User manual KORG TRITONLE

[. . . ] E 1 Table of contents About this manual . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ii Media mode . . . . . . . . . . . . . . . . . . . . . . . . . . 11 Loading . PCG/. SNG files from the Karma Music Workstation . . . . . . . . . . . . . . . . . . . 11 Data compatibility . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . [. . . ] If “RPPR” is checked, ” you can press the specified key to hear the pattern. Depending on the end address setting of the sample, the number of measures in the sample may increase so that it will not loop neatly. In this case, you can readjust “Length” in the “Pattern Param. ” section (SEQ 5. 1-1c ☞PG p. 70). For track data or pattern data that you created with the “Seq. Event” setting “Start Measure” set to 001, the “Tempo” (SEQ 1. 1-1a ☞PG p. 50) will be the value specified by “Source BPM”. If you use the Time Stretch feature, the “Tempo” will be the value specified by “New BPM. ” If you set “Start Measure” to 001 and create a track, and a tempo event exists only at the beginning of the master track, the tempo of that event will also be the value specified by “New BPM” or “Source BPM. ” If you save to a song that already contains data, and the time signatures don’t match, the resulting playback may not be identical to the original sample. Set the time signature of the master track appropriately. Use the “Song, ” “Track, ” and “Meter” fields to specify the song number and track number where the data will be created, as well as the time signature. The number of measures of the track data will be calculated from “Meter” and “Source BPM. ” The track data that is created will begin at the “Start Measure, ” and will repeat for the number of “Times” specified. If you check both “Program” and “Seq. Event, ” set the “Start Measure” to 001 and then save, the “Program select” (SEQ 1. 1-2(3)a ☞PG p. 54) and Track Play Loop (SEQ 1. 2-1(2)a ☞PG p. 57) song parameters will be set automatically. For the “Track Play Loop” parameters, “Loop On” will be on, “Play Intro” will be off, “Loop Start Meas” will be 001, and “Loop End Meas” will be the length of the track data (the length is calculated from the “Meter” and “Source BPM”). For example if the created track data is four measures long, and you execute saving with “Start Measure”: 001 and “Times”: 002, then eight measures (four measures x 2) of track data will be created starting at measure 1 of the track. When you play back the track, the Track Play Loop settings will cause measures 1–4 to play as a loop. Measure 5 and later will not be played back. If you want measure 5 and fol- 6 Time Slice automatically detects the attacks of the kick and snare etc. in a rhythm loop sample (a looped sample containing a drum pattern, etc. ), and automatically divides the sample at the appropriate points. The resulting samples can be automatically turned into a multisample and program. Sequencer mode performance data for replaying the divided samples can also be created automatically. Here are some ways that you can use a time-sliced sample in a Sequencer mode song. • Adjust the tempo of several rhythm loop samples (all of differing tempos) without affecting their pitch. • Make realtime changes to the tempo without changing the pitch. Here is an example of the procedure for time-slicing a rhythm loop sample in Sampling mode, and for playing the resulting rhythm loop samples in Sequencer mode. You can try this using a rhythm loop sample that contains a drum performance. You can record this on the TRITON Le or use Media mode to load data from SmartMedia etc. [. . . ] When you select load in “Load . PCG, ” the “Select . SNG Allocation” field will be available if you have checked “Load ********. SNG too” in the dialog box. Add the explanation of “Select . SNG Allocation” to “Parameter Guide” 1. 1-1f: Load, Load selected section 1) Load . PCG (☞PG p. 141), section 15) Load . SNG (☞PG p. 143), and section 22) Load . KSC (☞PG p. 145). PROG When you select load in “Load . KSC, ” the “Select . SNG Allocation” field will be available if you have checked “Load ********. SNG too” in the dialog box. 7. 2 7. 1 6. 1 5. 3 5. 2 5. 1 4. 2 4. 1 3. 1 2. 2 2. 1 1. 1 When you select load in “Load . SNG, ” set the “Select . SNG Allocation” field that appears in the dialog box. Append: The data will be loaded following the last song that currently exists in the internal memory. At this time, the song data from the . SNG file being loaded will be packed into the available memory numbers. Select this if you want to load additional song data from media without erasing the songs that already exist in the internal memory. Clear: All cue list data and song data existing in internal memory will be erased, and the cue list data and song data will be loaded from media in the same configuration as when it was saved. . SNG Allocation . SNG file being loaded SNG000 SNG001 Append SNG003 SNG005 Internal memory after loading SNG000 SNG002 SNG003 SNG004 SNG005 SNG006 SNG007 Internal memory before loading SNG000 SNG002 SNG003 SNG000 SNG001 Clear SNG003 SNG005 SNG000 SNG001 SNG003 SNG005 SNG000 SNG002 SNG003 13 Others MEDIA GLOBAL SMPL SEQ Introduction Select . SNG Allocation If you load a . SNG file with “Append” specified, and there are no more locations into which a song can be loaded, a message of “Not enough song locations available” will appear (☞p. 14). [. . . ]