User manual NIKON PC-E MICRO NIKKOR 45MM F-2.8D ED
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Manual abstract: user guide NIKON PC-E MICRO NIKKOR 45MM F-2.8D ED
Detailed instructions for use are in the User's Guide.
[. . . ] Aperture index @ Tilt knob # Tilt scale $ Revolving index % Mounting index ^ Lens mount rubber gasket & CPU contacts * Aperture stop-down button ( Shift knob ) Shift scale q Revolving lever w Shift lock release knob e Tilt lock release knob This is a retrofocus-type perspective control (PC) lens that lets you emphasize or correct near and far perspective, or control depth of field. Moreover, you can use the lens' tilt and shift mechanism to achieve focus of the entire subject plane when it is not parallel to the camera. When it is mounted on a Nikon D3, D700 or D300 camera, the user can use all exposure modes to take images without operating the aperture stop-down button. More accurate exposure control is possible when this is mounted on a Nikon camera with 3D Color Matrix Metering capability, because subject distance information is transferred from the lens to the camera body (without tilting and/or shifting) (with maximum aperture while mounted on cameras). [. . . ] When using other Nikon cameras 8" (maximum aperture), and set the shutter speed for correct exposure. D Set the desired aperture by rotating the aperture ring and shift the shutter speed by the same number of changed steps. Set the aperture with the lens' aperture ring even on a camera that requires aperture to be set via its command dial. With a camera that has the custom setting menu "aperture setting with lens' aperture ring, " this setting is not required. If you cannot read the aperture value on the camera's LCD panel or cannot determine exposure because the camera does not have an LCD panel, choose a shutter speed appropriate for the f-number (p. When using a camera other than the D3, D700 or D300, set the aperture with the lens' aperture ring even on a camera that requires aperture to be set via its command dial. With a camera that has the custom setting menu "aperture setting with lens' aperture ring, " this setting is not required. ) To counteract this, close the aperture (choose a larger f-number), or compensate the exposure before shooting. Determining correct exposure with shift and/or tilt use requires experience. We recommend that you take a series of test shots until you feel comfortable with the operation. 7 When the shift knob is rotated, the lens is shifted horizontally (or vertically, when the lens is revolved) parallel to the camera body (±11. By shifting, you can recompose the frame of the shot without moving the camera. This lets you correct the perspective distortion of the subject or exclude unwanted objects from appearing in front of the main subject. After shifting, tighten the shift lock release knob to fix the lens' shift position. Note: When shifting the lens, be careful not to pinch your fingers between the lens and the grip of the camera body. By rotating the tilt knob, the lens is tilted up and down (or right and left, when the lens is revolved) ±8. By tilting, you can obtain clear focus of the entire subject plane when it is not parallel to the camera or can focus small areas of the subject which are parallel to the camera. After tilting, tighten the tilt lock release knob to fix the lens' tilt position. Once the lens is tilted, neither the depth-of-field scale nor the distance scale on the lens barrel can be used. By revolving the lens, the shift function can be changed to operate vertically, and the tilt function can be changed to operate horizontally. Note: When revolving the lens while using tilt and/or shift, be careful to avoid nipping your fingers between the lens and the camera body. Push the revolving lever and rotate the lens holding the square parts of the lens. [. . . ] Med skiftning (foto F): För att ta bort sådana föremål så att de inte förstör motivet, flytta kameran horisontellt till en position där det oönskade föremålet inte finns med i motivet, skifta sedan objektivet till vänster. Achieve focus on the entire subject plane when it is not parallel to the camera · Without tilting (Photo G): When the subject plane is not parallel to the camera, focus cannot be achieved throughout the entire subject plane. With tilting (Photo H): Tilt the lens right to take a photo in which the entire subject plane is in focus. Without tilting (Photo I): Focus is achieved on all parts of the flowers in front. [. . . ]
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