User manual NATIVE INSTRUMENTS GUITAR RIG 3

[. . . ] KONTROL EDITION KONTROL EDITION KONTROL EDITION OPERATION MANUAL The information in this document is subject to change without notice and does not represent a commitment on the part of NATIVE INSTRUMENTS GmbH. The software described by this document is subject to a License Agreement and may not be copied to other media. No part of this publication may be copied, reproduced or otherwise transmitted or recorded, for any purpose, without prior written permission by NATIVE INSTRUMENTS GmbH, hereinafter referred to as NATIVE INSTRUMENTS. All product and company names are TM or ® trademarks of their respective owners. [. . . ] dry wet adjusts the mix of the dry and processed (flanged) sound. 4. 10. 9 Phaser Nine This Phaser is based on another well-known effect design, it is a sure-fire way to add all kinds of animated shimmering to your guitar sounds. Parameters rate controls the speed of the Phaser modulation. Turn the rotary Knob counter-clockwise for slow and clockwise for fast swirls. deptH sets the intensity of the phasing. CoLor controls the basic timbre of the phasing by changing the feedback of the effect. Higher values lead to greater emphasis on the frequency peaks in the signal. Click on the (+) SyMboL to reveal expert mode, with the following parameters. GUITAR RIG 3 ­ 125 SynC synchronizes the LFO speed to the metronome tempo, which is derived from the SynC setting in the Toolbar. invert shifts the phase of the effect signal leading to a different timbre. freQuenCy controls the center frequency around which the LFO modulation will take place. notCHeS dials in the number of notches the effect introduces into the frequency range. rotate alters the phase difference between the LFOs feeding the left and right channels for a stereo effect. dry wet adjusts the mix of the dry and processed (phased) sound. 4. 10. 10 Harmonic Synthesizer The Harmonic Synthesizer opens up a whole world of synthesizer sounds simply by playing your guitar. It can produce faithful re-creations of classic sounds but is also well-suited for generating wild effects never heard before. Additionally, you can switch it to bass-mode for use with your bass guitar. The effect contains four voices ­ sub-octave, dry, octave and square wave ­ that can be freely mixed for envelope shaping as well as for coloring using a flexible filter. GUITAR RIG 3 ­ 126 Parameters guitar/baSS is used for switching the filter sweep range to be fed by a guitar or a bass, respectively. tHreSHoLd acts as a noise gate for the input signal. Only signals above the threshold will get through and trigger the volume envelope and the filter sweep. Dial in a setting that cleanly triggers the effect. trigger controls the signal volume needed to activate the filter. If you set this too high it may result in a stuttering filter due to multiple triggering. Experiment a bit to find the exact setting you need for your style of playing. Sub controls the volume of the sub-octave. [. . . ] 136 Signal Flow . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59 Size . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11 Slide. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 188 Tapedeck . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . [. . . ]