User manual KORG TRITONSTUDIO

[. . . ] Update guide E 1 Table of Contents About this manual. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . iii Sequencer P5: Track Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39 Sequencer P6: Pattern/RPPR . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39 Sequencer P8: Insert Effect . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40 Introduction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 New functions in version 2. 0 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 Sequencer mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 Disk mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2 Global mode. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2 Other new functions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2 Sequencer P9: Master Effect. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40 Tone Adjust Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41 5–3: Tone1. 2 1–8 (Tone1/2 T01–08) 5–4: Tone1. 2 9–16 (Tone1/2 T09–16) 5–5: Tone3. 4 1–8 (Tone3/4 T01–08) 5–6: Tone3. 4 9–16 (Tone3/4 T09–16) 5–7: Tone5. 6 1–8 (Tone5/6 T01–08) 5–8: Tone5. 6 9–16 (Tone5/6 T09–16). . . . . . . . . . . . . . . . . . . . 41 “Destination” and “Value”. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41 Installing the system . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3 Copy From Program . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . [. . . ] *5 : If “From” is Audio Track 1, Audio 1 will be “SOLO: On. ” If “From” is Audio Track 2, Audio 2 will be “SOLO: On. ” If “From” is Audio Track 1&2, Audio 1 and Audio 2 will both be “SOLO: On. ” (Other tracks will be SOLO: Off. ) *6 : If “To” is Audio Track 1, valid audio tracks in “From” will be set to “Pan: L000”. If “To” is Audio Track 2, valid audio tracks in “From” will be set to “Pan: R127”. If “To” is Audio Track 1&2, this will not be set automatically. *7 : If “Source Audio” is Stereo, “Input 1” and “Input 2” will be set to L000 and R127 respectively. If “Source Audio” is Mono-1 or Mono-2, “Input 1” and “Input 2” will be set automatically to match “To. ” If “To” is Audio Track 1 this will be L000, and if Audio Track 2 this will be R127. When you select and execute Bounce Audio Track, the Metronome Setup “Sound” setting (0–8b ☞PG p. 58) will automatically be turned Off. 33 Sequencer Support for exclusive events Recording and playing exclusive events Version 2. 0 allows exclusive messages to be recorded and played back, and allows you to edit tracks that contain exclusive events. Exclusive messages (including XG or GS data) received from an external MIDI device, and parameter changes produced by editing track parameters (☞p. 35) can now be recorded in realtime on the desired track. You can also use the page menu command “Put Effect Setting to Track” to place insert effect or master effect parameter settings as exclusive events in the desired location of a track. Recorded GM, XG, or GS exclusive messages do not affect the TRITON STUDIO when they are played back. Since the recorded data is embedded in the song data as exclusive events, it can be saved or loaded to/from disk in the same way as before. Exclusive messages can also be saved and loaded as SMF (Standard MIDI File) data (“Load Standard MIDI File, ” “Save Song as Standard MIDI File”). This means that you can save recorded exclusive events as SMF data, or convert exclusive messages from an SMF file into song data. During playback, this data can be transmitted to an external MIDI device, or can be used to control song track parameters or effect parameters. 2 Move to Global mode, and in Global P1: MIDI, MIDI Filter, check the “Enable Exclusive” check box. 3 Move to Sequencer mode, use “Track Select” to select Track 09, and begin recording. For this example, select an empty track. If you want to record onto a track that already contains data, set the “Recording Setup” parameter “Recording Mode” to Over Dub (☞PG p. 57). 4 During recording, use the Sequencer P8: Insert Effect, Insert FX page to edit the parameters of IFX1 and IFX2 at the appropriate time. 1. Recording internal parameter changes As an example, here’s how to record internal parameter changes using the preset template song “Acid Jazz. ” In this example, we’ll use an empty track to record parameter changes for the insert effects (IFX1, IFX2) assigned to track 1 (drums). 1 Use the page menu command “Load Template Song” to load Acid Jazz. In the dialog box, check “Copy Pattern to Track too?”, and create a song of about 16 measures. (☞BG p. 49 “Creating the basic song – 1. Loading a template song and copying preset patterns (drum phrases)”) 5 Stop recording. Exclusive messages are always recorded on the current track selected by “Track Select. ” In this example, they are recorded on track 9. 6 In the Sequencer P5: Track Edit page, select the page menu command “Event Edit. ” In the Set Event Filters dialog box, check Exclusive and then press the OK button. The event edit screen will show the recorded exclusive events and their locations. Exclusive events are displayed as “EXCL. ” Event indication Location Exclusive events cannot be changed to a different type of event. Nor can other events be changed into exclusive events. 7 When you access the Sequencer P8: Insert Effect screen and play back, the changes you made will be reproduced. 34 2. Recording exclusive messages received from the TRITON-Rack Here’s how you can connect the TRITON STUDIO and a TRITON-Rack via MIDI, and use the TRITON STUDIO to record exclusive messages received from the TRITON-Rack. 1 Connect the TRITON-Rack’s MIDI connectors (IN/OUT) to the TRITON STUDIO’s MIDI connectors (OUT/IN). [. . . ] As described above, change the contents of Parameter Guide – 9. Appendices – Various messages; “Buffer overrun error occurred” (☞PG p. 272), “Buffer underrun error occurred” (☞PG p. 272), “Medium unavailable” (☞PG p. 274), and “Source file is not 48000 Hz Can’t convert” (☞PG p. 277). You can use tap tempo control whenever the [TEMPO] knob can be operated. For example in Sequencer mode, tap tempo control will not be available if you are playing a song whose “Tempo Mode” setting (☞PG p. 50) is set to Auto. You can control the tap tempo control function not just by using the [ENTER] key but also from a foot switch connected to the ASSIGNABLE FOOT SWITCH jack. [. . . ]