User manual PIONEER VSX-1019AH

[. . . ] audio/video multi-channel receiver IMPORTANT CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN The lightning flash with arrowhead symbol, within an equilateral triangle, is intended to alert the user to the presence of uninsulated "dangerous voltage" within the product's enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons. CAUTION: TO PREVENT THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER (OR BACK). REFER SERVICING TO QUALIFIED SERVICE PERSONNEL. The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the appliance. D3-4-2-1-1_A1_En Replacement and mounting of an AC plug on the power supply cord of this unit should be performed only by qualified service personnel. IMPORTANT: THE MOULDED PLUG This appliance is supplied with a moulded three pin mains plug for your safety and convenience. [. . . ] Some monitors have a slight delay when showing video, so the soundtrack will be slightly out of sync with the picture. By adding a bit of delay, you can adjust the sound to match the presentation of the video. Allows you to hear effective surround sound of movies at low volumes. Used to get good bass and treble from music sources at low volumes. Applies the treble and bass tone controls to a source, or bypasses them completely. ON OFF 0. 0 to 10. 0 (frames) 1 second = 25 frames (PAL) Default: 0. 0 MIDNIGHT/ LOUDNESS OFF MIDNIGHT ON LOUDNESS TONEb (Tone Control) LOUDNESS ON BYPASS ON EQ (Acoustic Calibration EQ) S-WAVE (Standing Wave) DELAY (Sound Delay) MIDNIGHT 63 En 08 Using other functions Setting BASSc TREBLEc S. RTRV (Sound Retriever) DNR (Digital Noise Reduction) DIALOG E. (Dialog Enhancement) DUAL (Dual Mono) What it does Adjusts the amount of bass. With the Sound Retriever function, DSP processing is used to compensate for the loss of audio data upon compression, improving the sound's sense of density and modulation. May improve the quality of sound in a noisy source (for example, video tape with lots of background noise) when switched on. Localizes dialog in the center channel to make it stand out from other background sounds in a TV or movie soundtrack. Specifies how dual mono encoded Dolby Digital soundtracks should be played. Dual mono is not widely used, but is sometimes necessary when two languages need to be sent to separate channels. Option(s) ­6 to +6 (dB) Default: 0 (dB) ­6 to +6 (dB) Default: 0 (dB) OFFd ON OFF ON OFF ON CH1 ­ Channel 1 is heard only CH2 ­ Channel 2 is heard only CH1 CH2 ­ Both channels heard from front speakers DRC (Dynamic Range Control) Adjusts the level of dynamic range for movie soundtracks optimized for Dolby Digital, DTS, Dolby Digital Plus, Dolby TrueHD, DTS-HD and DTS-HD Master Audio (you may need to use this feature when listening to surround sound at low volumes). Some Dolby Digital and DTS audio sources include ultra-low bass tones. Set the LFE attenuator as necessary to prevent the ultra-low bass tones from distorting the sound from the speakers. The LFE is not limited when set to 0 dB, which is the recommended value. When set to ­5 dB, ­10 dB, ­15 dB or ­20 dB, the LFE is limited by the respective degree. When OFF is selected, no sound is output from the LFE channel. Brings out detail in SACDs by maximizing the dynamic range (during digital processing). Specifies the routing of the HDMI audio signal out of this receiver (amp) or through to a TV or flat screen TV. When THROUGH is selected, no sound is output from this receiver. This feature automatically corrects the audio-to-video delay between components connected with an HDMI cable. The audio delay time is set depending on the operational status of the display connected with an HDMI cable. [. . . ] 284 mV/2. 2 k Miscellaneous Power requirements . AC 220 V to 230 V, 50 Hz/60 Hz Power consumption . 0. 5 W (KURO LINK OFF) 0. 8 W (KURO LINK ON) Dimensions . 420 mm (W) x 158 mm (H) x 349 mm (D) Weight (without package) . [. . . ]