User manual PEAVEY FALCON

[. . . ] WARNING: When using electrical products, basic cautions should always be followed, including the following: Do not use this apparatus near water. Do not block any of the ventilation openings. install in accordance with manufacturer's instructions. Do not install near any heat sources such as radiators, heat registers, stoves or other apparatus (including amplifiers) that produce heat. [. . . ] mON Send (MON Send 2 on the PVTM20 only) This control adjusts the level of the channel signal sent to the monitor output. The signal is taken before the channel Fader (12) but after the channel EQ. The effects send signal is taken after the channel Fader (12) so that adjustments made to the fader will also affect the send level. pan This knob controls the placement of the signal in the stereo field. When rotated completely counterclockwise, the signal is present only on the left channel; when rotated completely clockwise, only in the right channel. This control functions as a balance control to adjust the relative level of the left and right signals on stereo channels 5/6 and 7/8 on the PVTM10 (11/12 and 13/14 on the PVTM14, 17/18 and 19/20 on the PVTM20). Mute The mute button is a quick way to remove the channel signal from the left/right main mix, as well as effects and monitor sends, without disturbing the control settings. Clip/Mute LED This light normally indicates that the channel signal level is nearing the overload point, but it also lights when mute is engaged. When it lights, roughly 3 dB of headroom remains. Signal LED The signal LED lights when the channel level reaches approximately -20 dBu. This not only indicates which channels are active, but also serves as a mini level meter. If phantom power is used, do not connect unbalanced dynamic microphones or other devices to the XLR inputs. Tape To CTRL/HP Depressing this switch adds the tape return to the Control Room (39) and Headphone Outputs (41) for zero latency monitoring. Tape/to Mix (Tape/USB to Mix) Depressing this switch routes the signal from the Tape Inputs (13) or USB Input (44) to the Left/Right Outputs (40). ) Contour Switch Engaging this switch enhances the signal by adding both bass and treble frequencies. This is especially effective at lower volumes or for tape/CD playback. master Level Faders These Master Faders control the levels sent to the main left/right outputs. Best results are obtained when these controls are set near the 0 point. Mic (XLR) Inputs XLR balanced inputs are optimized for a microphone or other low impedance source. Because of the wide range of gain adjustment, signal levels up to +14 dBu can be accommodated. line (1/4") Inputs Line inputs provide 1/4" balanced (TRS) 10 k Ohm impedance input. The tip is the positive input and should be used for unbalanced inputs. [. . . ] Left/Right Outputs The left/right Outputs feature two 1/4" TRS Z-balanced jacks and two fully balanced XLR outputs. The 1/4" outputs can be used with Tip, Ring, Sleeve (TRS) balanced or Tip, Sleeve (TS) unbalanced connectors. the output level is set by the Master Level Faders (30). Both outputs can be used simultaneously. [. . . ]