User manual RADIOSHACK MD-1210 MIDI KEYBOARD

[. . . ] MD-1210 MIDI Keyboard Owner's Manual Please read before using this equipment. Contents Features . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4 The FCC Wants You to Know . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5 Preparation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Connecting Power . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . [. . . ] If you want to use a layered tone, start out with a 2DCO tone. · Determine the most important parameter. The PCM Set and Amp Envelope Set parameters are the major factors that determine the overall tone characteristic. Start out by setting these two parameters to get the general sound you want, and then set the other parameters to add the finishing touches. · Experiment with different settings. There are no real rules about what a tone should sound like. Let your imagination run free and experiment with different combinations. You might be surprised at what you can achieve! sists of eight banks (0-7), and each bank has four memory locations (A ­ D), totaling up to 32 settings. You can save each of the following settings in each registration memory: · tone · rhythm · tempo · split on/off · split point · layer on/off · mixer settings (Channels 1 ­ 4) · keyboard channel on/off (Channels 1 ­ 10) · reverb settings · touch response settings · assignable jack setting (see "Using a Sustain Pedal" on Page 26) · transpose (see "Changing Keys" on Page 24) · tuning (see "Tuning the Keyboard" on Page 25) · pitch bend range (see "Using Pitch Bend" on Page 26) · accompaniment volume Notes: · You cannot use the registration memory while you are using the synthesizer, memory, or demo tune functions. · You cannot delete a registration setup from memory, but you can store a different setup in its place. 23 Deleting a User Tone To delete an existing user tone, follow Steps 1­5 of "Creating and Storing a User Tone" on Page 21. The parameters of the default tone for that number are restored. USING THE REGISTRATION MEMORY Your keyboard can save different setups of controls in its registration memory. This lets you instantly recall your favorite settings. The registration memory con- Operation · You can use the keyboard's MIDI function to save your setup data to your PC or other storage device. 4. Release STORE and REGISTRATION. Storing a Setup 1. Set the desired controls to the setting you want to store. Within 5 seconds, repeatedly press BANK until the desired bank number appears. While holding down STORE, press the desired REGISTRATION button (A, B, C, or D). Store appears after the selected bank/location number/ letter. 5. Repeat Steps 1­4 to store more setups. Recalling a Setup 1. Repeatedly press BANK until the desired bank number appears. Within 5 seconds, press the desired REGISTRATION button (A, B, C, or D). Recall appears after the selected bank/location number/letter. [. . . ] ­12 semitones to +12 semitones Tuning . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Adjustable A4 = 440 Hz ±50 cents Pitch Bend Range . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12 semitones up and down Built-In Speakers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12 cm × 2 Terminals MIDI Terminals . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . IN, OUT Assignable Terminal . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . [. . . ]