User manual RANE MLM 65

[. . . ] OPERATORS MANUAL MLM 65 MIC/LINE MIXER MIC 1 MIC 2 MIC 3 MIC 4 MIC 5 MIC 6 1 AUX STEREO 2 3 4 5 USB POWER L PAN R L PAN R L PAN R L PAN R L PAN R L PAN R SOURCE OL +7 MAIN OL +7 CUE CUE CUE CUE CUE CUE CUE CUE +4 +2 CUE +4 +2 10 9 8 7 6 5 4 3 2 1 0 10 9 8 7 6 5 4 3 2 1 0 10 9 8 7 6 5 4 3 2 1 0 10 9 8 7 6 5 4 3 2 1 0 10 9 8 7 6 5 4 3 2 1 0 10 9 8 7 6 5 4 3 2 1 0 10 9 8 7 6 5 4 3 2 1 0 10 9 8 7 6 5 4 3 2 1 0 10 9 8 7 6 5 4 3 2 1 0 10 9 8 7 6 5 4 3 2 1 0 10 9 8 7 6 5 4 3 2 1 0 10 9 8 7 6 5 4 3 2 1 0 10 9 8 7 6 5 4 3 2 1 0 10 9 8 7 6 5 4 3 2 1 0 0 -2 -4 -7 -10 -20 10 9 8 7 6 5 4 3 2 1 0 10 9 8 7 6 5 4 3 2 1 0 0 -2 -4 -7 -10 -20 4 2 0 6 8 10 MLM 65 MIC / LINE MIXER PHONES LEVEL LEVEL LEVEL LEVEL LEVEL LEVEL LEVEL LEVEL LEVEL QUICK START Are you being pursued by a slow-moving, yet tenacious, gang of zombies?Do you need to get your new MLM 65 installed before they overwhelm you and eat your brain?Use this Quick Start to get the most out of your MLM 65 in the least amount of time. Mic Inputs 1 through 6 may be microphone or line-level. [. . . ] Refer servicing to qualified personnel. DIGITAL OUTPUTS USB AUDIO IN / OUT S/PDIF TOSLINK MAIN OUTPUT RIGHT LEFT RECORD OUT AUX 5 IN AUX 4 IN LINE AUX 3 IN AUX 2 IN AUX 1 IN USB CHARGE ONLY 5 VDC @ 500 mA 0 0 MONO ­12 100-240 V 50/60 Hz 15 WATTS CLASS 2 WIRING PHONO 0 0 0 0 ­12 +12 ­12 +12 ­12 +12 ­12 +12 ­12 +12 r ew q 0 9 8 7 65 1 MIC/LINE INPUTS 1-6 are balanced XLR input jacks. Pin 1 is chassis ground (neutral), pin 2 is positive (+), and pin 3 is negative (-). 2 MIC/LINE INPUT buttons 1-6 switch the sensitivity and input impedance for microphone or line-level input. If LINE is chosen, phantom power is defeated for that input. 3 PHANTOM POWER buttons 1-6 apply 12V phantom power to the input if the Mic/Line button is set to MIC. 4 MIC/LINE INPUT GAIN trims 1-6 adjust the preamp gain for the Mic/Line Input. The OverLoad indicator lights when the input signal level is within 5 dB of clipping. The Mic/Line Gain Trim may be decreased to provide more headroom if necessary. 5 USB CHARGE port provides up to 500 mA at 5V to allow an MP3 player to charge its battery during playback. 6 AUX 1 Stereo Input provides a 3. 5 mm TRS input as a convenience for connecting an MP3 player or other portable device. Connect a 3. 5 mm stereo audio cable from a docking station, or headphone output of the player, to this 3. 5mm input jack. Connect USB cable from the docking station or MP3 player to the adjacent USB charge port 5. An RCA stereo line input is also provided. However, use only one of these AUX 1 Inputs at a time, do not use both at once. 7 AUX 1-5 Input Gain Trim on each AUX input allows the system installer to match the relative input signal levels of various professional and consumer input devices (CD/DVD players, tape decks, MP3 players, phonographs, keyboards, etc). 8 AUX 4 Stereo Input provides a LINE/PHONO switch. When set to PHONO, this switch engages an RIAA equalization filter to accept input from a phonograph. Connect the ground cable from the phonograph to the phono ground post above the Phono switch. When set to LINE, this input accepts any stereo line signal. 9 AUX 1-5 Stereo RCA Inputs in stereo pairs accommodate professional consumer-level unbalanced inputs. White = left channel, and red = right channel. 0 RECORD OUT stereo RCA jack outputs the Main Mix, unaffected by the Main Level fader, at a level dictated by the adjacent record output level trim. [. . . ] The analog Record Output includes a level control which may be used to attenuate the analog record signal to avoid overloading the input of the recording device. MAIN OUTPUT The left and right Main Outputs transmit the stereo Main Mix after it is attenuated by the Main fader. The rear-panel Mono switch affects only the Main Output (the Digital Main Mix and Record Outputs remain stereo). HEADPHONES AND CUEING The solo Cue buttons on the front panel select which stereo Input is sent to the headphones. [. . . ]