User manual MIDAS CONSOLES MIDAS LEGEND 3000

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[. . . ] OPERATORS MANUAL Klark Teknik Group Klark Teknik Building Walter Nash Road Kidderminster Worcestershire DY11 7HJ England Tel: +44 1562 741515 Fax: +44 1562 745371 Email:Sales@ktgplc. com Websites: www. midasconsoles. com www. klarkteknik. com MIDAS Legend 3000 Console Operators Manual DOC02-L3000 Issue 1. 2 - March 2004 Due to a policy of continual product improvement, specification and features may be subject to change without notice. IMPORTANT SAFETY INSTRUCTIONS CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN WARNING: TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS APPLIANCE TO RAIN OR MOISTURE AVIS: RISQUE DE CHOC ELECTRIQUE. NE PAS OUVRIR These symbols are internationally accepted symbols that warn of potential hazards with electrical products. The lightning flash with arrowhead symbol, within an equilateral triangle is intended to alert the user to the presence of uninsulated "dangerous voltage" within the product's enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons. The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the appliance. [. . . ] The control range is from +6dB to off with a centre detented 0dB calibration point. The mono SOLO switch routes solo signals to the mono local monitor output when ever a solo is active on the console. This overrides any signals sent from the mono master. The MONO master switch routes the post fader mono master mix to the mono local monitor output. On input channels and stereo returns the MON switch changes the monitor signals to be derived from the monitor signal paths where appropriate. Front of house signals are monitored as a default. On outputs the MON changes solos from stereo pairs to mono. The LOCAL MONITOR level control gives continuous adjustment of all three local monitor output levels from + 10dB to off. The local monitor MUTE switch mutes the local monitor outputs. The SOLO PFL switch sends the mono PFL solo bus signals to the headphones and local monitor outputs in place of the AFL signals. This also changes the solo meters to monitor PFL solo bus signals. monitor source 0 0 mono solo +6 stereo solo +6 SOLO MONO SIS SOLO MONO ST TAPE The stereo SOLO switch routes solo signals to the stereo local monitor outputs when ever a solo is active on the console. This overrides any signals sent from the mono master, stereo master or tape input. The MONO master switch routes the post fader mono master mix to the stereo local monitor outputs. input output f. o. h. stereo mono MON 0 0 The ST master switch routes the post fader stereo master mix to the stereo local monitor outputs. The TAPE switch routes the stereo tape input to the stereo local monitor outputs. The PHONES level control gives continuous adjustment of the headphone level from + 10dB to off. The phones MUTE switch mutes the headphone outputs. +10 +10 MUTE MUTE monitor solo PFL phones ADD CLEAR monitor headphones The SOLO ADD MODE switch allows multiple channel access to the solo busses. When the solo add mode is off the action of pressing a solo switch will cancel any previously active solo. Multiple solos such as stereo left and right signals can be monitored in this mode of operation as long as the solo switches are pressed at approximately the same time. When the solo add mode is on the auto cancelling is defeated which allows multiple channel or output soloing. The CLEAR switch is used to clear any active solos on the console. 31 Master Section The BALANCE control provides a bus trim for the left and right master signal paths (prior to the insert point). l c r balance The stereo master MUTE switches cut the post fader output signals but CAN NOT be used as part of the console snapshot system. MUTE MUTE The mono master MUTE switch cuts the post fader output signal fader but CAN NOT be used as part of the console snapshot system. 10 5 0 5 10 15 20 30 40 The two master FADERS control the output levels of the main mix from +10dB to off. masters 32 Automation System Control 33 Legend Automation System Overview The Legend Automation System allows the storage of the following function settings scene by scene: FOH Master VCA Assignment Monitor Master VCA Assignment Input Automute Assignment I/P Channel Mute Assignment Aux Return Mute Assignment FOH Output Mute Assignment Group Output Mute Assignment Matrix Output Mute assignment Master VCA Mute Assignment 4 Midi Out Messages per Scene Midi Message the scene will be recalled System Layout The Mute switches may either be selected as Automute Masters or Master VCA Mutes. These may be selected in the SYSTEM menu. As default consoles are set to Master VCA Mute. [. . . ] 5/ Click on the 'Upload' button. 6/ When the file is uploaded successfully, the L3000 will prompt you to press CONFIRM. The show memory from the computer will now be loaded into the L3000. 47 48 Frame sizes and Dimensions 49 Legend 3000 Frame sizes and Dimensions 24 Channel Frame 1292. 00mm 50. 87" 685. 48mm 26. 99" 114. 92mm 4. 52" 15° 90. 20mm 3. 55" 1342. 00mm 52. 83" 257. 88mm 10. 15" 350. 12mm 13. 78" 15° 32 Channel Frame 1573. 00mm 61. 93" 105. 00mm 4. 133" 63. 96mm 2. 52" 871. 89mm 34. 33" 920. 02mm 36. 22" 72. 02mm 2. 84" 37. 10mm 1. 46" 1623. 00mm 63. 90" 50 40 Channel Frame 1854. 00mm 72. 99" 1904. 00mm 74. 96" Weight (out of flight case): 28 channel 24 mono / 4 stereo 71kg 156. 5lbs 36 channel 32 mono / 4 stereo 85kg 187. 4lbs 44 channel 40 mono / 4 stereo 100kg 220. 5lbs 52 channel 48 mono /4 stereo 114kg 251. 3lbs These weights are approximate 48 Channel Frame 2135. 00mm 84. 05" 2185. 00mm 86. 02" Rear Panel Configuration 51 Midas Legend 3000 Rear Panel (32 mono channel) 52 53 54 Edac Wiring Diagrams 55 56 Way Edac Connector Details = Individual Screens INPUTS 1 Mic In1 2 Mic In 2 3 Mic In 3 4 Mic In 4 5 Mic In 5 6 Mic In 6 7 Mic In 7 8 Mic In 8 9 Direct Out 1 10 Direct Out 2 11 Direct Out 3 12 Direct Out 4 13 Direct Out 5 14 Direct Out 6 15 Direct Out 7 16 Direct Out 8 This wiring pattern is the same for all input edacs. MIX & MASTERS Mix Out & Mix Bus Injects Master Out & Master Bus Injects GROUP & SOLO Group Out & Group Bus Injects Solo Out & Solo Bus Injects 1 Mix 1 2 Mix 9 3 Mix 2 4 Mix 10 5 Mix 3 6 Mix 11 7 Mix 4 8 Mix 12 9 Mix 5 10 Master L 11 Mix 6 12 Master C 13 Mix 7 14 Master R 15 Mix 8 16 Chassis 1 Group 1 2 FOH L 3 Group 2 4 FOH C 5 Group 3 6 FOH R 7 Group 4 8 MON AFL 9 Group 5 10 FOH PFL 11 Group 6 12 MON PFL 13 Group 7 14 Chassis 15 Group 8 16 Chassis 56 Block Diagrams 57 -5 +25 60 160 +10 +40 PHANTOM GROUP BUS SELECT gain +60 +30 hi-pass PHASE REVERSE O 48V +15 -15 20 400 GROUP BUSSES 1-8 MIC/LINE XLR INPUT "B" PAD 12 6 3 0 -3 c LCR ST PAN MIC/LINE JACK INPUT "B" LEFT BUS insert post FOH EDAC MULIPIN -6 -18 l pan r only RIGHT BUS stereo lcr MONO + INSERT FOH OR PRE EQ image VCA SEND - INSERT POINT MONO BUS RETURN front of house EQ SOLO LEFT SOLO BUS CENTER SOLO BUS RIGHT SOLO BUS PFL BUS lo-mid 0 0 hi-mid treble +6 MON bass -6 +6 -6 MON 0 0 +6 -6 PRE / POST INTERNAL LINK DIRECT OUTPUT MON -6 -15 300 -15 1k -15 5k +15 10k 100 1 1 2k 20k EQ +6 +15 1k +15 3k MON -15 +15 50 2k 400 8k 100 EDAC MULTIPIN hi-mid 2 0 0 -6 +6 lo-mid 2 monitor 20 0. 3 2 0. 3 2 -15 1k -15 150 +15 500 +15 4k -6 +6 400 PRE 0 VCA BUS SELECT VCA BUS SELECT 58 400 16k 50 2k FOH 1 BUS VCA +6 MONITOR 1BUS 1 TO OTHER MIX SENDS AFL BUS SOLO PFL BUS VCA BUSSES 1-10 f. o. h. 10 MUTE DETECT SOLO 5 0 monitor f. o. h. monitor SIGNAL PATH KEY = ANALOGUE SIGNALS = D. C. [. . . ]

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