User manual PYLE PASC12

[. . . ] The cabinet features heavy-duty construction with reinforced corners. It is covered with a black-carpeted finish that will stand up to years of tour duty. [. . . ] These wayward frequencies could damage your speaker. A proper match is an amplifier which could drive the speaker up to the cabinet's RMS rating, without exceeding the amplifier's own RMS level. Operation When powering on your equipment, make sure the volume level on the amplifier is turned all the way down. This is to avoid the "popping" noise, which could damage your speaker. The placement of speakers can be a bit tricky. This is especially true to monitors as they are more susceptible to feedback. Being that a monitor is meant to face the performers, the chances of feedback are much greater. The trick is to place the monitor outside the microphone's pickup pattern. For most microphones the best position is directly behind the mic. Supercardioid mics however, do not reject sound from the back very well, but do have a 3 narrow pickup pattern. You should therefore place the monitor in the rear, but at a slight angle. High frequencies are unidirectional while low frequencies are omni directional. Being that this is a full range enclosure, it is important that the speaker be placed so that the high frequencies reach the intended listeners properly. Make certain that no person or object could come to interrupt the line-of-site between the loudspeaker and the performers. When using more than one loudspeaker, you have to account for phase alignment. [. . . ] Make sure you are not exceeding the RMS rating of your speaker. Specifications !2 + ++ 1+ 3+ + + 4 " # $ :' 3 ;( $ : <2 ( . : 2 ( % ' " 5 ' " 8 6 7 # ( 8 94 " ' " 5 ' " 8 6 7 # ( 8 94 " 2 ;= < ; ( &#; ) * # :' ; <( $ : <2 ( . [. . . ]