User manual MARSHALL JCM 2000 TSL 601

[. . . ] ALWAYS use the supplied mains lead, if a replacement is required please contact your authorised Marshall Dealer. NEVER attempt to by-pass the fuses or fit ones of the incorrect value. DO NOT attempt to remove the amplifier chassis, there are no user serviceable parts. Refer all servicing to qualified service personnel including replacement of fuses and valves. [. . . ] Wherever this control is set is going to give you a wide palette of tones to work with, depending on the type of guitar, EQ settings, how hard you push the power amp, etc. User Hint - For the more traditional Rock tone of driving the power amp hard, use less of this control and turn the Volume control up higher. Experiment and you should hear the differences in tone, then choose what is best for you. Introduction With the introduction of the Marshall JCM2000 range of Dual and Triple Super Lead heads and combos, from 20 watts through to 100 watts, the quintessential definition of ultimate tone and usable features has been rewritten. This range of great amps has now been completed with the 60 watt range of Triple Super Lead amps, the TSL60 head, the TSL601 1x12" combo, and the TSL602 2x12" combo. They will cover any playing situation, from studio to full concert stages, whilst maintaining excellent portability. The TSL60 range offers three channel functionality, covering Clean, Crunch, and Lead, plus all points in between thanks to the overlapping sound spectrum of each channel. Added to that are dual reverb controls for the long spring `Sound Enhancements' Reverb, Parallel FX loop with level, and remote switching plus Mix control, Emulated D. I. output with silent recording facility, also Deep and Presence controls. Not to mention the unmistakable warmth and TONE of an all valve Marshall amp. 3. Clean Treble, Mid, Bass These controls vary the E. Q. User Hint - These controls are early on in the amplifier chain and as such not only control the tone of the Clean channel, but also how the clean channel reacts `gain' wise. For instance, if the mid 2 3 6. Crunch Channel Volume This control adjusts the level of sound coming out of the overdrive preamp channel and allows you to balance it against the Clean channel. signal is returned to the amp, this way the tone integrity of the direct amp signal is unimpaired. 18. Power Switch This turns the mains electricity that feeds your amp on and off. As stated before, turn this switch on for at least a minute or two before turning the Standby on, to allow your amp to warm up. User Hint - For environmental reasons at least, if leaving your amp for more than a normal gig type break or so, turn your amp off at this switch, 12. Clean Reverb This controls the level of the internal spring reverb circuitry from a slight shimmer to a cavernous depth for the Clean channel only. it will save electricity. Also, if leaving your amp unused for a long time, always remember to disconnect your amp's power cord from the mains supply, at the very least it will prevent someone else accidentily turning it on without realising. ENGLISH ENGLISH 7. Lead Channel Gain (OD2 - Red LED) As 5 above but controlling the Lead channel gain, and making even more saturated tones available. 13. Overdrive Reverb Controls the reverb depth for both the Crunch and Lead channels. Remember that the Reverb has an on/off function on the foot controller. 8. Lead Channel Volume As 6 above, this control balances the output of the Lead channel. [. . . ] These being available with differing speaker options for varying tonality, see your dealer for advice. 1 x 16 ohm speaker = 16 ohm output 2 x 16 ohm speaker = 8 ohm output 1 x 8 ohm speaker = 8 ohm output WARNING!Never operate your TSL valve amp without a loudspeaker, or suitable loudspeaker type load, connected to the output, even when using the output Master Volume set to zero for silent recording. Otherwise expensive damage may occur! ENGLISH USING EFFECTS SYSTEMS Your TSL combo amp is fitted with a parallel FX Loop, this is placed after the gain and distortion parts of the preamp and is the ideal place for inserting time varying effects, such as delay, digital reverb, chorus, pitch shifting, etc. [. . . ]