User manual RANE MP 2016A

[. . . ] OPERATORS MANUAL MP 2016a ROTARY DJ MIXER 1 AUX 1 AUX 2 AUX 3 AUX 4 AUX 5 4 3 2 1 10 INPUT GAIN 5 6 7 8 9 SIG / OL 2 PHONO / LINE AUX 1 AUX 2 AUX 3 AUX 4 AUX 5 4 3 2 1 10 INPUT GAIN 5 6 7 8 9 SIG / OL 3 PHONO / LINE AUX 1 AUX 2 AUX 3 AUX 4 AUX 5 4 3 2 1 10 INPUT GAIN 5 6 7 8 9 SIG / OL 4 PHONO / LINE AUX 1 AUX 2 AUX 3 AUX 4 AUX 5 4 3 2 1 10 INPUT GAIN 5 6 7 8 9 SIG / OL 5 PHONO / LINE AUX 1 AUX 2 AUX 3 AUX 4 AUX 5 4 3 2 1 10 INPUT GAIN 5 6 7 8 9 SIG / OL ENGAGE 6 MIC 1 AUX 1 AUX 2 AUX 3 AUX 4 AUX 5 4 3 2 1 10 INPUT GAIN 5 6 7 8 9 SIG / OL ENGAGE MASTER MIC 2 3 2 1 10 BOOTH CUE XP 2016a 5 4 6 7 8 9 3 2 1 EFFECTS LOOP 10 HOUSE MONO OFF 4 5 6 7 8 9 SIG / OL 0 TREBLE OFF 0 +6 MID +6 0 BASS MASTER STEREO MP 2016a OFF +6 ROTARY MIXER 5 4 3 2 1 6 7 8 9 10 3 2 CUE 1 1 4 5 6 7 8 9 10 3 2 CUE 2 1 4 5 6 7 8 9 10 3 2 CUE 3 1 4 5 6 7 8 9 10 3 2 CUE 4 1 4 5 6 7 8 9 10 3 2 CUE 5 1 4 5 6 7 8 9 10 6 8 CUE 6 CUE 4 2 2 4 6 8 PGM STEREO MONO 4 3 2 1 5 6 7 8 9 10 POWER MIX LEVEL MIX LEVEL MIX LEVEL MIX LEVEL MIX LEVEL MIX LEVEL MONITOR LEVEL PHONES QUICK START You asked for it, you got it!If you don't know what that is, we suggest you take the time to read this entire manual so you learn lots of other things to get the best sound and features out of your new mixer. But if you know what Split Cue is, at least read this section to refresh your knowledge of the rest of the MP 2016a. There are four dedicated phono preamplifiers. [. . . ] In MIC mode, the gain range is 20 to 50 dB. In LINE mode, the gain range is 0 to 30 dB. In addition to setting the proper gain range for MIC or LINE level Inputs, these switches also select the proper Input impedance. MIC GAIN trim These controls adjust the preamplifier for optimum dynamic range. Each has a range of 30 dB, allowing a wide range of sources to be used. This unit's outboard power supply does not ground the chassis through the line cord. Make sure that the unit is grounded either to another chassis which is earth grounded, or directly to the grounding screw on an AC outlet cover by means of a wire connected to a screw on the chassis with a star washer to guarantee proper contact. Please refer to the RaneNote "Sound System Interconnection" supplied with this manual and available from our website for further information on system grounding. Manual- MADE IN U. S. A. PATENT PENDING 0 0 GAIN MIC LINE -12 0 0 GAIN L MIC LINE L R L R LINE PHONO L R R -12 ACN001. 345. 482 +12 -12 +12 +12 -12 +12 XLR WIRING PIN 2 = POSITIVE PIN 3 = NEGATIVE PIN 1 = CHASSIS GROUND -- PHONO GROUND -- HOUSE OUTPUTS RIGHT CLASS 2 EQUIPMENT POWER BOOTH OUTPUTS LEFT EFFECTS LOOP RETURN L SEND TAPE OUTPUTS POST PRE EFFECTS EFFECTS LEVEL XP 2016a EXTERNAL PROCESSOR AUX INPUTS 5 L R 4 L R 3 L R 2 L R 1 L R LEFT L R R L R RIGHT 750mA EFFECTS LOOP SEND ¼" jacks SEND Outputs are unbalanced standard ¼" tip-sleeve jacks. They provide a line level Output for external signal processing or effects units. If effects are not being used, these outputs may be used as Auxiliary Outputs. EFFECTS LOOP RETURN ¼" jacks RETURN Inputs are unbalanced standard ¼" tip-sleeve jacks. They provide the Input from external signal processing or effects units. Switching jacks are used so there is no loss of signal if the front panel EFFECTS LOOP switch is active with no effects connected. RETURN Inputs are not appropriate for Auxiliary Inputs as this signal is only selected when the front panel EFFECTS LOOP switch is active, at which time Master signal is derived only by the signal present at the RETURN Inputs, the mix signals are disconnected. BOOTH OUTPUT RCA jacks The unbalanced stereo BOOTH OUTPUT is normally used for booth monitoring. As previously outlined, very flexible source selection is provided as well as MIC ducking. Remember, the BOOTH OUTPUT is attenuated by 12 dB whenever one of the front panel MIC ENGAGE switches is active (unless ducking has been defeated with the internal jumper. HOUSE OUTPUT jacks Both balanced (XLR) and unbalanced (RCA) jacks are provided. For long runs, we highly recommend using the balanced XLR outputs. The unbalanced RCA outputs are intended for short runs of less than 10 feet (3 meters). Both may be used simultaneously if required. AUX INPUTS 1-5 RCA jacks These five stereo AUX Inputs are unbalanced, line level Inputs available for selection on all six Input channels. [. . . ] CHANNEL 1-6 BASS Allows adjusting the amplitude of frequencies below 300 Hz from +6 dB to OFF (full kill). CHANNEL 1-6 A/POST/B Assign These switches assign each of the six input channels to the A side of the Crossfader, B side of the Crossfader or POST Crossfader. CROSSFADER This implements using Ranes' proprietary Active CrossfaderTM design. All audio is isolated from the control element, greatly extending the life and performance of the control. [. . . ]