User manual PEAVEY EQUINOX

[. . . ] If your instrument is installed with a SCSI interface, you can save any user programmed data to an external SCSI device. STEP 1 With the instrument turned OFF, insert the Generalmusic Operating System disk into the disk drive. After you have inserted the disk, turn the instrument ON. [. . . ] The parameters associated to the IN1, IN2 and EQUAL functions are discussed further ahead. Let's first examine the Vocal Processor feature. Vocal Processor 5 Understanding the Vocal Processor The first thing to be sure about is what the Vocal Processor actually does. Quite simply, it harmonizes the mic signal (your voice) up to 4 times, depending on how many notes you play on the keyboard; one note, one harmonized voice. There are also two modes of operation; Vocoder mode and Unison mode. In Vocoder mode, the pitch of the harmonized voices depend on the pitch of the notes played on the keyboard. In Unison mode, the mic signal is doubled up to 4 times at the same pitch, without having to play on the keyboard. Each voice has an independent Volume and Pan control and an on/off switch. There's also a general Voice Edit with LFO, Pitch envelope and Transpose controls. The easiest way to learn about how to use the Vocal Processor is to try an example. Let's try and listen to our voice harmonized 4 times without other background sounds. In Performance mode, the track whose note data is used by the Vocal Processor to duplicate the voices (the Vocoder track) corresponds to track 1, but you can assign this track to any Performance part (syn 1-16). If you want to use the Sequencer, you can assign the Vocoder Track to one of the 16 sequencer tracks (seq 1-16). Example 1. Make sure you have a Performance selected. LED ON 2. Turn off all parts of the Performance except Part 1. 3. Play on the keyboard and turn down the volume of Part 1 until you hear no sound. 6 Vocal Processor 4. Speak into the microphone and turn down the mic volume with the INPUT panel slider. You should not hear your voice over the amp system. Now play a note or chord (of up to 4 notes) on the keyboard and at the same time sing into the mic. You'll hear a vocal harmony consisting of as many voices as the number of notes pressed (up to 4). [. . . ] Filter Type: Applies one of the following filters to the signal: Low Pass, High Pass, Band Pass, Parametric Boost, Parametric Cut. Resonance: A filter control which affects the signal's tonal character by introducing complex harmonic overtones. Cut-Off: Another filter control, usually used combined with Resonance, which "opens" and "closes" the filter to change the tonal character of the signal. [. . . ]