User manual KORG MS20

[. . . ] Boldface type Parameter values are printed in boldface type. Content that is of particular importance is also printed in boldface type. Steps in a procedure are listed as 1 2 3 . . . p. I, I – I These indicate pages or parameter numbers to which you can refer. Conventions in this manual References to the TRITON STUDIO The TRITON STUDIO is available in 88-key, 76-key and 61key models, but both models are referred to without distinction in this manual as “the TRITON STUDIO. ” Illustrations of the front and rear panels in this manual show the 61-key model, but the illustrations apply equally to the 88-key and 76-key models. Abbreviations for the manuals BG, PG, VNL References to the manuals included with the TRITON STUDIO are abbreviated as follows in this document. [. . . ] The sample of each index will sound in stereo. 115 P8 P5 P4 P3 8 Audition the results that were created by Time Stretch. The sample before being time-stretched is assigned to the C2 note of the keyboard. The time-stretched sample is assigned to C#2. Sliced (divided) samples will be assigned consecutively upward, starting from D2 on the keyboard. P2 P1 P0 Sampling Sample waveform display: This displays the waveform of the selected sample. If the “Index” is other than Result, the locations at which the sample is sliced will be indicated by a dotted line (vertical). If “Index” is set to xxx/yyy, the sample of the selected index will be highlighted. If “Index” is other than xxx/yyy, the Start, Loop Start, and End addresses will be indicated by solid lines (vertical). In the case of a stereo sample, the L channel sample data will be displayed above, and the R channel sample data will be displayed below. ZOOM: Here you can zoom in/out vertically and horizontally on the waveform displayed in the “sample waveform display. ” (1–1c) 9 If the slice locations are not appropriate, use “Sensitivity” to modify the sensitivity at which the attacks are detected, thus changing the slice locations. Sensitivity [00. . . 30]: Start: End: Use Zero: Divide: Link: Refer to “2–1B: Time Slice” steps 6 and 7. (2–1B) 0 When you press the Stretch button, the Time Stretch dialog box will appear, and you can re-do the time stretch. C Press the Exit button to end the Time Stretch operation. The last-saved sample number will be set for the index. If you wish to use the saved sample in Program mode or Sequencer mode, you must either execute “Convert MS to Program” (0–1G), or use Program mode “High Multisample, ” “Low Multisample” (Program P1: 1–2a/ 2b) to select the multisample and create a program. In actuality, the sample data is created as follows. A specific length (the “Crossfade Length”) of the waveform immediately before the beginning of the loop is taken and mixed with the end portion. At this time, the waveform level of the portion immediately before the end (the length specified by “Crossfade Length”) will gradually decrease, and the waveform level immediately before the beginning of the loop will gradually increase as the two are mixed. Loop Start Loop End Loop Start Loop End Crossfade Length 1 Select the sample that you wish to Crossfade Loop. 2 Select “Crossfade Loop” to access the dialog box. 116 3 In “Crossfade Length, ” specify the length of the sample that you wish to crossfade. If you set this as %, “Crossfade Length” will be calculated automatically. Specify the proportion of the “Crossfade Length” relative to the length between the loop start and loop end. If you set this to 50%, crossfade will be performed on the second half of the region between loop start and loop end. Sampling P3: Multisample Here you can make settings for multisamples. You can create indexes for a multisample, and then assign a sample to each index. (These basic settings can also be performed in P0: Recording page) In addition, you can delete, copy, or insert an index, and perform detailed editing such as adjusting the level and pitch of the sample for each index. If the length from the beginning of the sample to the loop start is shorter than the length from the loop start to the loop end, “Crossfade Length” can be set only up to the length from the beginning of the sample to the loop start. [. . . ] The digital audio signal that is output from the DIGITAL OUT connector is output in synchronization with the clock signal received at the WORD CLOCK IN jack, allowing the digital signals of the two devices to be synchronized. If you wish to store the “System Clock” setting, use the “Write Global Setting” utility to write it. 5 Set the word clock source of the ADAT to “DIG 48 K. ” For details refer to the manual for the connected ADAT. If the clock cannot be detected correctly due to a disconnected BNC cable or for some other reason, a error message “Word Clock Error!” will appear in the LCD. If this occurs, check whether a problem has occurred with the BNC cable. If “System Clock” has been written as Word Clock, the same error message will be displayed when the TRITON STUDIO is powered-on if the correct clock is not being input. WORD CLOCK OUT WORD CLOCK IN ADAT BRC Digital Mixer DIGITAL IN DIGITAL OUT DIGITAL IN WORD CLOCK OUT DIGITAL IN DIGITAL OUT ADAT WORD CLOCK IN DIGITAL OUT TRITON STUDIO 301 Appendices Index Numerics 000: No Effect 178, 187 10’s Hold Combination 33 Program 2 12 dB 5, 6, 37, 56, 57, 99, 108, 138 Tempo A ADC OVERLOAD !!5, 37, 56, 98 After Touch After Touch Curve 136 AMS 242 Convert Position 143 MIDI Filter 144 Combination 40 Sequencer 65 AIFF file (. AIF) 163, 168, 283 AKAI S1000/S3000 format 164 All Routed 47, 85, 132, 182 Alternate modulation 14, 18, 20, 25, 241 Alternate modulation source 50, 241 Amp 22 AMS 242 Drum Kit Attack (Amp-Attack) 149 Decay (Amp-Decay) 149 Program 21 Amp EG 23, 246 Amp Level 2, 21 Keyboard Track, Amp Mod. [. . . ]