User manual PROEL M-6

[. . . ] This marking shown on the product or its literature, indicates that it should not be disposed with other household wastes at the end of its working life. To prevent possible harm to the enviroment or human health from uncontrolled waste disposal, please separate this from other types of wastes and recycle it responsibly to promote the sustainable reuse of material resources. Household users should contact either the retailer where they purchased this product, or their local government office, for details of where and how they can take this item for environmentally safe recycling. Business users should contact their supplier and check the terms and conditions of the purchase contract. [. . . ] ⷠWhen powering up, turn on the amplifier last. ⷠNever listen to loud music for prolonged periods. The M6 mono channels are designed to obtain the highest dynamic headroom and low noise possible in a wide range of adjustable gain of 70dB. Each channel strip contains the following controls: This is a female XLR connector, which accepts a balanced microphone input from almost any type of microphone. The XLR inputs are wire as follows: Pin 1 = shield or ground Pin 2 = + positive or "hot" Pin 3 = - negative or "cold" 3mm) jack connector, which accepts a balanced or unbalanced line level input signal from almost any source. When connecting a balanced signal, wire them as follows: Tip = + positive or "hot" Ring = - negative or "cold" Sleeve = shield or ground When connecting an unbalanced signal, wire them as follows: Tip = + positive or "hot" Sleeve = shield or ground This allows the signal from mics and instruments to be adjusted to optimal internal levels. If the signals are plugged into the XLR input there is a 10 dB with the knob turned all way down, ramping up to 50 dB of gain fully up. When connected to the jack input, there is 20 dB of attenuation all way down and 20 dB of gain fully up, with a unity gain (0 dB) if centered. This control gives you up to 15dB boost or cut at 12KHz with a "SHELVING" curve shape. Use it to add or reduce the sound "clarity" or "brightness". This control gives you up to 15dB boost or cut at 2. 5KHz with a "PEAKING" curve shape. Use it to add or reduce the sound "presence". This control gives you up to 15dB boost or cut at 80Hz with a "SHELVING" curve shape. Use it to add or reduce the sound "punch". This control sends the signal to the AUX output and to the internal DIGITAL EFFECT PROCESSOR, this signal is post-fader or in other words it depends by the position of the FADER LEVEL control. It adjusts the level of the channel signal and send it to the MAIN MIX and to the CTRL ROOM/PHONES outputs on master section. The PEAK LED flashes when the input signal is near to the CLIPPING point. IMPORTANT: if the LED PEAK flashes reduce the level of the input signal using the GAIN control. The M6 stereo channels are designed to obtain the highest dynamic headroom and low noise possible in a wide range of adjustable gain of 70dB. Each channel strip contains the following controls: This is a female JACK/XLR combo connector, which accepts a balanced microphone XLR input from almost any type of microphone, or a line JACK input, which accepts a balanced or unbalanced line level input signal from almost any source. If the LINE R jack is not inserted, this channel operate like a MONO channel with this input as a single signal source. [. . . ] Most professional condenser microphones require phantom power, which is a lower DC voltage delivered to the microphone on pin 2 and 3 of the XLR microphone connector. Dynamic microphones do not require phantom power, however phantom power will not harm most dynamic microphones should you accidentally plug one in while the phantom power is on. Check the manual of your microphone to find out for sure whether or not phantom power can damage it. Make sure the mains AC outlet is live (check with a tester or a lamp) · Make sure the 18V~ power supply input is securely plugged. [. . . ]