User manual PEAVEY XR 684

[. . . ] XR 684/XR 684+ ® ® S t e r e o P ow e r e d M i xe r OWNER'S MANUAL Intended to alert the user to the presence of uninsulated "dangerous voltage" within the product's enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons. Intended to alert the user of the presence of important operating and maintenance (servicing) instructions in the literature accompanying the product. CAUTION: Risk of electrical shock -- DO NOT OPEN!CAUTION: To reduce the risk of electric shock, do not remove cover. [. . . ] An occassional blink indicates that you have the levels at an optimum setting. It is advisable to listen carefully to the output at the same time in order to determine the final setting. 15 5 17. PRESET: Selects the effect preset from the list below. EFX Presets PRESET 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 NAME Chamber Plate Room Cathedral Spring Gate Reverse Delay + Reverb Bright Delay Warm Delay Dark Delay Ping Pong Delay Chorus Phaser Flange Rotary Speaker TIME/SIZE Time: 150 to 5, 000 ms Time: 100 to 4, 000 ms Time: 150 to 5, 000 ms Time: 100 to 8, 000 ms Time: 150 to 5, 000 ms Time: 150 to 500 ms Time: 150 to 500 ms Time: 0 to 225 ms Time: 0 to 500 ms Time: 0 to 500 ms Time: 0 to 500 ms Time: 0 to 500 ms Rate: 0. 125 to 8 Hz Rate: 0. 250 to 16 Hz Rate: 0. 10 to 2. 5 Hz High Speed: 0. 50 to 25 Hz COLOR/TONE Damping (High Frequency) Damping (High Frequency) Damping (High Frequency) Damping (High Frequency) Damping (High Frequency) Damping (High Frequency) Damping (High Frequency) Reverb Time: 0 to 5, 000 ms Feedback: 0 to 99% Feedback: 0 to 99% Feedback: 0 to 99% Feedback: 0 to 99% Depth: Best Set Full CW Depth: Best Set Full CW Depth: Best Set Full CW Width: 0 to 100% CW 18. TIME/SIZE: In Reverb and Delay presets, this control adjusts the time of the particular reverb or delay; in Chorus, Phaser, and Flange, it adjusts the rate of each. In Rotary Speaker setting, this adjusts the speed of the speaker rotation. COLOR/TONE: Adjusts the high-frequency content of the effects signal. (While using a delay this control adjusts the feedback or depth. ) 20. EFX TO MON: Controls the amount of effects signal sent to the monitor mix. This control allows effects to be heard from the stage via the monitor. EFX TO MAIN: Controls the amount of effects signal sent to the main mix. FLS® (Feedback Locator System®): These LEDs illuminate to indicate the frequency band of highest energy. If phantom power is used, do not connect unbalanced microphones or other devices that cannot handle this voltage to the XLR inputs. (Some wireless receivers may be damaged; consult their manuals for compatibility. ) The line input 1/4" jacks are not connected to the phantom supply, and are safe for all inputs (balanced or unbalanced). An unbalanced-to-balanced impedance converter, such as the Peavey 5116 or a Peavey 1:1 Interface Adapter, can also be used to isolate a mic from phantom voltage. EFX DEFEAT: This 1/4" jack accepts an on/off 1/4" footswitch (Peavey Pt. #00051000) to defeat the effects of both the Main and Monitor mixes. MONITOR OUTPUT: This 1/4" jack provides an output from the monitor mix to supply external power amp/monitor combinations. The level of this signal is determined by the Monitor Level control. 7 30. LEFT/MONO OUTPUT: This 1/4" jack provides an output from the Left Main mix to supply external amp/speaker combinations. The level of this signal is determined by the Main Level control. When no plug is connected to the Right Output (#31) then the right signal is mixed with the left, and both can be accessed at the Left/Mono Output. This works well when you use the internal amps for monitor and external amps for Main. [. . . ] Never walk or place equipment on power supply cords. Periodically check cords for cuts or signs of stress, especially at the plug and the point where the cord exits the unit. 11 The power supply cord should be unplugged when the unit is to be unused for long periods of time. If this product is to be mounted in an equipment rack, rear support should be provided. [. . . ]