pitch difference of ±2 octaves, and ±48 produces a pitch difference of ±1 octave. Values near 0 will make fine adjustments in the pitch. HPF (-12dB/oct): High Pass Filter (p. 33 "HFP:"). BPF (-12dB/oct): Band Pass Filter (p. 33 "BFP:"). THRU: The sound will output directly, without passing through the filter. Knob [4] Routing1 [Single, Serial, Parallel, Indiv] Specifies the routing (connection) between filter 1 and filter 2. Serial: Filter 1 and filter 2 are connected in series (Figure 8-2). Parallel: Filter 1 and filter 2 are connected in parallel (Figure 8-3). Indiv: Filter 1 is applied to oscillator 1, and filter 2 is applied to oscillator 2 and noise (Figure 8-4). Figure 8-1: Filter1 Resonance The effect of resonance Figure 8-2: Serial Figure 8-3: Parallel Figure 8-4: Indiv OSC1 OSC1 Filter1 OSC1 Filter1 OSC2 Filter2 Filter2 Noise LPF OSC2 Filter1 Filter2 OSC2 HPF Noise Noise BPF Low resonance value High resonance value 32 8. FILTER1-A LPF: LPF (Low Pass Filter) is the most common type of filter; it passes the frequencies below the cutoff frequency and cuts the region above. Raising the cutoff frequency ("Cutoff1" value) will produce a brighter tone. LPF (Low Pass Filter) -12dB/oct -24dB/oct Frequency Cutoff HPF: HPF (High Pass Filter) passes the frequencies above the cutoff frequency and cuts the region below. Use this when you want to make the tone thinner. However, raising the cutoff frequency too far will drastically reduce the volume. HPF (High Pass Filter) Frequency Cutoff BPF: BPF (Band Pass Filter) passes the frequencies in the region of the cutoff frequency, and cuts all other frequency regions. Use this when you want to emphasize just a specific portion of the sound. BPF (Band Pass Filter) Frequency Cutoff 33 9. [. . . ] In the case of a program, your edits will also be lost if you select a different program. Execute the Write operation to save your edits before you switch programs or turn off the power. p. 74 Can't write programs or global settings Is Shift function "PROTECT" turned Off?p. 78 If an edited program or edited GLOBAL, MIDI settings you thought you had saved have not actually been saved, did you select "Global" when you attempted to save the program, or "Program" when you attempted to save the global data? [. . . ]