User manual M-AUDIO MIXIM 10

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Manual abstract: user guide M-AUDIO MIXIM 10

Detailed instructions for use are in the User's Guide.

[. . . ] 6 Tape In (RCAs) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6 Send Controls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6 Stereo Return . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7 Main Level Pot and LEDs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . [. . . ] The Low, Mid and High controls act as follows: Low provides shelving below 80 hz; Mid provides peaking centered at 2. 5 Khz; and High provides shelving at 12 Khz. 5 Channels 5/6 and 7/8: 5/6 and 7/8 are stereo channels. This means that the Gain controls on these channels attenuate both of the respective inputs. When you turn the Balance controls on these channels all the way to the left you will only get the left input (5 or 7) going to the left main output. When you turn the Balance controls on these channels all the way to the right you will only get the right input (6 or 8) going to the right main output. When these Balance controls are centered you will get left and right inputs going to both the left and right outputs. The Send controls on these stereo channels send a mono mix of the stereo input to the Send out and are unaffected by the Balance control position. 1/4" Inputs on Channels 5 to 10: These inputs are quite unique. There are 4 different ways you may use these inputs. If you put a stereo plug into input 6, 8 or 10 you will get a stereo signal going to both the left and right main outputs. If you put mono jacks in both the left (5, 7 or 9) and right (6, 8 or 10) inputs you will get the left signal going to the left main output and the right signal going to the right main output. If you put only a mono jack in any of these left inputs (5, 7 or 9) then this signal will go mono to both the left and right main outputs. If you put a mono jack in any of these right inputs (6, 8 or 10) this signal will go mono to only the right main output. Channels 9 and 10: Channel 1 through 8 inputs provide up to 20 dB of gain. The remaining two channels (9 and 10)) are unity gain. Tape In (RCAs): The Tape Left and Right Inputs are summed into Channel 7/8 and are thus subject to the 7/8 Gain, Balance and Send Controls. Send Controls: Channels 1 through 8 on the miXim 10 have individual Send controls. These Send controls provide up to 6 dB of post-fader gain over the channel's own gain stage. The combined Send signals are sent out the Send Out at the top right of the unit. Turning a send pot all the way down will prevent any of that signal from appearing at the send output, while turning it all the way up will send it to the send output with 6 dB of gain. 6 Stereo Return miXim 10 has a stereo Return. This return is designed to be used with a tip/ring/sleeve jack. The tip goes left, the ring goes right and the sleeve is common (ground) to both channels. The Stereo Return level is controlled by the miXim 10's "Stereo Rtn" pot. [. . . ] In the event that MIDIMAN determines that the product requires repair because of user misuse or regular wear, it will assess a fair repair or replacement fee. The customer will have the option to pay this fee and have the unit repaired and returned, or not pay this fee and have the unit returned unrepaired. The remedy for breach of this limited warranty shall not include any other damages. MIDIMAN will not be liable for consequential, special, indirect, or similar damages or claims including loss of profit or any other commercial, damage, even if its agents have been advised of the possibility of such damages, and in no event will MIDIMAN's liability for any damages to the purchaser or any other person exceed the price paid for the product, regardless of any form of the claim. [. . . ]

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