User manual MACKIE SR24-4

[. . . ] VERY LOW IMPEDANCE DESIGN GAIN MIC -10 TRIM U 1 U U U U U U U U U U U U U U U 10 60 +10dB -40dB -20 +20 U GAIN MIC -10 TRIM U 2 10 60 +10dB -40dB -20 10 60 +10dB -40dB 10 60 +10dB -40dB 10 60 +10dB -40dB 10 60 +10dB -40dB 10 60 +10dB -40dB 10 60 +10dB -40dB 10 60 +10dB -40dB 10 60 +10dB -40dB 10 60 +10dB -40dB 10 60 +10dB -40dB 10 60 +10dB -40dB 10 60 +10dB -40dB 10 60 +10dB -40dB +20 U GAIN MIC -10 TRIM U 3 AUX U U U U U U U U U U U U U U U GAIN MIC -10 TRIM U 4 AUX AUX PRE O O GAIN MIC -10 TRIM U 5 AUX PRE O O GAIN MIC -10 TRIM 6 AUX PRE O O GAIN MIC -10 TRIM 7 AUX PRE O O GAIN MIC -10 TRIM 8 AUX PRE O O GAIN MIC -10 TRIM 9 AUX PRE O O GAIN MIC -10 TRIM 10 AUX PRE O O GAIN MIC -10 TRIM 11 AUX PRE O O GAIN MIC -10 TRIM 12 AUX PRE O O GAIN MIC -10 TRIM 13 AUX PRE O O GAIN MIC -10 TRIM 14 AUX PRE O O GAIN MIC -10 TRIM 15 AUX PRE O O GAIN MIC -10 TRIM 16 AUX PRE O O GAIN MIC -10 TRIM 17 AUX PRE O O GAIN MIC -10 TRIM 18 AUX PRE O O GAIN MIC -10 TRIM 19 GAIN MIC -10 TRIM U U TRIM TRIM 20 10 60 +10dB -40dB 10 60 +10dB -40dB 10 60 +10dB -40dB 10 60 +10dB -40dB 10 60 +10dB -40dB 21 22 1 23 24 AUX PRE O O LAMP U AUX PRE O O U AUX 1 PRE +15 U U U U U U U U U U U U U U U U U AUX 1 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 U AUX 1 1 1 1 1 1 1 1 1 1 1 1 1 1 U U U U PRE 1 PRE 1 PRE 1 PRE 1 1 +15 U CLIP 1 O O 1 +15 U 1 SOLO O O 28 +20 U O O O O +15 O O +15 O O +15 O O +15 O O +15 +15 U 10 7 PRE U U U U U PRE O O 2 PRE +15 O O O O O O O O O O O O O O O O O O O O O O O O O O O O PRE +15 U U U U U U U U U U U U U U 2 PRE +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 PRE PRE PRE PRE PRE PRE PRE PRE PRE PRE PRE PRE PRE PRE PRE 2 PRE 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 O O PRE +15 U O O 2 +15 U 2 O O 2 +15 U 2 SOLO O O 4 2 +20 U O O O O +15 U O O +15 O O +15 O O +15 O O +15 +15 U U U U U 0 3 O O 3 +15 O O O O O O O O O O O O O O O O O O O O O O O O O O 3 +15 U U U U U U U U U U U U U 3 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 O O 3 U U 3 3 3 3 3 3 3 3 3 3 3 3 3 3 +15 3 O O 3 +15 U O O 3 +15 U O O 3 +15 U 3 SOLO O O TO AUX SEND (EFX TO MONITOR) +20 U U 2 1-2 4 7 10 O O +15 O O +15 O O +15 O O +15 O O +15 U U U U U 4 4 O O O O 4 +15 O O O O O O O O O O O O O O O O O O O O O O O O 4 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 O O 4 +15 O O 4 +15 O O 4 +15 O O 4 +15 U 4 SOLO O O 20 +20 O O O O +15 O O +15 O O +15 O O +15 O O +15 +20 30 TAPE RETURN U 40 PRE U U PRE U U U U U U U U U U U U U U PRE U PRE U PRE U PRE PRE PRE PRE PRE PRE PRE PRE PRE PRE PRE PRE PRE PRE PRE U PRE U PRE 5 5 5 5 5 O O LEVEL SET +15 U O O LEFT SOLO +15 U O O RIGHT ASSIGN TO SUB +15 U O O 5 O O 5 +15 O O O O O O O O O O O O O O O O O O O O O O O O 5 +15 U U U U U U U U U U U U 5 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 U 5 5 5 5 5 5 5 5 5 5 5 5 5 5 OPERATING LEVEL 0dB = 0dBu +15 U O O O O +15 O O +15 O O +15 O O +15 O O +15 +15 U GLOBAL AUX RETURN U U U U U 6 6 6 6 6 6 O O 1-2 3-4 +15 6 O O 6 +15 O O O O O O O O O O O O O O O O O O O O O O 6 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 +15 O O 6 6 6 6 6 6 6 6 6 6 6 6 6 6 +15 SOLO O O SUB +15 O O SOLO +15 O O RUDE SOLO LIGHT +15 O O POWER +15 O O +15 O O +15 O O +15 O O +15 O O +15 AUX SEND MASTERS U STEREO AUX RETURNS EQ 12k -15 +15 -15 +15 U U EQ U U U U U U U U U U U U U EQ 12k -15 U U U U U U U U U U U U EQ HI 12k +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 U U EQ HI 12k +15 12k 12k 12k 12k 12k 12k 12k 12k 12k U EQ HI HI HI HI HI HI HI HI HI HI 12k EQ HI EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ HI 12k -15 U U U EQ HI 12k +15 U U EQ HI 12k -15 U U EQ HI +15 12k -15 U U MODE HI +15 12k HI 12k HI 12k HI 12k HI TRACK TRACK TRACK TRACK O O -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 +15 U U U U U LEVEL MID -15 +15 -15 +15 PRE FADER IN PLACE AFL MID -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 MID MID MID MID MID MID MID MID MID MID MID MID MID MID MID MID -15 +15 MID -15 +15 MID -15 U HI MID 3k +15 -15 U HI MID 3k +15 1 · 5 5 2 · 6 5 3 · 7 5 4 · 8 5 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 SOLO AUX SUB FREQ 100 U U U U U U U U U U FREQ 8kHz 100 8kHz 100 8kHz 100 8kHz 100 8kHz 100 8kHz 100 8kHz 100 8kHz 100 8kHz 100 8kHz 100 FREQ FREQ FREQ FREQ FREQ FREQ FREQ FREQ FREQ FREQ FREQ FREQ FREQ 8kHz U FREQ 100 U FREQ 8kHz 100 U FREQ 8kHz 100 U FREQ 8kHz 100 U FREQ 8kHz -15 U 800Hz +15 -15 U LOW MID 800Hz +15 0 +10 0 +10 0 +10 0 +10 O O LOW MID 100 8kHz 100 8kHz 100 8kHz 100 8kHz 100 8kHz MAX U U U U U AIR LOW 80Hz -15 +15 LOW CUT 75 Hz 18dB/OCT AIR LOW 80Hz -15 +15 LOW CUT 75 Hz 18dB/OCT AIR LOW 80Hz -15 +15 LOW CUT 75 Hz 18dB/OCT AIR LOW 80Hz -15 +15 LOW CUT 75 Hz 18dB/OCT LEVEL LOW 80Hz -15 +15 LOW CUT 75 Hz 18dB/OCT MAIN MIX LOW LOW LOW 80Hz -15 LOW CUT 75 Hz 18dB/OCT LOW CUT 75 Hz 18dB/OCT LOW CUT 75 Hz 18dB/OCT LOW CUT 75 Hz 18dB/OCT LOW CUT 75 Hz 18dB/OCT LOW CUT 75 Hz 18dB/OCT LOW CUT 75 Hz 18dB/OCT LOW CUT 75 Hz 18dB/OCT LOW CUT 75 Hz 18dB/OCT +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 80Hz 80Hz 80Hz 80Hz 80Hz 80Hz 80Hz 80Hz 80Hz 80Hz LOW 80Hz LOW 80Hz LOW 80Hz LOW LOW LOW LOW LOW LOW LOW LOW LOW LOW LOW 80Hz 80Hz -15 +15 80Hz -15 +15 16kHz 16kHz 16kHz 16kHz -15 +15 -15 +15 -15 +15 -15 +15 -15 +15 SOLO SOLO SOLO SOLO AUX 1-2 LOW CUT 75 Hz 18dB/OCT LOW CUT 75 Hz 18dB/OCT LOW CUT 75 Hz 18dB/OCT LOW CUT 75 Hz 18dB/OCT LOW CUT 75 Hz 18dB/OCT LOW CUT 75 Hz 18dB/OCT TALKBACK OL OL OL OL OL OL OL OL SR24·4 & SR32·4 OWNER'S MANUAL OL OL OL OL OL OL OL OL OL OL OL OL OL OL L R -20 L R L R L R L R L R L R L R L R L L R -20 L R -20 L R -20 L R -20 -20 -20 -20 -20 -20 -20 -20 -20 R -20 L R -20 L R -20 L R -20 L R -20 L R -20 L R -20 L R -20 L R -20 L R L R L R L R TAPE RETURN TO PHONES / C R O O MAX PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN PAN MUTE MUTE / SOLO MUTE / SOLO MUTE / SOLO MUTE / SOLO MUTE / SOLO MUTE / SOLO MUTE / SOLO MUTE / SOLO 1 MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE 2 MUTE 3 MUTE 4 MUTE 5 6 7 8 9 10 11 12 13 MUTE MUTE / SOLO 14 MUTE MUTE / SOLO 15 MUTE MUTE / SOLO 16 MUTE MUTE / SOLO 17 MUTE MUTE / SOLO 18 MUTE MUTE / SOLO 19 MUTE MUTE / SOLO 20 21 22 MUTE MUTE / SOLO 23 24 MUTE MUTE / SOLO L/R ASSIGN L/R ASSIGN L/R ASSIGN L/R ASSIGN PHONES / C-R LEVEL MAIN MIX SUB SUB SUB SUB MUTE / SOLO MUTE / SOLO MUTE / SOLO MUTE / SOLO MUTE / SOLO 1 dB dB dB dB dB dB dB dB dB dB 2 dB 3 dB 4 dB TAPE RETURN TO MAIN MIX LEFT/RIGHT 1 dB dB dB dB dB dB dB dB dB dB dB dB dB dB 10 SOLO 5 5 1-2 U 5 3-4 10 10 L-R 20 30 40 50 60 O O O O O O O O SOLO 5 1-2 U 5 3-4 10 L-R 20 30 40 50 60 40 50 60 40 50 60 40 50 60 O O 10 SOLO 5 5 1-2 U 5 3-4 10 10 L-R 20 30 30 20 L-R L-R 10 L-R 20 30 3-4 3-4 10 20 30 40 50 60 O O SOLO 5 1-2 U 5 5 3-4 U 1-2 5 1-2 10 SOLO SOLO SOLO SOLO SOLO SOLO SOLO 10 SOLO 10 10 10 10 10 10 10 10 10 5 U 5 SOLO 10 5 1-2 U 5 3-4 10 10 SOLO 10 5 1-2 U 5 3-4 10 SOLO 10 5 1-2 U 5 3-4 10 SOLO 10 5 1-2 U 5 3-4 10 SOLO 10 5 1-2 U 5 3-4 10 SOLO 10 5 1-2 U 5 3-4 10 SOLO 10 5 1-2 U 5 3-4 10 SOLO 10 5 1-2 U 5 3-4 10 SOLO 10 5 1-2 U 5 3-4 10 SOLO 10 5 1-2 U 5 3-4 10 10 5 U 5 10 10 5 U 5 10 10 5 U 5 10 10 5 U 5 10 5 1-2 U 5 3-4 3-4 5 U 1-2 5 5 5 5 U 1-2 U 1-2 U 1-2 U 1-2 U 5 5 5 5 5 3-4 3-4 3-4 3-4 10 L-R 20 30 40 50 60 O O 10 10 10 10 20 L-R 20 L-R 20 L-R 20 L-R 20 L-R 20 30 40 50 60 O O L-R 20 30 40 50 60 O O L-R 20 30 40 50 60 O O L-R 20 30 40 50 60 O O L-R 20 30 40 50 60 O O L-R 20 30 40 50 60 O O L-R 20 30 40 50 60 O O L-R 20 30 40 50 60 O O L-R 20 30 40 50 60 O O L-R 20 30 40 50 60 O O L-R 20 30 40 50 60 O O 20 30 40 50 60 O O 20 30 40 50 60 O O 20 30 40 50 60 O O 20 30 40 50 60 O O 30 30 30 30 30 40 50 60 40 50 60 40 50 60 40 50 60 40 50 60 O O O O O O O O O O CAUTION AVIS RISK OF ELECTRIC SHOCK DO NOT OPEN RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK DO NOT REMOVE COVER (OR BACK) NO USER-SERVICEABLE PARTS INSIDE REFER SERVICING TO QUALIFIED PERSONNEL 9. Object and Liquid Entry -- Do not drop objects or spill liquids into the inside of the SR24·4 or SR32·4 Audio Mixer. Damage Requiring Service -- The SR24·4 and SR32·4 Audio Mixers should be serviced only by qualified service personnel when: A. SR24·4 or SR32·4 Audio Mixer power-supply cord or the plug has been damaged; or B. [. . . ] If you are making a simultaneous recording of the mix, you have a couple of options. One is to simply patch in a tape recorder (DAT) as shown in the chart above and set the input levels so that the tape recorder meters read the same as the SR24·4 main meters. Applications If you want to make a custom mix for the recording, unaffected by the submix or master faders, you can connect the input of the tape recorder to AUX SENDS 3 and 4 and use the channel AUX SENDS 3 and 4 as a left-right pair of mixing controls. Be sure to push the PRE switch in the Aux section on each channel. This way every channel fader movement you make won't affect your record levels. When you'd like to play BAND IN A CLUB the recording output connections back to check Connection Destination it, just push LEFT MAIN MIX . . . . . . . Mains power amplifier left input the TAPE RIGHT MAIN MIX . . . . . Mains power amplifier right input RETURN TO TAPE OUT L . . . . . . . . . . . . . DAT recorder left input PHONES/C-R switch. DAT recorder right input you'd like to TAPE IN L . . . . . . . . . . . . . . . DAT recorder left output play your reTAPE IN R . . . . . . . . . . . . . . . DAT recorder right output cording (or AUX SEND 1 . . . . . . . . . . . Stage monitor amplifier input some other AUX SEND 2 . . . . . . . . . . . Stage monitor amplifier input tape) over the AUX SEND 3 . . . . . . . . . . . Digital effects unit 1 input main speakAUX SEND 4 . . . . . . . . . . . Digital effects unit 2 input ers, push the AUX SEND 5 . . . . . . . . . . . Digital effects unit 3 L input TAPE REAUX SEND 6 . . . . . . . . . . . Digital effects unit 3 R input TURN TO AUX RETURN 1 L . . . . . Digital effects unit 1 left output MASTER AUX RETURN 1 R . . . . . Digital effects unit 1 right output switch. AUX RETURN 4 L . . . . . Cassette R output MAIN INSERT L . . . . . . . . Stereo effects chain left input & output MAIN INSERT R . . . . . . . [. . . ] This will prevent damage to the faders during shipment. a note explaining exactly how to duplicate the problem. a copy of the sales receipt showing price and date. If we cannot duplicate the problem at the Mackie factory or establish the starting date of your Limited Warranty, we may, at our option, charge for service time. [. . . ]