User manual MACKIE SR-VLZ PRO

[. . . ] SR SERIES 24·4· 4­BUS MIXING CONSOLE WITH PREMIUM XDRTM MIC PREAMPLIFIERS 2 SR24 ·4-VLZ PRO U GAIN MIC U GAIN MIC GAIN MIC -10dBV TRIM 1 60 0 +15dB -45dB -20 +20 +20 U U U GAIN MIC -10dBV -10dBV TRIM 2 60 0 +15dB -45dB -20 U GAIN MIC -10dBV TRIM 3 60 0 +15dB -45dB 60 0 +15dB -45dB 60 0 +15dB -45dB 60 0 +15dB -45dB 60 0 +15dB -45dB 60 0 +15dB -45dB 60 0 +15dB -45dB 60 0 +15dB -45dB 60 0 +15dB -45dB 60 0 +15dB -45dB 60 0 +15dB -45dB 60 0 +15dB -45dB 60 0 +15dB -45dB U U GAIN MIC -10dBV TRIM 4 AUX U U U U U U U U U U U U U U U GAIN MIC -10dBV TRIM 5 AUX PRE O O U TRIM 6 AUX PRE O O U GAIN MIC -10dBV TRIM 7 AUX PRE O O U GAIN MIC -10dBV TRIM -10dBV TRIM 8 AUX PRE O O 9 AUX PRE O O U GAIN MIC -10dBV TRIM 10 AUX PRE O O U GAIN MIC -10dBV TRIM 11 AUX PRE O O U GAIN MIC -10dBV TRIM 12 AUX PRE O O U GAIN MIC -10dBV TRIM 13 AUX PRE O O U GAIN MIC -10dBV TRIM 14 AUX PRE O O U GAIN MIC -10dBV TRIM 15 AUX PRE O O U GAIN MIC -10dBV TRIM 16 AUX PRE O O U GAIN MIC -10dBV TRIM 17 AUX PRE O O U GAIN MIC -10dBV TRIM 18 AUX PRE O O U GAIN MIC -10dBV TRIM 19 AUX PRE O O U GAIN MIC -10dBV TRIM U U TRIM TRIM 20 AUX PRE O O 60 0 +15dB -45dB 60 0 +15dB -45dB 60 0 +15dB -45dB 60 0 +15dB -45dB 60 0 +15dB -45dB 21 22 1 1 +15 U 23 24 U U U LAMP U AUX PRE O O U AUX 1 +15 U U U U U U U U U U U U U U U U AUX 1 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 U AUX 1 1 1 1 1 1 1 1 1 1 1 1 1 U AUX PRE +15 U 1 PRE 1 PRE 1 PRE 1 PRE 1 CLIP 1 O O 1 +15 U 1 SOLO O O 28 +20 U O O O O +15 O O +15 O O +15 O O +15 O O +15 +15 U 10 7 PRE O O U U U U U PRE O O 2 PRE +15 O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O PRE +15 U U U U U U U U U U U U U U U 2 PRE +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 PRE PRE PRE PRE PRE PRE PRE PRE PRE PRE PRE PRE PRE PRE 2 PRE 2 PRE 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 PRE +15 U 2 2 2 O O 2 +15 U 2 SOLO O O 4 2 +20 U O O O O +15 U O O +15 O O +15 O O +15 O O +15 +15 U U U U U 0 3 O O 3 +15 O O O O O O O O O O O O O O O O O O O O O O O O O O O O 3 +15 U U U U U U U U U U U U U U 3 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 U 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 O O 3 +15 U O O 3 +15 U O O 3 +15 U 3 SOLO O O TO AUX SEND (EFX TO MONITOR) +20 U U 2 1-2 4 7 10 O O +15 O O +15 O O +15 O O +15 O O +15 U U U U U 4 O O 4 +15 O O O O O O O O O O O O O O O O O O O O O O O O O O O O 4 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 O O 4 +15 O O 4 +15 O O 4 +15 U 4 SOLO O O 20 +20 O O O O +15 O O +15 O O +15 O O +15 O O +15 +20 30 TAPE RETURN U 40 PRE U U PRE U U U U U U U U U U U U U U U PRE U PRE U PRE U PRE PRE PRE PRE PRE PRE PRE PRE PRE PRE PRE PRE PRE PRE PRE PRE U PRE 5 5 5 5 O O LEVEL SET 5 +15 LEFT SOLO ASSIGN TO SUB POST O O RIGHT OPERATING LEVEL 5 POST O O 5 POST O O 5 POST O O 5 POST O O 5 POST O O 5 POST O O 5 POST O O 5 POST O O 5 POST O O 5 POST O O 5 POST O O 5 POST O O 5 POST O O 5 +15 O O 5 +15 U U U U 5 +15 +15 +15 5 5 0dB = 0dBu POST +15 U U U U U U U U U U POST +15 +15 +15 +15 +15 +15 +15 +15 POST POST POST POST +15 U POST O O POST +15 U O O U O O +15 O O +15 O O +15 O O +15 O O +15 +15 U GLOBAL AUX RETURN U U U U U 6 6 POST 1-2 3-4 6 POST O O 6 POST O O 6 POST O O 6 POST O O 6 POST O O 6 POST O O 6 POST O O 6 POST O O 6 POST O O 6 POST O O 6 POST O O 6 POST O O 6 POST O O 6 +15 +15 +15 +15 +15 6 6 6 6 O O 6 POST +15 O O POST +15 +15 +15 +15 +15 +15 +15 +15 POST POST POST POST POST +15 O O 6 +15 POST O O 6 +15 O O +15 SOLO SUB SOLO RUDE SOLO LIGHT POWER O O +15 O O +15 O O +15 O O +15 O O +15 AUX SEND MASTERS EQ 12k U STEREO AUX RETURNS EQ HI 12k U U EQ U U U U U U U U U U U U U U EQ 12k -15 U U U U U U U U U U U U U EQ HI 12k -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 12k 12k 12k 12k 12k 12k 12k 12k 12k 12k -15 U U EQ HI HI HI HI HI HI HI HI HI HI HI U EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ HI 12k U EQ HI 12k U EQ HI 12k U MODE HI 12k +15 HI 12k HI 12k HI 12k HI 12k HI TRACK +15 -15 U TRACK +15 -15 U TRACK +15 -15 U TRACK +15 -15 U -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 +15 O O +15 U U U U U LEVEL MID -15 +15 -15 +15 PRE FADER IN PLACE AFL MID -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 MID MID MID MID MID MID MID MID MID MID MID MID MID MID MID MID MID -15 +15 MID -15 +15 HI MID 3k -15 +15 HI MID 3k 1 · 5 600 600 600 U U 5 2 · 6 5 3 · 7 5 4 · 8 5 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 SOLO AUX SUB 600 1. 5k FREQ 150 150 150 150 150 150 150 150 150 150 1. 5k FREQ 1. 5k FREQ 1. 5k FREQ 1. 5k FREQ 1. 5k FREQ 1. 5k FREQ 1. 5k FREQ 1. 5k FREQ 1. 5k FREQ 1. 5k FREQ 150 600 600 600 600 600 600 600 600 600 600 600 600 600 600 600 600 1. 5k FREQ 150 150 1. 5k FREQ 150 1. 5k FREQ 150 1. 5k FREQ 150 1. 5k FREQ 150 1. 5k FREQ 150 1. 5k FREQ 150 1. 5k 150 1. 5k FREQ 800Hz LOW MID 100 U 800Hz LOW MID 8k 100 U 100 U U U U U U U U U U U 8k 100 8k 100 8k 100 8k 100 8k 100 8k 100 8k 100 8k 100 8k 100 8k 100 8k 100 8k 100 8k 100 8k 100 8k 100 8k 8k 100 U 8k 100 U 8k -15 U +15 -15 U +15 0 +10 0 +10 0 +10 0 +10 O O MAX U U U U U AIR LOW 80Hz AIR LOW 80Hz AIR LOW 80Hz AIR LOW 80Hz LEVEL LOW 80Hz MAIN MIX LOW 80Hz LOW 80Hz -15 LOW CUT 75 Hz 18dB/OCT LOW CUT 75 Hz 18dB/OCT LOW CUT 75 Hz 18dB/OCT LOW CUT 75 Hz 18dB/OCT LOW CUT 75 Hz 18dB/OCT LOW CUT 75 Hz 18dB/OCT LOW CUT 75 Hz 18dB/OCT LOW CUT 75 Hz 18dB/OCT LOW CUT 75 Hz 18dB/OCT +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 80Hz 80Hz 80Hz 80Hz 80Hz 80Hz 80Hz 80Hz 80Hz -15 LOW CUT 75 Hz 18dB/OCT +15 80Hz LOW 80Hz LOW 80Hz LOW 80Hz LOW 80Hz LOW LOW LOW LOW LOW LOW LOW LOW LOW LOW +15 LOW CUT 75 Hz 18dB/OCT LOW 80Hz -15 +15 LOW CUT 75 Hz 18dB/OCT -15 +15 LOW CUT 75 Hz 18dB/OCT -15 +15 LOW CUT 75 Hz 18dB/OCT -15 +15 LOW CUT 75 Hz 18dB/OCT -15 +15 -15 +15 16kHz 16kHz 16kHz 16kHz -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 SOLO SOLO SOLO SOLO AUX 1-2 LOW CUT 75 Hz 18dB/OCT LOW CUT 75 Hz 18dB/OCT LOW CUT 75 Hz 18dB/OCT LOW CUT 75 Hz 18dB/OCT LOW CUT 75 Hz 18dB/OCT TALKBACK OL OL OL OL OL OL OL OL OL OL OL OL OL OL OL OL OL OL OL OL OL OL L R -20 L R L R L R L R L R L R L R L R L R L R -20 L R -20 L R -20 L R -20 -20 -20 -20 -20 -20 -20 -20 -20 -20 L R -20 L R -20 L R -20 L R -20 L R -20 L R -20 L R -20 L R -20 L R L R L R L R TAPE RETURN TO PHONES / C R O O MAX SR24·4-VLZ PRO & SR32·4-VLZ PRO OWNER'S MANUAL PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN MUTE MUTE / SOLO dB dB dB dB dB dB dB dB 1 MUTE MUTE / SOLO MUTE / SOLO MUTE / SOLO MUTE / SOLO MUTE / SOLO MUTE / SOLO MUTE / SOLO MUTE 2 MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE 3 MUTE 4 MUTE 5 6 7 8 9 10 11 12 13 14 MUTE MUTE / SOLO dB 15 MUTE MUTE / SOLO dB 16 MUTE MUTE / SOLO dB 17 MUTE MUTE / SOLO dB 18 MUTE MUTE / SOLO dB 19 MUTE MUTE / SOLO dB 20 21 22 MUTE MUTE / SOLO dB 23 24 MUTE MUTE / SOLO dB L/R ASSIGN L/R ASSIGN L/R ASSIGN L/R ASSIGN PHONES / C-R LEVEL MAIN MIX SUB MUTE / SOLO dB MUTE / SOLO MUTE / SOLO MUTE / SOLO MUTE / SOLO MUTE / SOLO 1 10 SOLO 5 10 SOLO 5 10 SOLO 5 10 SOLO 5 10 SOLO 5 10 SOLO 5 10 SOLO 5 10 SOLO 5 10 SOLO 5 10 SUB 2 dB SUB 3 dB SUB 4 dB TAPE RETURN TO MAIN MIX LEFT/RIGHT dB dB dB dB dB dB dB 10 SOLO 5 1-2 U 5 3-4 10 L-R 20 30 40 50 60 O O O O O O O O O O SOLO 5 1-2 U 5 3-4 10 L-R 20 30 40 50 60 40 50 60 40 50 60 40 50 60 30 30 30 30 40 50 60 O O 10 10 SOLO 5 5 1-2 U 5 3-4 10 10 L-R 20 20 20 L-R L-R 10 L-R 20 10 L-R 3-4 3-4 5 5 3-4 10 20 30 40 50 60 O O SOLO 5 1-2 U 5 U U 1-2 1-2 5 5 10 SOLO SOLO SOLO SOLO SOLO SOLO 10 SOLO 10 SOLO 10 10 10 10 10 10 10 SOLO 10 5 1-2 U 5 3-4 10 L-R 20 30 40 50 60 O O 10 5 1-2 U 5 3-4 10 L-R 20 30 40 50 60 O O 10 5 1-2 U 5 3-4 10 L-R 20 30 40 50 60 O O 10 5 1-2 U 5 3-4 10 L-R 20 30 40 50 60 O O 5 1-2 U 5 3-4 5 5 5 5 5 5 1-2 U 5 3-4 10 L-R 20 30 40 50 60 O O U 1-2 U 1-2 U 1-2 U 1-2 U 1-2 U 1-2 U 5 3-4 10 L-R 20 30 40 50 60 O O 1-2 U 5 3-4 10 L-R 20 30 40 50 60 O O 1-2 U 5 3-4 10 L-R 20 30 40 50 60 O O 1-2 U 5 3-4 10 L-R 20 30 40 50 60 O O 1-2 U 5 3-4 10 L-R 20 30 40 50 60 O O U 5 10 20 30 40 50 60 O O U 5 10 20 30 40 50 60 O O U 5 10 20 30 40 50 60 O O U 5 10 20 30 40 50 60 O O 5 5 5 5 5 5 3-4 3-4 3-4 3-4 3-4 10 10 10 10 10 10 20 L-R 20 L-R 20 L-R 20 L-R 20 L-R 20 30 30 30 30 30 30 40 50 60 40 50 60 40 50 60 40 50 60 40 50 60 40 50 60 O O O O O O O O O O O O CAUTION AVIS 12. Damage Requiring Service -- This Mackie product should be serviced only by qualified service personnel when: A. The power-supply cord or the plug has been damaged; or B. Objects have fallen, or liquid has spilled into this Mackie product; or C. [. . . ] TRS stereo wiring: Tip = left, ring = right, sleeve = shield 20. POWER The POWER switch is located on the rear panel, adjacent to the AC RECEPTACLE (21). Push in the top side of the switch to turn on, this connects the mixer to main AC power. The POWER (55) LED in the top right corner of the console, will glow in confirmation. To turn the mixer off, push the switch the other way. Note: turning off the switch does not remove all power from the mixer. To remove all power, the power cord must be disconnected from the power source. 19. PHANTOM Engage this switch to provide phantom power to all the MIC (1) input jacks. All of the XLR mic inputs, except TALKBACK MIC (17), are capable of simultaneously providing phantom power. Phantom power is required to operate most condenser microphones (some condenser microphones are battery-powered). +48VDC phantom power is delivered to pins 2 and 3 of the XLR connectors. For dynamic, ribbon or tube mics that do not require phantom power, leave this switch off. If both condenser and dynamic mics are used, turn the switch on. Phantom power will not hurt most dynamic mics. If unsure, check the microphone's user manual. Caution: Turn all output levels down before operating this switch to avoid the possibility of a "pop" in the speakers. Caution: Connecting an external line-level device to an XLR input connector with the phantom power activated could damage that device. Use the LINE IN (2) or STEREO LINE IN (4) jacks for connecting line-level signals. 18 21. AC RECEPTACLE Connect the supplied AC linecord into this IEC socket to provide AC power to the Mixer. Plug the cord into a suitable AC outlet; properly grounded and capable of delivering adequate current. Replacement AC linecords are widely available at any office or computer supply store. 22. FUSE INSIDE An AC power fuse is located in a tiny slideout compartment inside the AC RECEPTACLE (21). [. . . ] If the Authorized Mackie Service Center is located in another city, pack the product in its original shipping carton. More information on packing can be found in the Service section of this manual. Contact the Authorized Mackie Service Center to arrange service or bring the product to them. LOUD Technologies and Authorized Mackie Service Centers reserve the right to inspect any products that may be the subject of any warranty claims before repair or replacement is carried out. [. . . ]