User manual NERO WAVE EDITOR 9

[. . . ] Manual Nero WaveEditor Copyright and Trademark Information Copyright and Trademark Information This document, like the software described therein, is provided as a license and may only be used or reproduced in accordance with the licensing agreement. The contents of this document, as well as the associated software, is subject to change without prior notice. Nero AG rejects any responsibility for the correctness of the contents of this document and rejects any claims that transcend the clauses of the guarantee agreement. This document and all of its contents are protected by copyright and are the property of Nero AG. [. . . ] The listener is at the center of the graphic. The pattern of the movement can be changed using the straight lines in the graphic. Specifies the diameters of the movement radius. Specifies the duration of the movement. Graphic Slider Diameter Slider Duration 6. 2. 6 Flanger Effect The Flanger effect is a guitar effect that distorts the sound by playing back a copy of the original signal with a delay. The copy is changed by means of modulation, so that the sound is distorted in a characteristic way. The following setting options are available in the Modulation area: Slider Depth Slider Frequency Modifies the copied signal and specifies the degree of the change in pitch. Modifies the copied signal and specifies the frequency of the change in pitch. The following setting options are available in the Mix area: Slider Dry Signal Slider Effect Check box Stereo Flanger Mixes the original signal with the copied signal, indicating the intensity of the original signal. Mixes the original signal with the copied signal, indicating the intensity of the copied signal. Gives the processed part of the audio file a more "stereo-like" sound 6. 2. 7 Loudness Effect The Loudness effect increases the volume of the audio file without increasing the maximum value of the amplitude (value 1) by raising the amplitude of other areas in the audio file. The file is thus louder overall without exceeding value 1 of the amplitude. The following setting option is available: Slider Aimed Gain Specifies the degree of amplification. Nero WaveEditor 32 Filters 6. 2. 8 Low fidelity Effect The Low Fidelity effect creates interference effects, so-called quantification errors, by reducing the bit rate. Noise can be heard when the bit rate is dramatically reduced. If the sample rate is reduced, the audio file sounds duller and less detailed. The following setting options are available: Graph Bit Depth/Sample Rate Slider Bit depth Slider Sample Rate Shows the change in the two sliders under the graphic. Music CDs have a bit depth of 16, for example. Music CDs have a sample rate of 44100 Hz. 6. 2. 9 Modulation Effect The Modulation effect allows the amplitude and frequency to be changed separately. The following setting options are available in the Amplitude Modulation area: Check box Amplitude Modulation Graph Amplitude Modulation Slider Frequency Slider Amplitude Range Drop-down menu Modulation Signal Button Blend Edges Activates the settings options for amplitude modulation. Shows the amplitude of the audio signal. Selects the signal form, for instance, sine, that is displayed in the amplitudes modulation picture. Balances different end and start values. Only activated for self-produced signals. The following setting options are available in the Frequency Modulation area: Check box Frequency Modulation Graph Frequency Modulation Slider Frequency Slider Depth Activates the settings options for frequency modulation. Shows the frequency of the audio signal. [. . . ] 40 Surround . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13 System requirements . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47 T Tab Convertors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16 Decoder . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . [. . . ]