User manual PROEL M-20

[. . . ] This marking shown on the product or its literature, indicates that it should not be disposed with other household wastes at the end of its working life. To prevent possible harm to the enviroment or human health from uncontrolled waste disposal, please separate this from other types of wastes and recycle it responsibly to promote the sustainable reuse of material resources. Household users should contact either the retailer where they purchased this product, or their local government office, for details of where and how they can take this item for environmentally safe recycling. Business users should contact their supplier and check the terms and conditions of the purchase contract. [. . . ] The VARIATIONS vary from "bright" (1-8) to "warm" (9-16) starting from long tail to short tail for each one. The VARIATIONS vary from "bright" (1-8) to "warm" (9-16) starting from long tail to short tail for each one, alternating hall, tape, spring or plate types of reverb. The VARIATIONS vary from "bright" (1-8) to "warm" (9-16) starting from long tail to short tail for each one, alternating hall, tape, spring or plate types of reverb. PLATE - This is a simulation of metal plate reverb, as used on classic recordings from the '70s and '80s. The VARIATIONS vary from long tail to short tail. STEREO DELAY - Echo effect with ping-pong of left and right channels. The VARIATIONS vary from long delay times to short delay times. FX1: STEREO DELAY - Echo effect with stereo spatialization and pingpong without repetitions of left and right channels. The VARIATIONS vary between various spatializations (1-8) and between Ping-pong delay times varying from long to short (9-16). The VARIATIONS vary from long delay times to short delay times. FLANGER - Typical modulation effect, creates a strong sweeping effect, particularly effective on rock electric guitar, lead and rhythm. The VARIATIONS vary from long tail to short tail. The VARIATIONS vary from long tail to short tail. Engage this switch if you want to set whole AUX3 bus set as pre-fader: this can be useful if you want to use AUX3 as an additional monitor. In this case always remember to mute FX1 and to set at minimum FX1 TO AUX1, FX1 TO AUX2 and FX1 FADER in order to avoid any interference between the monitor sends and FX1 (that is not used anymore). When "TAP DELAY" effect is selected on FX2, by pushing at least two times this button, it's possible to set the desired delay time, according to music rhythm. This LED is activated only when "TAP DELAY" effect is recalled on FX2 and flashes in sync with the delay time set by pushing the TAP button. When "TAP DELAY" effect is selected on FX2, pressing at least two times the footswitch it's possible to set the desired delay time, according to music rhythm. Use it to reduce the level of signal sent to the internal effect is the PEAK LED is flashing. This control ranges from off through unity (the center detent position) on up to 15 dB of extra gain (fully clockwise). Use it to reduce the level of signal sent to the internal effect is the PEAK LED is flashing. This control ranges from off through unity (the center detent position) on up to 15 dB of extra gain (fully clockwise). [. . . ] The 2 TRK IN (73) knob now acts like a monitoring level control for all pre-recorded playback tracks on your DAW software. ROOM (81) /PHONES (80) knobs now control the master level of your studio monitors or headphones. You can set this level to a comfortable setting, or even off without affecting what gets recorded. Make sure the mains AC~ outlet is live (check with a tester or a lamp) Make sure the signal level from the selected input source is high enough to light up some of the led meter, check it using the SOLO button in PFL mode. [. . . ]