User manual LINE 6 DL4 QUICK START PILOTS HANDBOOK REV A

[. . . ] ® DL4 Delay Modeler Pilot's Handbook Manuel de pilotage Pilotenhandbuch Pilotenhandboek Manual del Piloto 40-00-0209 Advanced Users Guide available @ www. line6. com/manuals Rev A 1. MODEL SELECTOR - This is where you pick the model you want to use; it comes up pre-set to a great sound. DELAY TIME - Typically sets the amount of delay time. Check the delay model descriptions for more details. [. . . ] Unlike the Tube Echo Model based on the EP-1, which gives you control of wow, flutter and distortion, our EP-3 emulation is designed to give you a less distorted tape emulation with adjustable tone controls. TWEEZ adjusts treble. Multi-Head ­ based on* Roland® RE-101 Space Echo The Space Echo was Roland®'s first venture into the world of effects processing. Instead of having one movable playback head (like the Echoplex) this machine has multiple stationary heads. You change delay times by switching amongst these heads, and then fine-tune delay time with a motor speed control. The groovy part is that you can play back on multiple heads at the same time to get multi-tap delay effects. The TWEAK and TWEEZ knobs let you select combinations of the emulated tape heads. TWEAK turns heads 3 & 4 on and off. Sweep Echo This Model is a Line 6 original. Starting with the basic tone of our EP-1 tape delay emulation, we added a sweeping filter effect to the delay repeats to give you unique new creative possibilities for adjusting the tone of your delays. You can use these controls to create and explore your own shifting landscape of tonal possibilities. With the optional Line 6 expression pedal, you can set things up so that the pedal takes you from no modulation (TWEEZ at its minimum value) at the heel-down position to swimming modulation when you pedal forward, so you can bring out the Sweep part of the Sweep Echo for your big solo. * All product names used in this manual are trademarks of their respective owners, which are in no way associated or affiliated with Line 6. These trademarks of other manufacturers are used solely to identify the products of those manufacturers whose tones and sounds were studied during Line 6's sound model development. Maestro® is a registered trademark of Gibson Guitar Corp. Roland® is a registered trademarks of Roland Corp. Analog Echo ­ based on* the Boss® DM-2 Analog echo units like the DM-2 were designed as improvements over the tape echoes that came before them, using "bucket brigade" electronics to give guitarists echo units that were more reliable than the tape-based delays. Analog delays are treasured for the warm, distorted tones they produce, and are also great for creating more experimental sounds. Try this, for instance: set the DELAY TIME at 12 o'clock and REPEATS knob to max and play in some guitar, so the delay circuit "overloads. " Now spin the DELAY TIME knob quickly to get something like the sound of a space-aged speeding race car imploding on itself. TWEEZ adjusts treble. Analog Echo w/ Mod ­ based on* Electro-Harmonix® Deluxe Memory Man. This pedal uses the "bucket brigade" electronics of other analog echoes, and adds a chorus circuit. This adjustable chorus is applied to the echoes only, leaving the direct sound unaffected. This popular pedal, with its warm, distorted tone and swimming echoes, became an important tool for many guitarists, and was an essential part of the guitar sounds for the first U2 album. Part of the Deluxe in Deluxe Memoryman was the increased delay time of 500 milliseconds. Your Delay Modeler's Analog Echo emulates classic Memoryman tone with the added advantage of 2. 5 seconds of delay time. TWEEZ adjusts modulation depth. Lo Res Delay The first digital delay units were introduced in the early 80's. These pedals and rack boxes took advantage of emerging digital technology to provide guitarists with longer delay times. [. . . ] Electronic® is a registered trademark of T. C. Electronic A/S Corp. Using your LOOP SAMPLER measure. Turn TWEEZ to minimum to turn off the Pre-Loop Echo unit, and set MIX straight up. Once you've got a groove, tap the RECORD/OVERDUB switch at the downbeat of your measure, record two bars worth of rhythm, and then stomp on PLAY/STOP again at the downbeat of what would be the third Now you can overdub a lead part. Turn up TWEEZ to add some echo on your lead; DELAY TIME and REPEATS control the echoes, and TWEAK lets you add some modulation to the echo. [. . . ]