User manual PYLE PPVERB16

[. . . ] DIGITAL EFFECTS MODULE OWNER'S MANUAL Introduction . Thank you for purchasing the DEP (Abbrev For: Digital Effects Processor). To take full advantage of the DEP 's functions, and to enjoy long and trouble-free use, please read this user's manual carefully. . How To Use This Manual This manual is divided into the following sections describing the various modes of the DEP. [. . . ] Route cables to the DEP correctly by observing the following . precautions: Do not bundle audio cables with AC power cords. Avoid running audio cables, or placing the DEP itself, near sources of electromagnetic interference such as transformers, monitors, computers, etc. Never unplug a cable by pulling on the wire itself. Always unplug by firmly grasping the body of the plug and pulling directly outward . Do not place cables where they can be stepped on. Stepping on a cable may not cause immediate damage, but it can compress the insulation between the center conductor and shield (degrading performance), or reduce the cable's reliability. Avoid twisting the cable or having it make sharp, right angle turns. 4 Chorus- The chorus effect is achieved by splitting the signal into four parts with a dry signal and a . separate detuning section for both left and right channels. The detuning is further effected by being modulated by an LFO (low frequency oscillator) which causes the detuning to vary. chorus has individual LFOs controlling DRY SIGNAL the left and right sides, set at different . CHORUSED chorus, often has a wier stereo im- LEFT OUTPUT . DETUNE DELAY age than regular stereo chorus effe DRY cts. When the Rate is changed on a SIGNAL LFO true stereo chorus, the chorus rate difference between the left and rig LFO -ht sides is mainyained. Note: This chorus processes the left and right LEFT DETUNE DELAY DRY sides individually, so any stereo im SIGNAL RIGHT -aging will be maintained. CHORUSED FEEDBACK OUTPUT DRY SIGNAL 13 CHAPTER 3 OVERVIEW OF PROGRAMS Reverb Effects . Reverb is made up of a large number of distinct echoes, called reflections. In a natural acoustic space, each reflection's amplitude and brightness decays over time. This decaying action is influenced by the room size, the location of the sound source in the room, the hardness of the walls, and many other factors. The DEP offers the following types of reverberation: . Typical Applications . The audio inputs and outputs are typically used in one of three ways: . [. . . ] Insert jacks on the back of a mixer provide a way of "inserting" external processing equipment into the signal path. The insert occurs after the input amplifier, and before the channel fader; essentially it is the same as connecting the source (instrument or microphone) into the DEP before the mixer's channel input. However, some mixing console's inserts come after the EQ section, and may therefore be different from the original signal. If nothing is connected to the channel's Insert jack, the signal passes through with no effect. [. . . ]