User manual PEAVEY FALCON ACTIVE

[. . . ] Before using this appliance, read the operating guide for further warnings. WARNING: When using electrical products, basic cautions should always be followed, including the following: Do not use this apparatus near water. Do not block any of the ventilation openings. install in accordance with manufacturer's instructions. [. . . ] When engaged, it can improve clarity by removing low frequencies that make a mix sound muddy. This feature is especially useful when playing outside on a windy day or on a hollow-sounding, noisy stage. These kinds of ambient noises can rob your sound system of power. Engaging this switch will remove those frequencies from the system and restore power where needed. An active tone control (shelving type: ±15 dB) that varies the level of the low frequency range. Caution: Excessive low frequency boost causes greater power consumption and increases the possibility of speaker damage. This control adjusts the level of the channel signal sent to the monitor output. The signal is taken before the channel level control but after the channel EQ. This control adjusts the level of the channel signal added to the effects mix. The effects send signal is taken after the channel fader (12) so that adjustments made to the fader will also affect the send level. When rotated completely counterclockwise, the signal is present only on the left channel; when rotated completely clockwise, only in the right channel. To avoid damage to your hearing, make sure to turn the dial fully counterclockwise before using headphones. Slowly turn the knob clockwise until you reach a comfortable listening level. Two eight-segment LED arrays are provided to monitor the levels of the main left/right outputs. These meters range from -30 dB to +19 dB. This LED indicates AC power is supplied to the unit, the power switch is on and the unit is functioning properly. This LED lights when the Phantom Power Switch (25) has been engaged. If phantom power is used, do not connect unbalanced dynamic microphones or other devices to the XLR inputs. Depressing this switch adds the tape return to the Control Room (38) and Headphone Outputs (40) for zero latency monitoring. Depressing this switch routes the signal from the Tape Inputs (13) to the Main Outputs (39). Engaging this switch enhances the signal by adding both bass and treble frequencies. This is especially effective at lower volumes or for tape/CD playback. [. . . ] The MON mix is determined by the amount of signal being sent to the MON bus in each channel and by the Monitor master control. These outputs can be used with Tip, Ring, Sleeve (TRS) balanced or Tip, Sleeve (TS) unbalanced connectors. The EFX mix is determined by the amount of signal being sent to the EFX bus in each channel and by the EFX master control. These outputs can be used with Tip, Ring, Sleeve (TRS) balanced or Tip, Sleeve (TS) unbalanced connectors. [. . . ]