User manual MACKIE PPM1012

[. . . ] PPM1012 POWER PIN 1+ 1 2 X 800W PROFESSIONAL POWERED MIXER SPEAKER OUT 12-Channel, 2 x 800 W Professional Powered Mixer AVIS: RISQUE DE CHOC ELECTRIQUE -- NE PAS OUVRIR A SPEAKER OUT B WARNING: TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS EQUIPMENT TO RAIN OR MOISTURE. REFER SERVICING TO QUALIFIED PERSONNEL. SERIAL NUMBER PIN 1+ 1 HOT SURFACE, AVOID CONTACT OUTPUT POWER: @ 4 OHMS, 800 WATTS PEAK PER CH MINIMUM LOAD: 4 OHMS PER CHANNEL CAUTION REVISION OWNER'S MANUAL L 1 1 L L L 12V 0. 5A LAMP MIC 1 MIC 2 MIC 3 MIC 4 MIC 5 MIC 6 MIC 7 MIC 8 MON SEND 2 FX SEND 2 IN R TAPE OUT MAIN INSERT R R FOOTSWITCH FX TIP: FX1 RING: FX2 (BAL/UNBAL) LINE (BAL/UNBAL) LINE (BAL/UNBAL) LINE (BAL/UNBAL) LINE (BAL/UNBAL) LINE (BAL/UNBAL) LINE (BAL/UNBAL) HI-Z LINE (BAL/UNBAL) HI-Z LINE R (MONO) L (MONO) L (MONO) L (MONO) L PHONES INSERT INSERT INSERT INSERT INSERT INSERT INSERT INSERT INPUT 9/ 10 R INPUT 11 / 12 R FX RTN 1 R FX RTN 2 R M MAIN OUT M O O LEVEL MAX 1 IC GAIN M 2 IC GAIN M 3 IC GAIN M 4 IC GAIN M 5 IC GAIN M 6 IC GAIN M 7 IC GAIN M 8 IC GAIN M 9/10 U -20 +20 11/12 U 2 X 800W PROFESSIONAL POWERED MIXER POWER PHANTOM U U U U U U U U 0 -20dB GAIN +50 +30dB 0 -20dB GAIN +50 +30dB 0 -20dB GAIN +50 +30dB 0 -20dB GAIN +50 +30dB 0 -20dB GAIN +50 +30dB 0 -20dB GAIN +50 +30dB 0 -20dB GAIN +50 +30dB 0 -20dB GAIN +50 +30dB -20 +20 15 10 5 MAIN EQUALIZER EQ ASSIGN MAIN MON 2 15 10 5 0 5 10 15 POWER AMP LIMITER A B GAIN GAIN LOW CUT 100 Hz LOW CUT 100 Hz LOW CUT 100 Hz LOW CUT 100 Hz LOW CUT 100 Hz LOW CUT 100 Hz LOW CUT 100 Hz LOW CUT 100 Hz COMP COMP COMP COMP COMP COMP HI-Z HI-Z MAIN METERS 0dB = 0dBu OL 15 10 6 3 0 2 4 7 10 20 30 0 5 10 OFF MAX OFF MAX OFF MAX OFF MAX OFF MAX OFF MAX U EQ HI 12kHz U EQ HI 12kHz U EQ HI 12kHz U EQ HI 12kHz U EQ HI 12kHz U EQ HI 12kHz U EQ HI 12kHz U EQ HI 12kHz U EQ HI 12kHz U EQ HI 12kHz 15 63 125 250 500 1K 2K 4K 8K 16K -15 +15 U MID -15 +15 600 150 100 U 8k LOW 80Hz -15 +15 1. 5k 150 -15 +15 U MID -15 +15 600 1. 5k U 8k LOW 80Hz -15 +15 150 -15 +15 U MID -15 +15 600 1. 5k U 8k LOW 80Hz -15 +15 150 -15 +15 U MID -15 +15 600 1. 5k U 8k LOW 80Hz -15 +15 150 -15 +15 U MID -15 +15 600 1. 5k U 8k LOW 80Hz -15 +15 150 -15 +15 U MID -15 +15 600 1. 5k U 8k LOW 80Hz -15 +15 150 -15 +15 U MID -15 +15 600 1. 5k U 8k LOW 80Hz -15 +15 150 -15 +15 U MID -15 +15 600 1. 5k U 8k LOW 80Hz -15 +15 -15 +15 U HI MID 2. 5kHz -15 +15 U HI MID 2. 5kHz MON 1 EQUALIZER 15 10 15 10 5 0 5 10 15 63 125 250 500 1K 2K 4K 8K 16K LEVEL SET -15 +15 U -15 +15 U L R RUDE SOLO FREQ FREQ FREQ FREQ FREQ FREQ FREQ FREQ -15 +15 U LOW MID 400Hz 100 100 100 100 100 100 100 -15 +15 U LOW MID 400Hz 5 0 5 LOW 80Hz -15 +15 -15 +15 LOW 80Hz 10 15 U AUX SEND MON U AUX SEND MON U AUX SEND MON U AUX SEND MON U AUX SEND MON U AUX SEND MON U AUX SEND MON U AUX SEND MON U AUX SEND MON U AUX SEND MON POWER AMP 01 02 03 04 05 06 07 08 09 10 11 12 PLATE REVERB VOCAL PLATE WARM ROOM BRIGHT ROOM WARM LOUNGE SMALL STAGE WARM THEATER BRIGHT STAGE WARM HALL CONCERT HALL CATHEDRAL GATED REVERB 13 14 15 16 17 18 19 20 21 22 23 24 CHORUS CHORUS + REVERB DOUBLER TAPE SLAP DLY 1 BRIGHT (350ms) DLY 1 WARM (300ms) DLY 2 BRIGHT (250ms) DLY 2 WARM (200ms) DLY 3 BRIGHT (175ms) DLY 3 WARM (150ms) CHORUS + DLY (300ms) REVERB + DLY (200ms) MODE 1 1 1 1 1 1 1 1 1 1 O O +15 U MON O O +15 U MON O O +15 U MON O O +15 U MON O O +15 U MON O O +15 U MON O O +15 U MON O O +15 U MON O O +15 U MON O O +15 U MON FX 1 U SIG/OL FX 2 U MON 1 MAINS MON 2 MON 1 SIG/OL A (L) STEREO MAIN B (R) 2 2 2 2 2 2 2 2 2 2 O O +15 U FX O O +15 U FX O O +15 U FX O O +15 U FX O O +15 U FX O O +15 U FX O O +15 U FX O O +15 U FX O O +15 U FX O O +15 U FX O O +15 SEND MASTER O O +15 SEND MASTER LPF TAP TO EDIT 1 1 1 1 1 1 1 1 1 1 O O +15 U FX O O +15 U FX O O +15 U FX O O +15 U FX O O +15 U FX O O +15 U FX O O +15 U FX O O +15 U FX O O +15 U FX O O +15 U FX BREAK TAP DELAY TAP DELAY MUTES CH 1-12 U 100 120 180 75Hz 200Hz 2 2 2 2 2 2 2 2 2 2 O O +20 TAPE IN O O +15 O O +15 O O +15 O O +15 O O +15 O O +15 O O +15 O O +15 O O +15 O O +15 PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN INT FX MUTE INT FX MUTE TO MON 1 U FX 1 TO MON 2 U FX 1 MONO OUT L R L R L R L R L R L R L R L R L R L R O O +15 O O +15 O O MAX dB 10 5 U 5 -20 OL +10 0 1 dB 10 5 U 5 -20 OL +10 0 2 dB 10 5 U 5 -20 OL +10 0 3 dB 10 5 U 5 -20 OL +10 0 4 dB 10 5 U 5 -20 OL +10 0 5 dB 10 5 U 5 -20 OL +10 0 6 dB 10 5 U 5 -20 OL +10 0 7 dB 10 5 U 5 -20 OL +10 0 8 dB 10 5 U 5 9/10 OL +10 0 dB 10 5 U 5 11/12 OL +10 0 dB 10 5 U 5 FX RTN 1 dB 10 5 U 5 10 20 30 40 50 60 O O FX RTN 2 dB 10 5 U 5 10 20 30 40 50 60 O O MON 1 dB 10 5 U 5 10 20 30 40 50 60 O O MON 2 dB 10 5 U 5 10 20 30 40 50 60 O O MAIN -20 -20 10 20 30 40 50 60 O O 10 20 30 40 50 60 O O 10 20 30 40 50 60 O O 10 20 30 40 50 60 O O 10 20 30 40 50 60 O O 10 20 30 40 50 60 O O 10 20 30 40 50 60 O O 10 20 30 40 50 60 O O 10 20 30 40 50 60 O O 10 20 30 40 50 60 O O 10 20 30 40 50 60 O O SOLO SOLO SOLO SOLO SOLO SOLO SOLO SOLO SOLO SOLO SOLO SOLO SOLO SOLO PPM1012 Important Safety Instructions 1. Donotblockanyventilationopenings. Installinaccordancewiththe manufacturer'sinstructions. Donotinstallnearanyheatsourcessuchasradiators, heatregisters, stoves, orotherapparatus(includingamplifiers)thatproduceheat. [. . . ] Owner's Manual 1 INSERT INSERT INSERT INSERT INSERT INSERT INSERT INSERT INPUT 9/ 10 R INPUT 11 / 12 R FX RTN 1 R FX RTN 2 R MAIN PPM1012 1 2 IC GAIN M 3 IC GAIN M 4 IC GAIN M 5 IC GAIN M 6 IC GAIN M 7 IC GAIN M 8 IC GAIN M 9/10 U -20 +20 11/12 U -20 +20 15 10 5 23 24 25 27 28 29 32 33 34 35 36 37 IC GAIN M U U U U U U U U 2 X 800W PROFE 0 -20dB GAIN +50 +30dB 0 -20dB GAIN +50 +30dB 0 -20dB GAIN +50 +30dB 0 -20dB GAIN +50 +30dB 0 -20dB GAIN +50 +30dB 0 -20dB GAIN +50 +30dB 0 -20dB LOW CUT 100 Hz LOW CUT 100 Hz LOW CUT 100 Hz LOW CUT 100 Hz LOW CUT 100 Hz LOW CUT 100 Hz COMP COMP COMP COMP COMP COMP 26 U GAIN +50 +30dB 0 -20dB LOW CUT 100 Hz 26 EQ HI 12kHz U GAIN +50 +30dB MAIN EQUALIZER GAIN GAIN LOW CUT 100 Hz HI-Z OFF MAX OFF MAX OFF MAX OFF MAX OFF MAX OFF MAX HI-Z 0 5 10 U EQ HI 12kHz U EQ HI 12kHz U EQ HI 12kHz U EQ HI 12kHz U EQ HI 12kHz U EQ HI 12kHz EQ HI 12kHz U EQ HI 12kHz U EQ HI 12kHz 15 63 125 250 500 1K 2K 4 -15 +15 U MID -15 +15 600 150 100 U 8k LOW 80Hz -15 +15 1. 5k 150 -15 +15 U MID -15 +15 600 1. 5k U 8k LOW 80Hz -15 +15 150 -15 +15 U MID -15 +15 600 1. 5k U 8k LOW 80Hz -15 +15 150 -15 +15 U MID -15 +15 600 1. 5k U 8k LOW 80Hz -15 +15 150 -15 +15 U MID -15 +15 600 1. 5k U 8k LOW 80Hz -15 +15 150 -15 +15 U MID -15 +15 600 1. 5k U 8k LOW 80Hz -15 +15 150 -15 +15 U MID -15 +15 600 1. 5k U 8k LOW 80Hz -15 +15 150 -15 +15 U MID -15 +15 600 1. 5k U 8k FREQ FREQ FREQ FREQ FREQ FREQ FREQ FREQ 100 100 100 100 100 100 100 30 31 -15 +15 U HI MID 2. 5kHz -15 +15 U HI MID 2. 5kHz -15 +15 U -15 +15 U -15 +15 U LOW MID 400Hz -15 +15 U LOW MID 400Hz 30 31 MON 1 EQUALIZE 15 10 5 0 5 LOW 80Hz -15 +15 -15 +15 LOW 80Hz -15 +15 LOW 80Hz 10 15 63 125 250 500 1K 2K U AUX SEND MON U AUX SEND MON U AUX SEND MON U AUX SEND MON U AUX SEND MON U AUX SEND MON U AUX SEND MON U AUX SEND MON U AUX SEND MON U AUX SEND MON 4 1 1 1 1 1 1 1 1 1 1 O O +15 U MON O O +15 U MON O O +15 U MON O O +15 U MON O O +15 U MON O O +15 U MON O O +15 U MON O O +15 U MON O O +15 U MON O O +15 U MON FX 1 U SIG/OL FX 2 U SIG/OL 2 2 2 2 2 2 2 2 2 2 O O +15 U FX O O +15 U FX O O +15 U FX O O +15 U FX O O +15 U FX O O +15 U FX O O +15 U FX O O +15 U FX O O +15 U FX O O +15 U FX O O +15 SEND MASTER O O +15 SEND MASTER 01 02 03 04 05 06 07 08 09 10 11 12 PLATE REV VOCAL PLA WARM ROO BRIGHT RO WARM LOU SMALL STA WARM THE BRIGHT STA WARM HAL CONCERT CATHEDRA GATED REV 1 1 1 1 1 1 1 1 1 1 O O +15 U FX O O +15 U FX O O +15 U FX O O +15 U FX O O +15 U FX O O +15 U FX O O +15 U FX O O +15 U FX O O +15 U FX O O +15 U FX BREAK TAP DELAY TAP DELAY MUTES CH 1-12 2 2 2 2 2 2 2 2 2 2 O O +15 O O +15 O O +15 O O +15 O O +15 O O +15 O O +15 O O +15 O O +15 O O +15 PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN INT FX MUTE INT FX MUTE TO MON U FX 1 L R L R L R L R L R L R L R L R L R L R O O +15 38 dB 10 5 U OL 39 0 1 dB 10 5 U 5 OL +10 0 2 dB 10 5 U 5 OL +10 0 3 dB 10 5 U 5 OL +10 0 4 dB 10 5 U 5 OL +10 0 5 dB 10 5 U 5 OL +10 0 6 dB 10 5 U 5 OL +10 0 7 dB 10 5 U 5 OL +10 0 8 dB 10 5 U 5 9/10 OL +10 0 dB 10 5 U 5 11/12 OL +10 0 dB 10 5 U 5 FX RTN 1 dB 10 5 U 5 10 20 30 40 50 60 O O FX RTN 2 dB 10 5 U 5 10 20 30 40 50 60 O O MO +10 40 5 -20 -20 -20 -20 -20 -20 -20 -20 -20 -20 10 10 20 30 40 50 60 O O 10 20 30 40 50 60 O O 10 20 30 40 50 60 O O 10 20 30 40 50 60 O O 10 20 30 40 50 60 O O 10 20 30 40 50 60 O O 10 20 30 40 50 60 O O 10 20 30 40 50 60 O O 10 20 30 40 50 60 O O 10 20 30 40 50 60 O O 20 30 40 50 60 O O SOLO SOLO SOLO SOLO SOLO SOLO SOLO SOLO SOLO SOLO SOLO SOLO 41 26. 7 and 8 only) Engage this switch if you want to connect a guitar directly to the 1/4" inputs of channels 7 or 8. Without this switch, you need to use a DI box first, before connecting guitars directly. If these switches are not pressed in, guitars will not sound good, particularly the high frequency response. Shelving EQ means that the circuitry boosts or cuts all frequencies past the specified frequency. For example, the low EQ boosts bass frequencies below 80 Hz and continuing down to the lowest note you never heard. Peaking EQ means that certain frequencies form a "hill" around the center frequency. With too much EQ, you can really upset things. We've designed a lot of boost and cut into each equalizer circuit, because we know that everyone will occasionally need that. But if you max the EQ on every channel, you'll get mix mush. Equalize subtly and use the left sides of the knobs (cut), more than the right (boost). If you find yourself repeatedly using full boost or cut, consider altering the sound source, such as placing a mic differently, trying a different kind of mic, changing the strings, or gargling. CHANNEL EQUALIZATION (EQ) The PPM1012 mono channels have 3-band equalization: low shelving, mid peaking with adjustable frequency, and high shelving. The stereo channels have 4-band EQ: low shelving, low-mid and high-mid peaking, and high shelving. 18 PPM101 27. HIGH EQ The high EQ provides up to 15 dB of boost or cut above 12 kHz, and it is also flat at the detent. 0 Use it to add sizzle to cymbals, an overall sense of transparency, or an edge to keyboards, vocals, guitar and bacon frying. Turn it down a little to reduce sibilance or to mask tape hiss. +15 +10 +5 ­5 ­10 ­15 20Hz 100Hz 1kHz 32. LOW EQ The low EQ provides up to 15 dB of boost or cut below 80 Hz. 0 The circuit is flat (no boost or cut) at the center detent position. This frequency represents the punch in bass drums, bass guitar, fat synth patches, and some really serious male singers who eat raw beef for breakfast. +15 +10 +5 ­5 ­10 ­15 20Hz 100Hz 1kHz Owner's Manual 10kHz 20kHz 10kHz 20kHz 28. 1 to 8) The mid EQ , or "midrange, " has a fixed bandwidth. The mid knob sets the amount of boost 0 or cut, up to 15 dB, and is effectively bypassed at the center detent. The frequency at which the cut or boost occurs is set by the mid EQ frequency control [29]. +15 +10 +5 ­5 ­10 ­15 33. MON 2 AUX SEND These controls allow you set up two independent mixes for running stage monitors. [. . . ] Provides a vibe that is similar to chorus without the subtle swirl. 14 Chorus + Reverb 15 Doubler 16 Tape Slap This effect provides a single, relatively rapid delay of the Often used on vocals for a 1950's era feel, or on original signal, with the added warmth that vintage tape- guitars for a surf-type tone. Often used by people based echo units provided. These 6 delay presets provide one (delay 1), three (delay 2), or six (delay 3) repeats of the original signal. The default delay time for each preset is shown in mS - the smaller the time, the faster the delay. [. . . ]