User manual PEAVEY PRP 6

[. . . ] OWNER'S MANUAL English General safety instructions Power supply · This keyboard is powered by current from a standard household wall outlet (using the supplied AC adaptor). About the AC adaptor · Use only the supplied AC adaptor. Use of another type of adaptor creates the danger of fire and electric shock. For safety sake, be sure to unplug the AC adaptor from the wall outlet whenever leaving the keyboard unattended for a long time. · Always ensure that the instrument is turned OFF when connecting or disconnecting the power adaptor. [. . . ] Press the DATA button again and the pitch will be lowered by one semitone. The note played in this case will be Db (C = Db). Press DATA once more to lower the pitch by another semitone (C = C) so on. Continue in this way until you obtain the required pitch. Repeat the operations, always with C7 pressed, until you obtain the required transposition either above or below standard pitch. To escape from the TRANSPOSE menu, simply release the corresponding function key C7. The instrument will remain set at the new pitch until you change the setting, or turn the instrument off. When you turn the instrument on again, the Transpose setting will set automatically to the normal pitch. To cancel the transposition (without turning off) 4. Hold down the TRANSPOSE function key (C7) and press both the DATA and buttons at the same time. The normal pitch of the instrument will be restored (C=C), confirmed by the reference note which will play the note C. 8 Tune The TUNE function allows you fine tune the instrument. The tuning can vary between 427. 5 Hz and 452. 5 Hz (corresponding to an excursion of approx. one semitone) in steps of +/­ 0. 5 Hz. The default status of the instrument corresponds the equal standard A = 440 Hz. 1. Press and hold the TUNE function key (D7) and press either the DATA or the DATA button to raise or lower the tuning accordingly. The first time you press the DATA or DATA button, the instrument will automatically play a sinusoidal reference sound (A = 440 Hz). To raise the tuning 2. While still holding down the TUNE function key (D7), press the DATA button again to obtain the first increment (+0. 5 Hz). Continue in this way until you obtain the required tuning level. The sinusoidal reference sound will help you fine tune the instrument. Release the TUNE function key (D7) to escape the function. To lower the tuning 3. While holding down the TUNE function key (D7), press the DATA button to activate the function. You will hear the reference sinusoidal sound play with the last set tuning (the one set in step 2 above). Press DATA again to obtain the first decrement (­0. 5 Hz) and continue in this way until you obtain the required tuning level. Release the TUNE function key (D7) to escape the function. The current Tune setting will remain memorized even after turning the instrument off. To restore the pitch to normal, see step 4 below. To reset the tuning 4. Hold down the TUNE function key (D7) and press both the DATA buttons at the same time. / You will hear the reference sinusoidal sound play with the standard Pitch (C=C), or with the current Transpose pitch. 9 MIDI Channel pRP6 is able to transmit MIDI messages on up to three channels, depending on the type of Preset recalled (single, layer or split). In reception, pRP6 can receive on all 16 MIDI channels. The MIDI function allows you to modify the MIDI transmission channels of the pRP6, used by the pRP6 to communicate with other MIDI devices through a MIDI cable. The Midi Channel function does not play a reference note during the setting operation. 1. Press and hold the MIDI Channel function key (E7) and press the DATA button to increase the transmission channel by one unit. Each time you press the DATA increases by one unit. button, the MIDI channel setting Repeat the operations, making a mental note of how many times you press the DATA button with E7 pressed, until you obtain the required channel number. 2. Press and hold the MIDI Channel function key (E7) and press the DATA button to decrease the channel setting by one unit. Each time you press the DATA decreases by one unit. button, the MIDI channel setting Resetting to the default MIDI channel configuration 3. If you are not sure on which transmission channels pRP6 is currently set, you can reset to the default channel settings (Ch 1, 3 and 2) by holding down the MIDI Ch. [. . . ] Glock Piano (L) Harpsi (S) Vibes 1 (S) Piano/Strings (L) Stage Piano/Strings (L) Stage Piano/Bass (Sp) Piano/Bass (Sp) Rhodex/Ride (Sp) FM Pad (L) FM/El. Bass (Sp) Preset Number 17. Name Harpsi/Strings (L) Vibes 2 (Sp) Rock Piano/Pad (L) Rhodex Pad (L) FM Piano Stage (L) Strings/Choir (L) Piano/Choir (L) Stage Piano/Poly (L) Rock Piano/Poly (L) Jazz Organ 1 (S) Pop Organ (S) Theatre Organ (S) Church Organ (L) Jazz Organ 2 (Sp) Organ/Bass (Sp) Church/Choir (L) Appendix A·3 DRUMKIT TABLES 25 26 27 28 29 30 31 32 33 34 35 C2 36 37 38 39 40 41 42 43 44 45 46 47 C3 48 49 50 51 52 53 54 55 56 57 58 59 C4 60 61 62 63 64 65 66 67 68 69 70 71 DK_STAND1 113-2 ROLLSNARE FINGERSNAP ZAPP GunShot SCRATCH2 SCRATCH1 STICK SQCLICK HOUSERIM MUTBELL BDSTD2 BDSTD1 RIMSHOT1 SDSTD1 HOUSECLAP SDSTD4 TOMLOW HHCLO1S TOMLOW HHPEDAL TOMLOW HHOPEN2 TOMLOW TOMHIGH CRASH TOMHIGH RIDECYM CHINA RIDECUP TAMBSLP SPLASH COWBELL CRASH VIBRASLAP RIDECYM CONGASLAP BONGOLOW CONGAHSLAP CONGAHIGH CONGALOW TIMBALES TIMBLOW AGOGO AGOGO CABASA MARACAS WHISTLE WHISTLE GUIROSHORT GUIROLONG CLAVES WOODBLOCK WOODBLOCK QUICAHIGH QUICALOW TRIANSHORT TRIANLONG SHAKER JINGLEBELL WINDCHIMES CASTANETS MTSURDO OPSURDO DK_ROOM 114-2 < < < < < < < < < < BDROOM1 BDROOM1 < SDROOM1 < SDROOM2 TOMROOM HHTGHT1 TOMROOM < TOMROOM < TOMROOM TOMROOM < TOMROOM < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < DK_POWER 115-2 < < < < < < < < < < BDELECT1 BDROOM1 < SDROOM2 < SDSTD3 < HHTGHT1 < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < DK_ELECT. 116-2 < < < < < < < < < < BDELECT1 BDELECT1 < SDELECT < SDROOM1 TOMELEC < TOMELEC < TOMELEC HHOPEN1 TOMELEC TOMELEC < TOMELEC < ReverseCym < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < DK_HOUSE 117-2 < < < < < < < < < < BDHOUSE2 BDHOUSE HOUSERIM < < HOUSESD2 HOUSETCON HOUSEHH HOUSETCON HOUSEHH HOUSETCON HOUSERIDE HOUSETCON HOUSETCON HOUSERIDE HOUSETCON < < < < < HOUSECOWB < < < < < HOUSETCON HOUSETCON HOUSETCON < < < < < VOXHHCL < < < < < < < < < < < < < < < < < DK_JAZZ 118-2 < < < < < < < < < < < BDJAZZ < SDJAZZ3 < SDSTD3 TOMJAZZ HHTGHT1 TOMJAZZ < TOMJAZZ HHOPEN1 TOMJAZZ TOMJAZZ < TOMJAZZ < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < DK_SFX 112-4 (Bk6 via MIDI) C5 72 73 74 75 76 77 78 79 80 81 82 83 C6 84 85 86 87 88 89 90 91 92 93 94 95 C7 96 97 98 99 100 101 102 103 104 105 106 107 C8 108 HIGH Q SLAP SCRATCH PUSH SCRATCH PULL STICKS SQUARE CLICK METRO CLICK METRO BELL GUIT FRET N GUIT CUT N UP GUIT CUT N DW STRING SLAP FL. KEY CLICK LAUGHING SCREAMIN PUNCH HEART BT FOOTSTEP1 FOOTSTEP2 APPLAUSE DOOR CRAK DOOR SCRATCH WIND CHIMES CAR-ENGINE CAR-STOP CAR-PASS CAR-CRASH SIREN TRAIN JETPLANE HELICOPTER STARSHIP GUN SHOT MACHINE GUN LASER GUN EXPLOSION DOG HORSE BIRDS RAIN THUNDER WIND SEASHORE STREAM BUBBLE "<" = as DK_STAND1 113-2 A·4 Appendix Drumkit tables 25 26 27 28 29 30 31 32 33 34 35 C2 36 37 38 39 40 41 42 43 44 45 46 47 C3 48 49 50 51 52 53 54 55 56 57 58 59 C4 60 61 62 63 64 65 66 67 68 69 70 71 DK_BRUSH 119-2 < < < < < < < < < < < BDJAZZ < BRUSHTAP BRUSHSLP BRUSREV TOMBRUSH HHTGHT1 TOMBRUSH < TOMBRUSH < TOMBRUSH TOMBRUSH < TOMBRUSH < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < DK_ORCH. 120-2 < < HHTGHT1 HHPEDAL HHOPEN2 RIDECYM < < < < BDSTD3 BDORCH < SDORCH CASTANETS SDORCH TIMPANI TIMPANI TIMPANI TIMPANI TIMPANI TIMPANI TIMPANI TIMPANI TIMPANI TIMPANI TIMPANI TIMPANI TIMPANI < < < < < CRASHORCH < < < < < < < < < < < < < < < < < < < < < < < < < < < < Applause DK_STAND. 2 113-3 < < < < < < < < < < BDSTD3 < < SDSTD4 < SDSTD3 < HHCLO2 < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < DK_WS 114-3 DK_STD. 1WX 115-3 DK_DANCE 116-3 < < < < < < < < < < < < < < < < < < < < BDELECT1 BDELECT1 BDROOM1 BDELECT1 < < SDROOM2 SDELECT < < SDSTD3 SDROOM1 < TOMELEC HHTGHT1 < < TOMELEC < < < TOMELEC < HHOPEN1 < TOMELEC < TOMELEC < < < TOMELEC < < < ReverseCym < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < C5 72 73 74 75 76 77 78 79 80 81 82 83 C6 84 85 86 87 88 89 90 91 92 93 94 95 C7 96 97 98 99 100 101 102 103 104 105 106 107 C8 108 BDPOWER SDELECT SDROOM2 SDSTD3 TOMHIGH TOMHIGH CABASA < TAMBSLP < COWBELL RIMSHOT2 BDJAZZ BRUSRIG DYNSDJAZZ BRUSHTAP TOMJAZZ TOMJAZZ HHCLO1S TOMJAZZ HHPEDAL WOODBLOCK HHOPEN2 HOUSCLAP BDSTD1 RIDECYM SDSTD1 RIDECUP TOMROOM TOMROOM SPLASH TOMROOM CRASH VIBRASLAP CHINA FINGERSNAP BONGOLOW BONGOLOW CONGASLAP CONGAHIGH CONGALOW GUIROLONG QUICALOW TIMBALES TIMBALES AGOGO TRIANLONG WHISTLE BDHOUSE1 NOISEPERC HOUSSD1 VOICES1 VOICES 3 VOICES2 VOXHHCL VOICES2 VOXHHCL VOXTIP VOXTAP CLAKSON DOLLYVOX TAMBSLP ROLLSNARE SDORCH HHCLO1S CLAVES CONGALOW QUICAHIGH AGOGO STICK STICK STICK STICK "<" = as DK_STAND1 113-2 Appendix A·5 Drumkit tables 25 26 27 28 29 30 31 32 33 34 35 C2 36 37 38 39 40 41 42 43 44 45 46 47 C3 48 49 50 51 52 53 54 55 56 57 58 59 C4 60 61 62 63 64 65 66 67 68 69 70 71 < < < < < < < < BDTEKNO BDJAZZ HOUSERIM HOUSSD1 < HOUSESD2 HOUSETCON HHCLO2 HOUSETCON HHTGHT1 HOUSETCON HOUSERIDE HOUSETCON HOUSETCON HHOPEN2 HOUSETCON ReverseCym < < < < HOUSECOWB < < < < < HOUSETCON HOUSETCON HOUSETCON DYNSDJAZZ SDJAZZ2 < < < VOXHHCL < < < < < < < < < < < < < < < < < DK_TECHNO 117-3 < DK_JAZZ2 118-3 < < < < < < < < < < < BDJAZZ RIMSHOT2 SDJAZZ3 < DYNSDJAZZ TOMJAZZ HHTGHT1 TOMJAZZ < TOMJAZZ HHOPEN1 TOMJAZZ TOMJAZZ < TOMJAZZ < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < DK_M1 119-3 DK_SY77. 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