User manual PANASONIC DMCLC1GD

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Manual abstract: user guide PANASONIC DMCLC1GD

Detailed instructions for use are in the User's Guide.

[. . . ] · Please note that the actual controls and components, menu items, etc. of your Digital Camera may look somewhat different from those shown in the illustrations in these Operating Instructions. · Other names, company names, and product names printed in these instructions are trademarks or registered trademarks of the companies concerned. · Microsoft product screen shot(s) reprinted with permission from Microsoft Corporation. -- Before Use About the batteries · Do not heat or expose to flame. [. . . ] Press [MENU/SET], and set the home area on the screen in step 3. Press r to select [HOME], and then press [MENU/ SET]. Press w/q to select the home area, and then press [MENU/SET]. A Current time B Time difference from GMT (Greenwich Mean Time) · If daylight saving time [z] is used at the home area, press e. Press e again to return to the original time. · The daylight saving time setting for the home area does not advance the current time. Advance the clock setting by one hour. A B - 0 - Advanced-Shooting 4 5 Press e to select [DESTINATION] and then press [MENU/SET]. C Depending on the setting, the time at the travel destination area or the home area is displayed. C Press w/q to select the area the travel destination is in and then press [MENU/SET] to set. DCurrent time of the destination area E Time difference · If daylight saving time [z] is used at the travel destination, press e. (The time advances by one hour. ) Press e again to return to the original time. D E 6 Press [MENU/SET] to close the menu. · Return the setting to [HOME] when the vacation is finished by performing steps 1, 2 and 3. · If [HOME] is already set, change only the travel destination, and use. · If you cannot find the travel destination in the areas displayed on the screen, set by the time difference from the home area. · Now when you play photographs taken while on holiday, the travel icon [w] appears. Note - 1 - Advanced-Shooting Using the [REC] Menu g [PICTURE SIZE] For details on [REC] menu settings, refer to P21. Applicable modes: 4 1 5 Settings 4:3 [8M] 4:3 [5M P] 4:3 [3M P] 3:2 [7M] 3:2 [2. 5M P] 16:9 [6M] 16:9 [2M P] Set the number of pixels and aspect ratio of the pictures. Select a higher number of pixels for clearer pictures. Select a lower number of pixels to store more pictures. ­ [SCENERY], [NIGHT PORTRAIT], [NIGHT SCENERY], [FOOD], [PARTY], [CANDLE LIGHT], [SUNSET], [STARRY SKY], [FIREWORKS], [BEACH], [SNOW] and [AERIAL PHOTO] in [SCENE MODE]. Note - - Advanced-Shooting $ [AF MODE] For details on [REC] menu settings, refer to P21. Applicable modes: 1 5 [3]: Face detection This allows the focusing method that suits the positions and number of the subjects to be selected. The camera automatically detects the person's face. The focus and exposure can then be adjusted to fit that face no matter what portion of the picture it is in. 15 areas) The camera focuses on any of 9 focus areas. This is effective when the subject is not in the centre of the screen. The camera focuses on the subject in the AF area on the centre of the screen. [\]: 9-area-focusing [2]: 1-area-focusing - - Advanced-Shooting About [3] (Face detection) The following AF area frames are displayed when the camera detects the faces. Yellow: When the shutter button is pressed halfway, the frame turns green when the camera is focused. White: Displayed when more than one face is detected. Other faces that are the same distance away as faces within the yellow AF areas are also focused. · Under certain picture-taking conditions including the following cases, the facial recognition function may fail to work, making it impossible to detect faces. [. . . ] · If you do not use the camera for a long time, the clock setting may be reset. When the message [PLEASE SET THE CLOCK] appears, set the clock again. (P18) When you take a picture before setting the clock, [0:00 0. When pictures are taken using the zoom, they are slightly distorted and the areas around the subject contain colours which are not actually present. [. . . ]

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